Prometheus (Liszt)
Encyclopedia
Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...

 composed his Prometheus in 1850, numbering it No. 5 in his cycle of symphonic poem
Symphonic poem
A symphonic poem or tone poem is a piece of orchestral music in a single continuous section in which the content of a poem, a story or novel, a painting, a landscape or another source is illustrated or evoked. The term was first applied by Hungarian composer Franz Liszt to his 13 works in this vein...

s when he revised it in 1855. The work is based on the Greek myth
Greek mythology
Greek mythology is the body of myths and legends belonging to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. They were a part of religion in ancient Greece...

, Prometheus
Prometheus
In Greek mythology, Prometheus is a Titan, the son of Iapetus and Themis, and brother to Atlas, Epimetheus and Menoetius. He was a champion of mankind, known for his wily intelligence, who stole fire from Zeus and gave it to mortals...

 and is numbered S.99 in the Searle
Humphrey Searle
Humphrey Searle was a British composer.-Biography:He was born in Oxford where he was a classics scholar before studying — somewhat hesitantly — with John Ireland at the Royal College of Music in London, after which he went to Vienna on a six month scholarship to become a private pupil of Anton...

 catalogue.

Composition

In 1850, Franz Liszt composed an overture and eight choruses with orchestra accompaniment for Johann Gottfried Herder
Johann Gottfried Herder
Johann Gottfried von Herder was a German philosopher, theologian, poet, and literary critic. He is associated with the periods of Enlightenment, Sturm und Drang, and Weimar Classicism.-Biography:...

's Der entfesselte Prometheus (Prometheus Unbound), a mythological work of thirteen scenes meant as a sequel
Sequel
A sequel is a narrative, documental, or other work of literature, film, theatre, or music that continues the story of or expands upon issues presented in some previous work...

 to Aeschylus
Aeschylus
Aeschylus was the first of the three ancient Greek tragedians whose work has survived, the others being Sophocles and Euripides, and is often described as the father of tragedy. His name derives from the Greek word aiskhos , meaning "shame"...

's Prometheus Bound
Prometheus Bound
Prometheus Bound is an Ancient Greek tragedy. In Antiquity, this drama was attributed to Aeschylus, but is now considered by some scholars to be the work of another hand, perhaps one as late as ca. 415 BC. Despite these doubts of authorship, the play's designation as Aeschylean has remained...

. This was to be performed for the Herder Festival scheduled for August of that year in Weimar. Liszt gave indications for the orchestration, and from these notes Liszt's helper Joachim Raff
Joachim Raff
Joseph Joachim Raff was a German-Swiss composer, teacher and pianist.-Biography:Raff was born in Lachen in Switzerland. His father, a teacher, had fled there from Württemberg in 1810 to escape forced recruitment into the military of that southwestern German state that had to fight for Napoleon in...

 produced a score which was used in the first performance. This concert commemorated the unveiling of a monument to Herder on August 24, 1850. In 1855 Liszt revised both the overture and the choruses, which resulted in the expansion of the overture to a symphonic poem and the choruses to a concert stage work. The symphonic poem was first performed on October 18, 1855.

Description

The work that was composed to illustrate the imprisonment, pain, hope, and the final triumph of Prometheus turned out to be incomprehensible to the contemporary public due to the many dissonances that accompany the piece. The choral parts ended too soon and were unusable, while the overture acquired own life thanks to the multiple intentional executions and direction from Hans von Bülow
Hans von Bülow
Hans Guido Freiherr von Bülow was a German conductor, virtuoso pianist, and composer of the Romantic era. He was one of the most famous conductors of the 19th century, and his activity was critical for establishing the successes of several major composers of the time, including Richard...

.

For the performance of the revised choruses, Weimar critic Richard Pohl condensed Herder's work into prologues to be read before each chorus. Unlike Herder's allegorical
Allegory
Allegory is a demonstrative form of representation explaining meaning other than the words that are spoken. Allegory communicates its message by means of symbolic figures, actions or symbolic representation...

 text, Pohl's prologues develop Prometheus' character, emphasizing both his sufferings and his turbulent relationship with Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...

. They also create an intensity not present in Herder's drama, which carries over into the symphonic poem, from the furious opening (marked Allegro energico ed adagio assai) to the principal musical material (marked Allegro molto appassionato).

Transcriptions

As with the other symphonic poems written during the Weimar period, Prometheus was also transcribed for piano four-hands and two pianos.
Additionally, the organist and composer Jean Guillou has transcribed Prometheus for organ solo.

Discography

  • Prometheus, the myth in music
Berlin Philharmonic directed by Claudio Abbado
Claudio Abbado
Claudio Abbado, Cavaliere di Gran Croce OMRI , is an Italian conductor. He has served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera,...

,
label SONY Classical, SK 53978-2
live recording from 4 October 1994.

  • Liszt, Symphonic Poems
the symphonic orchestra of Polskie Radio
Polskie Radio
Polskie Radio Spółka Akcyjna is Poland's national publicly funded radio broadcasting organization.- History :Polskie Radio was founded on 18 August 1925 and began making regular broadcasts from Warsaw on 18 April 1926....

, directed by Michael Hálasz
label Naxos
Naxos Records
Naxos Records is a record label specializing in classical music. Through a number of imprints, Naxos also releases genres including Chinese music, jazz, world music, and early rock & roll. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong.Naxos is the largest...

 8.550487
recorded 2–6 April 1991

  • Liszt, A Faust Symphony, A Dante Symphony, Les Preludes, Prometheus, (2CD)
London Philharmonic Orchestra
London Philharmonic Orchestra
The London Philharmonic Orchestra , based in London, is one of the major orchestras of the United Kingdom, and is based in the Royal Festival Hall. In addition, the LPO is the main resident orchestra of the Glyndebourne Festival Opera...

 directed by Sir Georg Solti
Georg Solti
Sir Georg Solti, KBE, was a Hungarian-British orchestral and operatic conductor. He was a major classical recording artist, holding the record for having received the most Grammy Awards, having personally won 31 as a conductor, including the Grammy Lifetime Achievement Award. In addition to his...

label Decca
Decca Records
Decca Records began as a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934; however, owing to World War II, the link with the British company was broken for several decades....

, 466751
recorded 13 June 1977

Additional sources

  • Müller-Reuter, Theodor. Lexikon der deutschen Konzertliteratur. Leipzig: C.F. Kahnt, 1909
  • Raff, Helene. "Franz Liszt und Joachim Raff im Spiegel ihrer Briefe." Die Musik. 1901-1902
  • Paul Allen Bertagnolli. "From overture to symphonic poem, from melodrama to choral cantata: studies of the sources for Franz Liszt’s Prometheus and his Chöre zu Herder's Entfesseltem Prometheus" (Ph.D. Dissertation, Washington University, 1998).

External links

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