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Miles Ahead
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Miles Ahead is a jazz album by Miles Davis released in 1957. This was the first album after Birth of the Cool that Davis recorded with Gil Evans, with whom he would go on to release albums such as Porgy and Bess and Sketches of Spain. Gil Evans combined the ten pieces that make up the album in a kind of suite, each following the preceding one without interruption. Davis is the only soloist on Miles Ahead, which also features a prominent horn section.
A fifth recording date involved Davis alone (re-)recording material to cover/patch mistakes/omissions in his solos using overdubbing.

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Encyclopedia
Miles Ahead is a jazz album by Miles Davis released in 1957. This was the first album after Birth of the Cool that Davis recorded with Gil Evans, with whom he would go on to release albums such as Porgy and Bess and Sketches of Spain. Gil Evans combined the ten pieces that make up the album in a kind of suite, each following the preceding one without interruption. Davis is the only soloist on Miles Ahead, which also features a prominent horn section.
A fifth recording date involved Davis alone (re-)recording material to cover/patch mistakes/omissions in his solos using overdubbing. The fact that this album was originally produced in mono makes these inserted overdubbings rather obvious in the new stereo setting.
Reception
The Penguin Guide to Jazz gave Miles Ahead a four-star rating (out of a possible four stars), and called the album "a quiet masterpiece... with a guaranteed place in the top flight of Miles albums." Of Davis' flugelhorn, Kevin Whitehead of Cadence wrote that it "seemed to suit [Davis] better than trumpet: more full-bodied, less shrill, it glosses over his technical deficiencies." The Penguin Guide, on the other hand, opined that "the flugelhorn's sound isn't so very different from his trumpet soloing, though palpably softer-edged.... [S]ome of the burnish seems to be lost."
Album cover
Miles was reportedly unhappy about the album's original cover, which featured a photo of a young white woman aboard a sailboat. He made his displeasure known to Columbia executive George Avakian, asking, "Why'd you put that white bitch on there?" Avakian later stated that the question was made in jest. For later releases of the record, the original cover-photo has been substituted by a photo of Miles Davis.
Track listing
- "Springsville" (John Carisi) – 3:27
- "The Maids of Cadiz" (Léo Delibes) – 3:53
- "The Duke" (Dave Brubeck) – 3:35
- "My Ship" (Ira Gershwin/Kurt Weill) – 4:28
- "Miles Ahead" (Davis/Evans) – 3:29
- "Blues for Pablo" (Evans) – 5:18
- "New Rhumba" (Ahmad Jamal) – 4:37
- "The Meaning of the Blues" (Bobby Troup/Worth) – 2:48
- "Lament" (J. J. Johnson) – 2:14
- "I Don't Wanna Be Kissed (By Anyone But You)" (Jack Elliott/Harold Spina) – 3:05
A current CD reissue contains alternate takes of "Springsville", "Miles Ahead" (incorrectly labeled as being one of "Blues for Pablo"), a complete rehearsal take of "The Meaning of the Blues" and "Lament" (recorded as a continuous track by Avakian as a contingency plan) and "I Don't Wanna Be Kissed (By Anyone But You)".
Personnel
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