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Military refers to the people of an organisation authorised by its nation to use force, usually including use of weapons, in defending its independence by repulsing actual or perceived threats. As an adjective the term military is used to specifically associate any concept or aspect that is used in reference to the military as an organisation. In this sense militaries often function as societies within societies, by having their own military communities, military economies, military education, military medicine and other aspects of a functioning civilian society.
The profession of soldiering as part of a military group is older than recorded history itself. Some of the most enduring images of the classical antiquity portray the power and feats of its military leaders.
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Military refers to the people of an organisation authorised by its nation to use force, usually including use of weapons, in defending its independence by repulsing actual or perceived threats. As an adjective the term military is used to specifically associate any concept or aspect that is used in reference to the military as an organisation. In this sense militaries often function as societies within societies, by having their own military communities, military economies, military education, military medicine and other aspects of a functioning civilian society.
The profession of soldiering as part of a military group is older than recorded history itself. Some of the most enduring images of the classical antiquity portray the power and feats of its military leaders. The Battle of Kadesh in 1274 BC was one of the defining points of Pharaoh Ramesses II's reign and is celebrated in bas-relief on his monuments. A thousand years later the first emperor of unified China, Qin Shi Huang, was so determined to impress the gods with his military might that he was buried with an army of terracotta soldiers. The Romans were dedicated to military matters, leaving to posterity many treatises and writings as well as a large number of lavishly carved triumphal arches and columns.
In the modern era, world wars and countless other major conflicts have changed the employment of the militaries beyond recognition to their ancient participants. Empires have come and gone; states have grown and declined. Enormous social changes have been wrought, and military power continues to dominate international relations. The role of the military today is as central to global societies as it ever was.
Etymology and definitions The first recorded use of military in English, spelled militarie, was in 1585.[Oxford English Dictionary (2nd edition) Oxford: 1994] It comes from the Latin militaris (from Latin miles meaning "soldier") but is of uncertain etymology, one suggestion being derived from *mil-it- - going in a body or mass The word is now identified as denoting someone that is skilled in use of weapons, or engaged in military service or in warfare.
As a noun the military usually refers generally to a country's armed forces or sometimes, more specifically, to the senior officers who command them.
As an adjective military originally applied only to soldiers and soldiering, but it soon broadened to apply to land forces in general and anything to do with their profession. The names of both the Royal Military Academy (1741) and United States Military Academy (1802) reflect this. However, at about the time of Napoleonic wars "military" begun to be applied to armed forces as a whole and in the 21st century expressions like "military service", "military intelligence" and "military history" reflect this broader meaning.
Military science
Military science is the study of warfare in all its aspects. By focusing on aspects of warfare—for instance its technical, psychological and practical components—it aims to improve the prospect of success in combat.
Organization
Armed forces may be organized as standing forces—the regular army)—which describes a professional army that is engaged in no other profession than preparing for and engaging in warfare. In contrast there is the citizen army. A citizen army (also known as a militia or reserve army) is only mobilized as needed. Its advantage lies in the fact that it is dramatically less expensive (in terms of wealth, manpower and opportunity cost) for the organizing society to support. The disadvantage is that such a "citizen army" is less well trained and organized.
A compromise between the two has a small cadre of professional NCOs and officers who act as a skeleton for a much larger force. When war comes this skeleton is filled out with conscripts or reservists (former full-time soldiers who volunteer for a small stipend to occasionally train with the cadre to keep their military skills intact) who form the wartime unit. This balances the pros and cons of each basic organization and allows the formation of huge armies (in terms of millions of combatants) necessary in modern large scale warfare.
Military doctrine
A military doctrine is how military forces were, and are used in conflicts - the method of combining command assets, forces skills and technology towards achievement of tangible goals and objectives of the war, campaign, battle, engagement, action or a duel.
The line between strategy and tactics is not easily blurred, although deciding which is being discussed had sometimes been a matter of personal judgement by some commentators, and military historians. The management of forces at the level of organisation between strategic and tactical is called operational warfare.
- Military strategy is the management of forces in wars and military campaigns by a commander-in-chief employing large military forces either national and allied as a whole, or the component elements of armies, navies and air forces such as army groups, fleets and large numbers of aircraft. Military strategy is a long-term projection of belligerents' policy with a broad view of outcome implications, including outside the concerns of military command. Military strategy is more concerned with the supply of war and planning, then management of field forces and combat between them. The scope of Strategic military planning can span weeks, but commonly months and years.
- Operational warfare is, within warfare and military doctrine, the level of command which coordinates the minute details of tactics with the overarching goals of strategy. A common synonym is operational art.
- The operational level is at a scale bigger than one where line of sight and the time of day are important, and smaller than the strategic level, where production and politics are considerations. Formations are of the operational level if they are able to conduct operations on their own, and are of sufficient size to be directly handled or have a significant impact at the strategic level. This concept was pioneered by the German army prior to and during the Second World War. At this level planning and duration of activities takes from one week to a month, and are executed by Field Armies and Army Corps and their naval and air equivalents.
- Military tactics concerns itself with the methods for engaging and defeating an enemy in direct combat. Military tactics are usually used by units over hours or days, and are focused on the specific, close proximity tasks and objectives of squads, companys, battalions, regiments, brigades and divisions and their naval and air equivalents.
One of the oldest military publications is The Art of War by the Chinese philosopher Sun Tzu. Written in the 6th century BC, the 13-chapter book has had a huge influence on Eastern and Western military planning, business tactics and beyond.
Both the Classical Greeks and the Romans wrote prolifically on military campaigning. Among the best-known works are Julius Caesar's commentaries on the Gallic Wars and the Roman Civil war—written about 50 BC. Two major works on tactics come from the late Roman period: Taktike Theoria by Aelianus Tacticus and De Re Militari ("On military matters") by Vegetius. Taktike Theoria examined Greek battle methods and was most influential in the Byzantine world and during the Golden Age of Islam. De Re Militari formed the basis of European military tactics until the late 17th century. Perhaps its most enduring maxim is "let he who desires peace prepare for war."
In his seminal book On War the Prussian general and leading expert on modern military strategy Carl von Clausewitz defined military strategy as "the employment of battles to gain the end of war." According to Clausewitz "strategy forms the plan of the War, and to this end it links together the series of acts which are to lead to the final decision, that is to say, it makes the plans for the separate campaigns and regulates the combats to be fought in each." Hence, he placed political aims above military goals, ensuring civilian control of the military. Military strategy was one of a triumvirate of "arts" or "sciences" that governed the conduct of warfare: the others being military tactics, the execution of plans and manœuvering of forces in battle; and military logistics, the maintenance of an army.
Military tactics can take the form of ambushes, encirclements, bomb and bombardment attacks, frontal assaults, air assaults, hit-and-run (used mainly by guerilla forces) and, in some cases, suicide attacks. Often, deception, in the form of military camouflage or misdirection using decoys, is used to confuse the enemy. A major military tactic that came to prominence in the 19th and early 20th century is trench warfare. This was mainly employed in World War I in the Gallipoli campaign and the Western Front. Trench warfare often turned to a stalemate, because in order to attack an enemy entrenchment soldiers had to run through an exposed "no man's land" under heavy fire from an entrenched enemy.
Logistics
Military logistics is the management and planning of the supply chain.
Military transport is part of logistics. It could pertain to equipment trans-shipped via a sister service, an individual detached for a technical school operated by a sister service, or the travel orders and authorization of such an individual to proceed via a sister services vehicles, as well as the loan of vehicles operating from the primary base command.
Engineering services are also part of logistics. The maintenance of weapons in the field, the recovery of defective and derelict machinery, the repair and modification of such equipment and the life-extension programs undertaken to allow continued use of equipment subject to deterioration are all part of the provision of supplies and materials for warfare.
Munition services are part of logistics. These deal with the safe storage and transport of weapons and explosives to the theatre, the provision of fuses, detonators and warheads at the point where operational troops will assemble the charge, projectile, bomb or shell. They may also be required to disarm and demolish weapons that are unreliable or that have been returned from the field unexpended and return them to storage temporarily.
Technology and equipment
When Stone Age man first took a sliver of flint to tip his spear, he was applying technology to improve his weaponry. Since then, the advance of mankind and the advance in weaponry has been irretrievably linked. Stone weapons gave way to bronze, and then bronze to iron. With each technological change has come an advantage: sharper weapons, harder weapons, more durable weapons.
The Greeks and Romans brought technology to the front with the invention and development of siege engines. Then came the age of chivalry, with knights—mounted on destriers and encased in ever-more sophisticated armour—dominating the field. In the meantime, in China, gunpowder had been invented and was increasingly being used in military applications. It was the arrival of cannon in Europe and advanced versions of the long bow and cross bow—which all had armour-piercing capability—that put an end to the dominance of the armoured knight. After the long bow (which required great skill and strength to use), came the musket, which could be used effectively by anyone after short training. In time the successors to muskets and cannon, in the form of rifles and artillery, would become core battlefield technology.
As the speed of technological advance accelerated in the civilian world so warfare became more industralised. The newly-invented machine gun and repeating rifle brought new fire-power to the battlefield and, in part, explains the high casualty rates of the American Civil War. The next breakthrough was the highly-mobile, recoilless, field-gun—the French Soixante-Quinze—in the late 1800s. During World War I the need to break the deadlock of the trenches saw the rapid development of many new technologies, particularly in military aviation and tanks.
World War II, perhaps, marked the most frantic period of weapons development in the history of humanity. Massive numbers of new designs and concepts were fielded and all existing technologies were improved between 1939 and 1945. It was during this time that the atomic bomb was created.
After World War II, with the onset of the Cold War, the constant technological development of new weapons was institutionalized as participants engaged in a constant race to develop weapons and counter-weapons. This constant state of weapons development continues into the modern era and remains a constant draw on the resources of many nations.
Ultimately, the MIRV ICBM and the Tsar Bomb are considered the most destructive weapons invented.
Military history Military history is often considered to be the history of all conflicts, not just the history of proper militaries. It differs somewhat from the history of war with military history focusing on the people and institutions of war-making while the history of war focuses on the evolution of war itself in the face of changing technology, governments, and geography.
Military history has a number of purposes. One main purpose is to learn from past accomplishments and mistakes so as to more effectively wage war in the future. Another is to create a sense of tradition which is used to create cohesive military forces. Still another may be to learn to prevent wars more effectively.
Military and societyThe relationship between the military and the society it serves is a complicated and ever-evolving one. Much depends on the nature of the society itself and whether it sees the military as important (as for example in time of threat or war) or a burdensome expense (as typified by defence cuts in time of peace).
Ideology and ethics
Militarist ideology is the doctrinal view of a society as being best served (or more efficient) when it is governed or guided by concepts embodied in the culture, doctrine, system, or people of the military.
Under the justification of potential application of force, militarism asserts that a civilian population is dependent upon — and thereby subservient to —the needs and goals of its military. Militarism is sometimes contrasted with the concepts of comprehensive national power and soft power and hard power.
Most nations have a separate code of law which regulates certain activities allowed only in war, and provides a code of law applicable only to a soldier in war (or 'in uniform' during peacetime). An early exponent was Hugo Grotius, whose Rights of War and Peace (1625) had a major impact of the humanitarian development of warfare. His theme was echoed by Gustavus Adolphus, the Swedish king-general (1594–1632).
Modern-day ethical constraints are much more developed. For instance, the Geneva Conventions concern themselves with the treatment of civilians and prisoners of war. International protocols restrict or ban the use of certain weapons, notably nuclear and biological warfare. International conventions define what constitutes a war crime and provides for prosecution of war crimes. Individual countries also have elaborate codes of military practice, an example being the United States' Uniform Code of Military Justice.
Military actions are sometimes justified by furthering a humanitarian cause. The term military humanism is used to refer to such actions.
AntimilitarismAntimilitarism is a doctrine opposed to war between states in particular and, of course, militarism. Following Hegel's exploration of the relationship between history and violence, antimilistarists argue that there are different types of violence, some of which can be said to be legitimate others non-legitimate. Anarcho-syndicalist Georges Sorel advocated the use of violence as a form of direct action, calling it "revolutionary violence", which he opposed in Reflections on Violence (1908) to the violence inherent in class struggle. Sorel thus followed the International Workers' Association (IWA, aka the First International) theorization of propaganda of the deed.
War, as violence, can be distinguished into inter-states' war and civil war, in which case class struggle is, according to antimilitarists theorists, a primordial component. Hence, Marx's influence on antimilitarist doctrine will come upon as no surprise, even though it would be doubtful to make Marx accountable for the whole antimilitarist tradition. However, it would also be unwise to believe in the myth of an eternal antimilitarist spirit, present in all places and time, since modern military institution is a historic achievement, related to the formation, in the 18th and 19th centuries, of nation-states. Napoleon's invention of conscription is a fundamental progress in the organization of state armies. Later, Prussian militarism would be exposed by 19th century social theorists.
Depictions of the military
Soldiers and armies have been at the heart of popular culture since the beginnings of recorded history. In addition to the countless images of military leaders in heroic poses from antiquity, they have been an enduring source of inspiration in literature. Not all of this has been entirely complementary and the military have been lampooned or ridiculed as often as they have been idolised. The classical Greek writer, Aristophanes, devoted an entire comedy, the Lysistrata, to a strike organised by military wives where they withhold sex from their husbands to keep them from going to war.
In Medieval Europe, tales of knighthood and chivalry - the officer class of the period - captured the popular imagination. Writers and poets like Taliesin, Chrétien de Troyes and Thomas Mallory wrote tales of derring-do featuring Arthur, Guinevere, Lancelot and Galahad. (Even today, books and films about the Arthurian legend and the Holy Grail continuing to appear.} A century or so later, in the hands of writers such as Jean Froissart, Miguel Cervantes and William Shakespeare, the fictional knight Tirant lo Blanch and the real-life condottieri John Hawkwood would be juxtaposed against the fantastist Don Quixote and the carousing Sir John Falstaff. In just one play, Henry V, Shakespeare provides a whole range of military characters, from cool-headed and clear-sighted generals, to captains, and common soldiery.
Image:Statue-Augustus.jpg|Emperor Augustus Caesar in a martial pose (1st century)
Image:La Fuite de Pompée.jpg|The Flight of Pompey after Pharsalus, by Jean Fouquet
Image:Richard II meets rebels.jpg|Medieval view: Richard II of England meets rebels
Image:Firenze.Duomo.Hawkwood.JPG|Sir John Hawkwood (fresco in the Duomo, Florence)
Image:Eduard von Grützner Falstaff mit Handschuhen.jpg|Shakespeare's Sir John Falstaff by Eduard von Grützner
Image:Prince Rupert - 1st English Civil War.jpg|"The Cruel Practices of Prince Rupert" (1643)
The rapid growth of movable type in the late 16th and early 17th centuries saw an upsurge in private publication. Political pamphlets became popular, often lampooning military leaders for political purposes. A pamphlet directed against Prince Rupert of the Rhine is a typical example. During the 19th century, irreverence was at its height and for every elegant military gentleman painted by the master-portraitists of the European courts (for example, Gainsborough, Goya and Reynolds), there are the sometimes affectionate and sometimes savage caricatures of Rowland and Hogarth.
This continues in the following century, with publications like Punch in the British Empire and Le Père Duchesne in France, poking fun at the military establishment. This extended to media other print too. An enduring example is the Major-General's Song from the Gilbert and Sullivan light opera, Pirates of Penzance, where a senior army officer is satirised for his enormous fund of irrelevant knowledge.
Image:Sir Joshua Reynolds 008.jpg|Colonel John Hayes St. Leger (detail) by Sir Joshua Reynolds
Image:Thomas Rowlandson (12).jpg|Rowlandson often satirised the military
Image:Pirates of Penzance (A.S. Seer, 1880).jpg|"A modern major general" (Pirates of Penzance)
Image:Wh russell cartoon.png| Punch: war reporter, W H Russell, Crimean War
Image:Red Army recruitment poster.png|Red Army recruiting poster (1920)
Image:Hell'sAngelsPoster.gif|Hell's Angels movie poster (1929)
The increasing importance of cinema in the early 20th century provided a new platform for depictions of military subjects. During the First World War, although heavily censored, newsreels enabled those at home to see for themselves a heavily-sanitized version of life in the front line. About the same time, both pro-war and anti-war films came to the silver screen. One of the first films on military aviation, Hell's Angels broke all box office records on its release in 1929. Soon, war films of all types were showing throughout the world.
The First World War was also responsible for a new kind of military depiction, through poetry. Hitherto, poetry had been used mostly to glorify or sanctify war. The Charge of the Light Brigade by Alfred, Lord Tennyson, with its galloping hoofbeat rhythm, is a prime late Victorian example of this, though Rudyard Kipling had written a scathing reply, The Last of the Light Brigade, criticising the poverty in which many Light Brigade veterans found themselves in old age. Instead, the new wave of poetry, from the war poets, was written from the point of view of the disenchanted trench soldier. Leading war poets include: Siegfried Sassoon, Wilfred Owen, John McCrae, Rupert Brooke, Isaac Rosenberg and David Jones. A similar movement occurred in literature, producing a slew of novels on both sides of the Atlantic including notably All Quiet on the Western Front and Johnny Got His Gun. A much-later satirical take on World War I is provided by the film, Oh! What a Lovely War.
The propaganda war that accompanied World War II invariably depicted the enemy in unflattering terms. Both the Soviet Union and Nazi Germany excelled in producing heroic images, placing their soldiers in a semi-mythical context. Examples of this exist not only in posters but also in the films of Leni Riefenstahl and Sergei Eisenstein. Alongside this, World War II also inspired films as varied as Bridge on the River Kwai, The Longest Day, Catch-22, Saving Private Ryan, and The Sea Shall Not Have Them. The next major event, the Korean War inspired a long-running television series M*A*S*H. With the Vietnam War, the tide of balance turned and its films - notably Apocalypse Now, Good Morning Vietnam, Go Tell the Spartans and Born on the Fourth of July - have tended contain critical messages.
There's even a nursery rhyme about war, the Grand Old Duke of York, ridiculing a general for his inability to command any further than marching his men up and down a hill. The huge number of songs focusing on war include And The Band Played Waltzing Matilda and Universal Soldier.
Image:Nazi_poster_Nederlanders.jpg|An idealised image invites Dutchmen to join the SS
Image:AntiJapanesePropagandaTakeDayOff.gif|Caricature Japanese soldier in a US propaganda poster
Image:Liberators-Kultur-Terror-Anti-Americanism-1944-Nazi-Propaganda-Poster.jpg|Nazi Poster depicting American "liberators" as monster
Image:Korea (179).jpg|North Korean soldier from the 1950s
Image:Catch22 cover.jpg|Joseph Heller's anti-war novel, Catch-22
Image:Oh what a lovely war.jpg|1960s poster for the film Oh! What a Lovely War
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