Oneiric (film theory)
Encyclopedia
In a film theory
Film theory
Film theory is an academic discipline that aims to explore the essence of the cinema and provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large...

 context, the term oneiric (oʊˈnaɪrɪk; "pertaining to dream") refers to the depiction of dream-like states in films, or to the use of the metaphor of a dream or the dream-state to analyze a film. The connection between dreams and films has been long established; "The dream factory" “...has become a household expression for the film industry”. The dream metaphor for film viewing is “one of the most persistent metaphors in both classical and modern film theory”, and it is used by film theorists using Freudian, non-Freudian, and semiotic analytical frameworks.

History

Early film theorists such as Ricciotto Canudo
Ricciotto Canudo
Ricciotto Canudo was an early Italian film theoretician who lived primarily in France. He saw cinema as "plastic art in motion". He gave cinema the label "the Seventh Art", which is still current in French....

 (1879-1923) and Jean Epstein
Jean Epstein
Jean Epstein was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's The Fall of the House of Usher, Epstein directed three dozen films and was an influential critic of literature and film from the...

 (1897-1953) argued that films had a dreamlike quality. Raymond Bellour
Raymond Bellour
Raymond Bellour is a French writer, critic and theorist of cinema.Bellour is Director of Research Emeritus at the CNRS. Since 1986 he has taught at Paris III. In 1990 with Christine Van Assche and Catherine David he co-curated the Passages de l'image exhibition at the Centre Georges Pompidou...

 and Guy Rosolato made psychoanalytical analogies between films and the dream state, and claimed that films have a ‘latent’ content that can be psychoanalyzed as if it were a dream. Italian film director Pier Paolo Pasolini
Pier Paolo Pasolini
Pier Paolo Pasolini was an Italian film director, poet, writer, and intellectual. Pasolini distinguished himself as a poet, journalist, philosopher, linguist, novelist, playwright, filmmaker, newspaper and magazine columnist, actor, painter and political figure...

 argued that dreams carry messages using a common store of signs. Lydia Marinelli states that before the 1930s, psychoanalysts “...primarily attempted to apply the interpretative schemata found in Sigmund Freud
Sigmund Freud
Sigmund Freud , born Sigismund Schlomo Freud , was an Austrian neurologist who founded the discipline of psychoanalysis...

's Interpretation of Dreams to films.” More recently, Robert Eberwein has “...cull[ed] dream scenes from the entirety of cinematic history” to establish “...the validity of psychoanalytic terminology in the form of a taxonomy.”

Another way that films and dreams are connected in psychological analysis is by examining the between the cinema exhibition process and the passive spectator. Roland Barthes
Roland Barthes
Roland Gérard Barthes was a French literary theorist, philosopher, critic, and semiotician. Barthes' ideas explored a diverse range of fields and he influenced the development of schools of theory including structuralism, semiotics, existentialism, social theory, Marxism, anthropology and...

, a French literary critic and semiotician, described film spectators as being in a “para-oneiric” state, feeling “...sleepy and drowsy as if they had just woken up” when a film ends. Similarly, the French surrealist André Breton
André Breton
André Breton was a French writer and poet. He is known best as the founder of Surrealism. His writings include the first Surrealist Manifesto of 1924, in which he defined surrealism as "pure psychic automatism"....

 argues that film viewers enter a state between being “...awake and falling asleep,” what French filmmaker René Clair
René Clair
René Clair born René-Lucien Chomette, was a French filmmaker.-Biography:He was born in Paris and grew up in the Les Halles quarter. He attended the Lycée Montaigne and the Lycée Louis-le-Grand. During World War I, he served as an ambulance driver. After the war, he started a career as a journalist...

 called a “dreamlike state.” Edgar Morin
Edgar Morin
Edgar Morin is a French philosopher and sociologist born Edgar Nahoum in Paris on July 8, 1921. He is of Judeo-Spanish origin. He is known for the transdisciplinarity of his works.- Biography :...

's Le cinéma ou l'homme imaginaire (1956) and Jean Mitry
Jean Mitry
Jean Mitry was a French film theorist, critic and filmmaker, co-founder of France's first film society and later of the Cinémathèque Française in 1938....

's first volume of Esthétique et psychologie du cinéma (1963) also discuss the connection between films and the dream state.

The French surrealist playwright and director Antonin Artaud
Antonin Artaud
Antoine Marie Joseph Artaud, more well-known as Antonin Artaud was a French playwright, poet, actor and theatre director...

 argued that the American burlesque
Burlesque
Burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects...

 genre, with its bizarre, lush costumes, and its mixture of dancing girls, comedians, mime artists and striptease artists, has oneiric qualities.

Filmmakers

Filmmakers noted for their use of oneiric or dreamlike elements in their films include Luis Buñuel
Luis Buñuel
Luis Buñuel Portolés was a Spanish-born filmmaker — later a naturalized citizen of Mexico — who worked in Spain, Mexico, France and the US..-Early years:...

, Wojciech Has
Wojciech Has
Wojciech Jerzy Has was a Polish film director, screenwriter and film producer.-Early Life & Studies:...

, Sergei Parajanov, Ingmar Bergman
Ingmar Bergman
Ernst Ingmar Bergman was a Swedish director, writer and producer for film, stage and television. Described by Woody Allen as "probably the greatest film artist, all things considered, since the invention of the motion picture camera", he is recognized as one of the most accomplished and...

, David Cronenberg
David Cronenberg
David Paul Cronenberg, OC, FRSC is a Canadian filmmaker, screenwriter and actor. He is one of the principal originators of what is commonly known as the body horror or venereal horror genre. This style of filmmaking explores people's fears of bodily transformation and infection. In his films, the...

, Alexander Dovzhenko
Alexander Dovzhenko
Aleksandr Petrovich Dovzhenko , was a Soviet screenwriter, film producer and director of Ukrainian descent. He is often cited as one of the most important early Soviet filmmakers, alongside Sergei Eisenstein and Vsevolod Pudovkin.- Biography :...

, Andrei Tarkovsky
Andrei Tarkovsky
Andrei Arsenyevich Tarkovsky was a Soviet and Russian filmmaker, writer, film editor, film theorist, theatre and opera director, widely regarded as one of the finest filmmakers of the 20th century....

, Lars von Trier
Lars von Trier
Lars von Trier is a Danish film director and screenwriter. He is closely associated with the Dogme 95 collective, although his own films have taken a variety of different approaches, and have frequently received strongly divided critical opinion....

, Krzysztof Kieslowski
Krzysztof Kieslowski
Krzysztof Kieślowski was an Academy Award nominated influential Polish film director and screenwriter, known internationally for The Double Life of Veronique and his film cycles The Decalogue and Three Colors.-Early life:...

 (e.g., The Double Life of Véronique
The Double Life of Véronique
The Double Life of Véronique is a 1991 French- and Polish-language film directed by Krzysztof Kieślowski, co-written by Kieślowski and Krzysztof Piesiewicz, starring Irène Jacob, with original music by Zbigniew Preisner. The film was Kieślowski's first to be produced partly outside Poland.A...

from 1991), Carlos Atanes
Carlos Atanes
Carlos Atanes is a Spanish film director and writer.Born in Barcelona, Spain, Atanes has written and directed many works since 1987, using different genres and techniques . In 1991, he shot The Marvellous World of the Cucu Bird, which has been followed by another experimental works as El Tenor...

, Alejandro Jodorowsky
Alejandro Jodorowsky
Alejandro Jodorowsky Prullansky, known as Alejandro Jodorowsky, is a Chilean filmmaker, playwright, actor, author, comic book writer and spiritual guru...

, Sergio Leone
Sergio Leone
Sergio Leone was an Italian film director, producer and screenwriter most associated with the "Spaghetti Western" genre.Leone's film-making style includes juxtaposing extreme close-up shots with lengthy long shots...

 (particularly Once Upon a Time in America
Once Upon a Time in America
Once Upon a Time in America is a 1984 Italian epic crime film co-written and directed by Sergio Leone and starring Robert De Niro and James Woods. The story chronicles the lives of Jewish ghetto youths who rise to prominence in New York City's world of organized crime...

), Orson Welles
Orson Welles
George Orson Welles , best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio...

 (particularly his adaptation of Franz Kafka
Franz Kafka
Franz Kafka was a culturally influential German-language author of short stories and novels. Contemporary critics and academics, including Vladimir Nabokov, regard Kafka as one of the best writers of the 20th century...

's The Trial
The Trial
The Trial is a novel by Franz Kafka, first published in 1925. One of Kafka's best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor the reader.Like Kafka's other novels, The Trial was never...

), and David Lynch
David Lynch
David Keith Lynch is an American filmmaker, television director, visual artist, musician and occasional actor. Known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed "Lynchian", and which is characterized by its dream imagery and meticulous sound...

 (e.g., Mulholland Drive
Mulholland Drive (film)
Mulholland Drive is a 2001 American neo-noir psychological thriller written and directed by David Lynch, starring Justin Theroux, Naomi Watts, and Laura Harring. The surrealist film was highly acclaimed by many critics and earned Lynch the Prix de la mise en scène at the 2001 Cannes Film Festival...

). Film genres or styles noted for their use of oneiric elements include 1940s and 1950s film noir
Film noir
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as extending from the early 1940s to the late 1950s...

 and surrealist film
Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members....

s; moreover, oneiric elements have also been noted in musical
Musical film
The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate...

s, thriller and horror film
Horror film
Horror films seek to elicit a negative emotional reaction from viewers by playing on the audience's most primal fears. They often feature scenes that startle the viewer through the means of macabre and the supernatural, thus frequently overlapping with the fantasy and science fiction genres...

s and in comic films such as Marx Brothers
Marx Brothers
The Marx Brothers were an American family comedy act, originally from New York City, that enjoyed success in Vaudeville, Broadway, and motion pictures from the early 1900s to around 1950...

movies.

Further reading

  • Bächler, Odile, 'Images de film, images de rêve; le véhicule de la vision', CinémAction, 50 (1989), pp. 40-46.
  • Burns, Gary. 'Dreams and Mediation in Music Video', Wide Angle, v. 10, 2 (1988), pp. 41-61.
  • Eberwein, Robert T. Film & the dream screen : a sleep and a forgetting. Princeton, N.J. : Princeton University Press, 1984.
  • Halpern, Leslie. Dreams on film : the cinematic struggle between art and science.Jefferson, N.C. : McFarland & Co., 2003.
  • Hobson, J. Allan. 1980. "Film and the Physiology of Dreaming Sleep: The Brain as a Camera-Projector." Dreamworks 1(1):9–25.
  • Lewin, Bertram D. 'Inferences from the dream screen', International Journal of Psychoanalysis, vol. XXIX, 4 (1948), p. 224.
  • Marinelli, Lydia "Screening Wish Theories: Dream Psychologies and Early Cinema." Science in Context (2006), 19: 87-110
  • Sparshott, F. E. "Vision and Dream in Film." Philosophic Exchange: Annual Proceedings, vol. 1, pp. 111-124, Summer 1971
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