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Mime artist
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A mime artist is someone who uses mime as a theatrical medium or as a performance art, involving the acting out a story through body motions, without use of speech. In earlier times, in English, such a performer was referred to as a mummer. Miming is to be distinguished from silent comedy, in which the artist is a seamless character in a film or sketch.
performance of pantomime originates at its earliest in ancient Greece; the name is taken from a single masked dancer called Pantomimus, although performances were not necessarily silent.
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Encyclopedia
A mime artist is someone who uses mime as a theatrical medium or as a performance art, involving the acting out a story through body motions, without use of speech. In earlier times, in English, such a performer was referred to as a mummer. Miming is to be distinguished from silent comedy, in which the artist is a seamless character in a film or sketch.
History
The performance of pantomime originates at its earliest in ancient Greece; the name is taken from a single masked dancer called Pantomimus, although performances were not necessarily silent. In Medieval Europe, early forms of mime such as mummer plays and later dumbshows evolved. In early nineteenth century Paris, Jean-Gaspard Deburau solidified the many attributes that we have come to know in modern times — the silent figure in whiteface.
Jacques Copeau, strongly influenced by Commedia Dell'Arte and Japanese Noh theatre, used masks in the training of his actors. Etienne Decroux, a pupil of his, was hugely influenced by this and started exploring and developing the possibilities of mime and developed Corporeal Mime into a highly sculptural form taking outside of the realms of naturalism. Jacques Lecoq contributed hugely to the development of mime and physical theatre with his training methods.
In film
Prior to the work of Etienne Decroux there was no major treatise on the art of mime, and so any recreation of mime as performed prior to the twentieth century is largely conjecture, based on interpretation of diverse sources. However, the twentieth century also brought a new medium into widespread usage: the motion picture.
The restrictions of early motion picture technology meant that stories had to be told with minimal dialogue which was largely restricted to intertitles. This often demanded a highly stylized form of physical acting largely derived from the stage. Thus, mime played an important role in films prior to advent of talkies (films with sound or speech). The mimetic style of film acting was used to great effect in German Expressionist film.
Silent film comedians like Charles Chaplin, Harold Lloyd and Buster Keaton learned the craft of mime in the theatre but through film had a profound influence on mimes who work in live theatre even decades after their death. Indeed, Chaplin may be the best documented mime in history.
The famous French comedian, writer and director Jacques Tati achieved his initial popularity working as a mime, and indeed his later films had only minimal dialogue, relying instead on many subtle expertly choreographed visual gags. Tati, like Chaplin before him, would mime out the movements of every single character in his films and ask his actors to repeat them.
Another French actor who began his career as a mime was Jean-Louis Barrault. In the film Les Enfants du Paradis he portrayed the famous 19th century mime Jean-Gaspard Deburau.
In literature
Canadian author Michael Jacot's first novel, The Last Butterfly, tells the story of a mime artist in Nazi-occupied Europe who is forced by his oppressors to perform for a team of Red Cross observers. Nobel laureate Heinrich Böll's The Clown relates the downfall of a mime artist, Hans Schneir, who has descended into poverty and drunkenness after being abandoned by his beloved. Jacob Appel's Pushcart short-listed story, Coulrophobia, depicts the tragedy of a landlord whose marriage slowly collapses after he rents a spare apartment to an intrusive mime artist.
In non-Western theatre traditions
While most of this article has treated mime as a constellation of related and historically linked Western theatre genres and performance techniques, analogous performances are evident in the theatrical traditions of other civilizations.
Classical Indian musical theatre, although often erroneously labeled a "dance," is a group of theatrical forms in which the performer presents a narrative via stylized gesture, an array of hand positions, and mime illusions to play different characters, actions, and landscapes. Recitation, music, and even percussive footwork sometimes accompany the performance. The Natya Shastra, an ancient treatise on theatre by Bharata Muni, mentions silent performance, or mukhabinaya.
The Japanese Noh tradition has greatly influenced many contemporary mime and theatre practitioners including Jacques Copeau, Jacques Lecoq and others, because of its use of mask work and highly physical performance style.
Butoh shares a lot of similarities with Lecoq's methods and ideas, and being referred to as a dance form, it has been adopted by theatre practitioners too.
Notable mime artists or movement theatre artists
See also
Educational
External links
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- International mime theatre information, including a library, resources, performer contacts, and events calendar
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