Out of the Past
Overview
Out of the Past is a 1947 film noir
Film noir
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as extending from the early 1940s to the late 1950s...

 directed by Jacques Tourneur
Jacques Tourneur
Jacques Tourneur was a French-American film director.-Life:Born in Paris, France, he was the son of film director Maurice Tourneur. At age 10, Jacques moved to the United States with his father. He started a career in cinema while still attending high school as an extra and later as a script clerk...

 and starring Robert Mitchum
Robert Mitchum
Robert Charles Durman Mitchum was an American film actor, author, composer and singer and is #23 on the American Film Institute's list of the greatest male American screen legends of all time...

, Jane Greer
Jane Greer
Jane Greer was a film and television actress who was perhaps best known for her role as femme fatale Kathie Moffat in the 1947 film noir Out of the Past.-Career:...

, and Kirk Douglas
Kirk Douglas
Kirk Douglas is an American stage and film actor, film producer and author. His popular films include Out of the Past , Champion , Ace in the Hole , The Bad and the Beautiful , Lust for Life , Paths of Glory , Gunfight at the O.K...

. The film was adapted by Daniel Mainwaring
Daniel Mainwaring
Daniel Mainwaring was a novelist and screenwriter. A native of Oakland, California, he began his professional career as a journalist for the San Francisco Chronicle and enjoyed a successful career as a mystery novelist...

 (using the pseudonym Geoffrey Homes), with uncredited revisions by Frank Fenton
Frank Fenton (writer)
Frank Edgington Fenton was an English-born but American-bred writer of screenplays, short stories, magazine articles, and novels. He was the brother of noted actor and director Leslie Fenton.-Working Writer:...

 and James M. Cain
James M. Cain
James Mallahan Cain was an American author and journalist. Although Cain himself vehemently opposed labeling, he is usually associated with the hardboiled school of American crime fiction and seen as one of the creators of the roman noir...

, from his novel Build My Gallows High (also written as Homes).

The film is considered by film historians to be a superb example of film noir
Film noir
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as extending from the early 1940s to the late 1950s...

, due to its convoluted, dreamlike storyline and its chiaroscuro
Chiaroscuro
Chiaroscuro in art is "an Italian term which literally means 'light-dark'. In paintings the description refers to clear tonal contrasts which are often used to suggest the volume and modelling of the subjects depicted"....

 cinematography
Cinematography
Cinematography is the making of lighting and camera choices when recording photographic images for cinema. It is closely related to the art of still photography...

 (cinematographer Nicholas Musuraca also shot Tourneur's Cat People).
Quotations

They say the day you die your name is written on a cloud.

I sell gasoline, I make a small profit. With that I buy groceries. The grocer makes a profit. We call it earning a living. You may have heard of it somewhere.

You don't get vaccinated for Florida, but you do for Mexico.

You say to yourself, "How hot can it get?" Then, in Acapulco, you find out. I knew she had to wind up here because if you want to go south, here's where you get the boat. All I had to do was wait. Near the plaza was a little cafe, called La Mar Azul next to a movie house. I sat there in the afternoons and drank beer. I used to sit there half-asleep with the beer and the darkness. Only that music from the movie next door kept jarring me awake.

And then I saw her, coming out of the sun, and I knew why Whit didn't care about that forty grand.

I knew I'd go every night until she showed up. I knew she knew it. I sat there and drank bourbon and I shut my eyes, but I didn't think of a joint on 56th Street. I knew where I was and what I was doing...what a sucker I was. I even knew she wouldn't come the first night. But I sat there, grinding it out.

She waited until it was late. And then she walked in out of the moonlight, smiling.

It was a nice little joint with bamboo furniture and Mexican gimcracks. One little lamp burned. It was all right. And the rain hammering like that on the window made it good to be in there.

She's a clever little girl and she's always a hop, skip, and a jump ahead.

 
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