Perm Academic Theatre
Overview
 
The Perm Academic Theatre established in Perm
Perm
Perm is a city and the administrative center of Perm Krai, Russia, located on the banks of the Kama River, in the European part of Russia near the Ural Mountains. From 1940 to 1957 it was named Molotov ....

 as an amateur theater for working youths. Its first performance, the Battleship Potemkin
The Battleship Potemkin
The Battleship Potemkin , sometimes rendered as The Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm...

, was held on March, 14th, 1927 on the site of the theater, which at that time had no constant base, but managed to stage 25 new plays a month with their own scenarios, costumes, etc. .. The theater's own building for one thousand spectators was built by local architects V.P. Davydenko and V.I.
Quotations

Manhattan is not altogether felicitous for fiction. It is not a city of memory, not a family city, not the capital of America so much as the iconic capital of this century. It is grand and grandiose with its two rivers acting as a border to contain the restless. Its skyscrapers and bleak, rotting tenements are a gift for photographic consumption, but for the fictional imagination the city's inchoate density is a special challenge.

"Locations: An Introduction" (p. xvi)

The private and serious drama of guilt is not often a useful one for fiction today and its disappearance, following perhaps the disappearance from life, appears as a natural, almost unnoticed relief, like some of the challenging illnesses wiped out by drug and vaccines.

"Guilt, Character, Possibilities" (p. 227)

Sex, without society as its landscape, has never been of much interest to fiction.

Guilt, Character, Possibilities" (p. 235)

Writing is not "the establishment of a professional reputation" as if one were a doctor or lawyer; it is not properly in the sentence with creation of a family and the purchase of a home.

"John Cheever|Cheever, or, The Ambiguities" (p. 244)

Biographers, the quick in pursuit of the dead, research, organize, fill in, contradict, and make in this way a sort of completed picture puzzle with all the scramble turned into a blue eye and the parts of the right leg fitted together.

"Katherine Anne Porter" (p. 299)

How certain human beings are able to create works of art is a mystery, and why they should wish to do so, at a great cost to themselves usually, is another mystery. Works are not created by one's life; every life is rich in material.

"Katherine Anne Porter" (p. 300)

She never liked the constant presence of her husbands or lovers and did not like, she soon found out, to be alone — a dilemma in one shape or another common to most of mankind.

"Katherine Anne Porter" (p. 302)

 
x
OK