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Modern art
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Modern art is a general term that can be used to embrace most of the artistic work produced from the early 17th century onward, while some historians favor a later starting date, sometime in the middle of the nineteenth century. (Recent art production is often called Contemporary art or Postmodern art). Modern artists experimented with new ways of seeing, and with fresh ideas about the nature of materials and functions of art. A tendency toward abstraction is characteristic of much modern art.
The notion of modern art is closely related to Modernism.
History of Modern art
Roots in the 19th century By the late 19th century, several movements which were to be influential in modern art had begun to emerge: Impressionism and post-Impressionism, as well as Symbolism.
Influences upon these movements were varied: from exposure to Eastern decorative arts, particularly Japanese printmaking, to the colouristic innovations of Turner and Delacroix, to a search for more realism in the depiction of common life, as found in the work of painters such as Jean-François Millet. The advocates of realism stood against the idealism of the tradition-bound academic art that enjoyed public and official favor. The most successful painters of the day worked either through commissions, or through large public exhibitions of their own work. There were official, government-sponsored painters' unions, while governments regularly held public exhibitions of new fine and decorative arts.
The Impressionists argued that people do not see objects, but only the light which they reflect, and therefore painters should paint in natural light rather than in studios, and should capture the effects of light in their work.
Impressionist artists formed a group, Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs ("Association of Painters, Sculptors, and Engravers") which, despite internal tensions, mounted a series of independent exhibitions. The style was adopted by artists in different nations, in preference to a "national" style. These factors established the view that it was a "movement". These traits — establishment of a working method integral to the art, establishment of a movement or visible active core of support, and international adoption — would be repeated by artistic movements in the Modern period in art.
Early 20th Century Among the movements which flowered in the first decade of the 20th century were Fauvism, Cubism, Expressionism, and Futurism.
World War I brought an end to this phase, but indicated the beginning of a number of anti-art movements, such as Dada and the work of Marcel Duchamp, and of Surrealism. Artist groups like de Stijl and Bauhaus developed new ideas about the interrelation of the arts, architecture, design and art education.
Modern art was introduced to the United States with the Armory Show in 1913, and through European artists who moved to the U.S. during World War I.
It was only after World War II, though, that the U.S. became the focal point of new artistic movements. The 1950s and 1960s saw the emergence of Abstract Expressionism, Color field painting, Pop art, Op art, Hard-edge painting, Minimal art, Lyrical Abstraction, Postminimalism, Photorealism and various other movements. In the late 1960s and the 1970s, Land art, Performance art, Conceptual art, and other new art forms had attracted the attention of curators and critics, at the expense of more traditional media. Larger installations and performances became widespread.
Around that period, a number of artists and architects started rejecting the idea of "the modern" and created typically Postmodern works.
By the end of the 1970s, when cultural critics began speaking of "The End of Painting" (the title of a provocative essay written in 1981 by Douglas Crimp), new media art has become a category in itself, with a growing number of artists experimenting with technological means such as video art. Painting assumed renewed importance in the 1980s and 1990s, as evidenced by the rise of neo-expressionism and the revival of figurative painting.
Art movements and artist groups(Roughly chronological with representative artists listed.)
Modern art
19th century
- Romanticism the Romantic movement - Francisco de Goya, J. M. W. Turner, Eugène Delacroix
- Realism - Gustave Courbet, Camille Corot, Jean-François Millet
- Impressionism - Edgar Degas, Édouard Manet, Claude Monet, Camille Pissarro, Alfred Sisley
- Post-impressionism - Georges Seurat, Paul Cézanne, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, Henri Rousseau
- Symbolism - Gustave Moreau, Odilon Redon, James Ensor
- Les Nabis - Pierre Bonnard, Edouard Vuillard, Félix Vallotton
- pre-Modernist Sculptors - Aristide Maillol, Auguste Rodin
Early 20th century (before WWI)
- Art Nouveau & variants - Jugendstil, Modern Style, Modernisme - Aubrey Beardsley, Alphonse Mucha, Gustav Klimt,
- Art Nouveau Architecture & Design - Antoni Gaudí, Otto Wagner, Wiener Werkstätte, Josef Hoffmann, Adolf Loos, Koloman Moser
- Fauvism - André Derain, Henri Matisse, Maurice de Vlaminck
- Expressionism - Egon Schiele, Oskar Kokoschka, Edvard Munch, Emil Nolde
- Die Brücke - Ernst Ludwig Kirchner
- Der Blaue Reiter - Wassily Kandinsky, Franz Marc
- Cubism - Georges Braque, Pablo Picasso
- Orphism - Robert Delaunay, Jacques Villon
- Synchromism - Stanton MacDonald-Wright, Morgan Russell
- Pre-Surrealism - Giorgio de Chirico, Marc Chagall
- Futurism - Giacomo Balla, Umberto Boccioni, Carlo Carrà
- Vorticism - Wyndham Lewis
- Russian avant-garde - Kasimir Malevich, Natalia Goncharova, Mikhail Larionov
- Sculpture - Pablo Picasso, Henri Matisse, Constantin Brancusi
- Photography - Pictorialism, Straight photography
WWI to WWII- Dada - Jean Arp, Marcel Duchamp, Max Ernst, Francis Picabia, Kurt Schwitters
- Synthetic Cubism - Georges Braque, Juan Gris, Fernand Léger, Pablo Picasso
- Pittura Metafisica - Giorgio de Chirico, Carlo Carrà
- De Stijl - Theo van Doesburg, Piet Mondrian
- Expressionism - Egon Schiele, Amedeo Modigliani, and Chaim Soutine
- New Objectivity - Max Beckmann, Otto Dix, George Grosz
- Figurative painting - Henri Matisse, Pierre Bonnard
- Constructivism - Naum Gabo, László Moholy-Nagy, El Lissitzky, Kasimir Malevich, Alexander Rodchenko, Vladimir Tatlin
- Surrealism - Jean Arp, Salvador Dalí, Max Ernst, René Magritte, André Masson, Joan Miró, Marc Chagall
- Bauhaus - Wassily Kandinsky, Paul Klee, Josef Albers
- Sculpture - Alexander Calder, Alberto Giacometti, René Iché, Gaston Lachaise, Henry Moore, Pablo Picasso, Julio Gonzalez
- Scottish Colourists - Francis Cadell, Samuel Peploe, Leslie Hunter, John Duncan Fergusson
- Suprematism - Kazimir Malevich, Aleksandra Ekster, Olga Rozanova, Nadezhda Udaltsova, Anna Kagan, Ivan Kliun, Lyubov Popova, Nikolai Suetin, Ilya Chashnik, Lazar Khidekel, Nina Genke-Meller, Ivan Puni, Ksenia Boguslavskaya
After WWII- Figuratifs - Bernard Buffet, Jean Carzou, Yves Brayer, Maurice Boitel, Pierre-Henry, Daniel du Janerand, Jean Monneret, Gaston Sébire, Louis Vuillermoz, Claude-Max Lochu
- Abstract art -
- Sculpture - Henry Moore, David Smith, Tony Smith, Alexander Calder, Isamu Noguchi, Alberto Giacometti, Sir Anthony Caro, Jean Dubuffet, Isaac Witkin, René Iché, Marino Marini, Louise Nevelson
- Abstract expressionism - Willem de Kooning, Jackson Pollock, Hans Hofmann, Franz Kline, Robert Motherwell, Clyfford Still
- American Abstract Artists - Lee Krasner, Ibram Lassaw, Ad Reinhardt, Joseph Albers, Burgoyne Diller
- Art brut - Adolf Wölfli, August Natterer, Ferdinand Cheval, Madge Gill, Paul Salvator Goldengreen
- Arte Povera - Jannis Kounellis, Luciano Fabro, Mario Merz, Piero Manzoni,
- Color field painting - Barnett Newman, Mark Rothko, Sam Francis, Morris Louis, Helen Frankenthaler
- Tachisme - Jean Dubuffet, Pierre Soulages, Hans Hartung, Ludwig Merwart
- COBRA - Pierre Alechinsky, Karel Appel, Asger Jorn
- Dau-al-Set - founded in Barcelona by poet/artist Joan Brossa, - Antoni Tàpies, Enrique Tábara, Antonio Saura
- Geometric abstraction - Wassily Kandinsky, Kazimir Malevich, Nadir Afonso
- Hard-edge painting - Ellsworth Kelly, Al Held, Ronald Davis
- Kinetic art - George Rickey
- Land art - Christo, Richard Long, Robert Smithson
- Les Automatistes - Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron
- Minimal art - Agnes Martin, Dan Flavin, Donald Judd, Sol LeWitt, Richard Serra
- Postminimalism - Eva Hesse, Bruce Nauman, Hannah Wilke, Lynda Benglis
- Lyrical Abstraction - Ronnie Landfield, Sam Gilliam, Larry Zox, Dan Christensen
- Neo-figurative art - Fernando Botero, Antonio Berni
- Neo-expressionism - Georg Baselitz, Anselm Kiefer, Francesco Clemente, Jean-Michel Basquiat
- New realism - Christo, Yves Klein, Pierre Restany
- Op art - Victor Vasarely, Bridget Riley, Richard Anuszkiewicz
- Outsider art
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