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Orphism (art)
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Orphism or Orphic cubism, is a term coined by the French poet Guillaume Apollinaire in 1912. He used the French term Orphisme to label the paintings of Robert Delaunay, relating them to Orpheus, the poet and symbol of the arts of song and the lyre in Greek mythology. The term may also be used in reference to the paintings of Delaunay's wife, Sonia Terk and to the Czech painter, František Kupka along with other members of the Puteaux Group.

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Orphism or Orphic cubism, is a term coined by the French poet Guillaume Apollinaire in 1912. He used the French term Orphisme to label the paintings of Robert Delaunay, relating them to Orpheus, the poet and symbol of the arts of song and the lyre in Greek mythology. The term may also be used in reference to the paintings of Delaunay's wife, Sonia Terk and to the Czech painter, František Kupka along with other members of the Puteaux Group. Another name for the group was Section d'Or.
Founded by Jacques Villon, the orphists were rooted in cubism but moved toward a pure lyrical abstraction, seeing painting as the bringing together of a sensation of bright colors. The movement influenced artists such as Patrick Henry Bruce and Andrew Dasburg as well as members of the German Blaue Reiter group and the Canadian and American Synchromist movement. The movement is seen as key in the evolution of Cubism to Abstraction. More concerned with the expression and significance of sensation, this movement retained recognisable subjects but was absorbed by increasingly abstract structures.
Orphism aimed to gradually dispense with recognisable subject matter and to rely on form and colour alone to communicate meaning. The movement also aimed to express the ideals of Simultanism-the existence of an infinitude of interrelated states of being.
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