Let Us Now Praise Famous Men
Encyclopedia
Let Us Now Praise Famous Men is a book with text by American writer James Agee
James Agee
James Rufus Agee was an American author, journalist, poet, screenwriter and film critic. In the 1940s, he was one of the most influential film critics in the U.S...

 and photographs by American photographer Walker Evans
Walker Evans
Walker Evans was an American photographer best known for his work for the Farm Security Administration documenting the effects of the Great Depression. Much of Evans's work from the FSA period uses the large-format, 8x10-inch camera...

 first published in 1941 in the United States. The title is from a passage in the Wisdom of Sirach that begins, "Let us now praise famous men
De viris illustribus
De viris illustribus, meaning "On Illustrious / Famous Men", represents a trope of ancient Roman exemplary literature that was revived during the Italian Renaissance and inspired the assembly or commissioning of series of portraits of outstanding men— and sometimes, by the sixteenth century, of...

, and our fathers that begat us."

Background

The book Let Us Now Praise Famous Men grew out of an assignment the two men accepted in 1936 to produce a magazine article on the conditions among white sharecropper families in the U.S. South. It was the time of U.S. President Franklin Roosevelt's "New Deal
New Deal
The New Deal was a series of economic programs implemented in the United States between 1933 and 1936. They were passed by the U.S. Congress during the first term of President Franklin D. Roosevelt. The programs were Roosevelt's responses to the Great Depression, and focused on what historians call...

" programs designed to help the poorest segments of the society. Agee and Evans spent eight weeks that summer researching their assignment, mainly among three white sharecropping families mired in desperate poverty. They returned with Evans' portfolio of stark images—of families with gaunt faces, adults and children huddled in bare shacks before dusty yards in the Depression-era nowhere of the deep south—and Agee's detailed notes.

As he remarks in the book's preface, the original assignment was to produce a "photographic and verbal record of the daily living and environment of an average white family of tenant farmers." However, as the Literary Encyclopedia points out, "Agee ultimately conceived of the project as a work of several volumes to be entitled Three Tenant Families, though only the first volume, Let Us Now Praise Famous Men, was ever written." Agee considered that the larger work, though based in journalism, would be "an independent inquiry into certain normal predicaments of human divinity."

Description

The resulting single book is a critically praised opus that leapt over the traditional forms and limitations of journalism of the time. By combining factual reportage with passages of literary complexity and poetic beauty, Agee presented a complete picture, an accurate, minutely detailed report of what he had seen coupled with insight into his feelings about the experience and the difficulties of capturing it for a broad audience. In doing so, he created an enduring portrait of a nearly invisible segment of the American population.

Although Agee's and Evans' work was never published as the intended magazine article, their work has endured in the form in which it finally emerged: a lengthy, highly original book. Agee's text is part ethnography, part cultural anthropological study, and part novelistic, poetic narrative set in the shacks and fields of Alabama. Evans' black-and-white photographs, starkly real but also matching the grand poetry of the text, are included as a portfolio, without comment, in the book.

Agee as a character

Agee appears as a character himself at times in the narrative, as when he agonizes over his role as "spy" and intruder into these humble lives. At other times, as when he simply lists the contents of a sharecropper's shack or the meager articles of clothing they have to wear on Sunday, he is altogether absent. The strange ordering of books and chapters, the titles that range from mundane ("Clothes") to radically artistic (as the New York Times put it), the direct appeals by Agee for the reader to see the humanity and grandeur of these horrible lives, and his suffering at the thought that he cannot accomplish his appointed task, or should not, for the additional suffering it inflicts on his subjects, are all part of the book's character.

Impact

Scholars have noted that the book's ambitious scale and rejection of traditional reporting runs parallel with the creative, non-traditional programs of the U.S. government under Roosevelt. Agee argues with literary, political, and moral traditions that might mean nothing to his subjects but which are important for the larger audience and the larger context of examining other's lives.

Let Us Now Praise Famous Men has won high praise over the years and is routinely studied in the U.S. as a source of both journalistic and literary innovation.

Although the book is presented as documentary and "true", the pictures were actually somewhat posed, for technical and aesthetic reasons, leading to current controversy over the truth of historical records.

Pseudonyms

Throughout the book, Agee and Evans use pseudonyms to obscure the identity of the three tenant farmer families. This convention is retained in the follow-up book And Their Children After Them
And Their Children After Them
And Their Children After Them , written by Dale Maharidge and Michael Williamson and published by Pantheon Books in 1989, won the 1990 Pulitzer Prize for General Non-Fiction. It is about sharecropper families during the Great Depression....

. However Evans' photos that are archived in the Library of Congress
Library of Congress
The Library of Congress is the research library of the United States Congress, de facto national library of the United States, and the oldest federal cultural institution in the United States. Located in three buildings in Washington, D.C., it is the largest library in the world by shelf space and...

 American Memory Project have the original names of the photographic subjects.
Pseudonym Actual Name
Gudger Family
George Gudger Floyd Burroughs
Annie Mae (Woods) Gudger Allie Mae Burroughs
George Gudger Jr. Floyd Burroughs Jr.
Maggie Louise Gudger Lucille Burroughs
Burt Westly Gudger Charles Burroughs
Valley Few "Squinchy" Gudger Othel Lee "Squeaky" Burroughs
Ricketts Family
Fred Garvrin Ricketts Frank Tengle*
Sadie (Woods) Ricketts Flora Bee Tengle
Margaret Ricketts Elizabeth Tengle
Paralee Ricketts Dora Mae Tengle
John Garvrin Ricketts ??? Tengle
Richard Ricketts William Tengle (not confirmed)
Flora Merry Lee Ricketts Laura Minnie Lee Tengle
Katy Ricketts Ida Ruth Tengle
Clair Bell Ricketts ??? Tengle
Woods Family
Thomas Gallatin "Bud" Woods Bud Fields
Ivy Woods Lily Rogers Fields
Pearl Woods ??? Fields
Thomas Woods William Fields
Ellen Woods ??? Fields
Others
T. Hudson Margraves Watson Tidmore (not confirmed)


* There is disagreement over whether the family name is properly spelled Tengle or Tingle. The Library of Congress's spelling is used here.
Pseudonym Actual Location
Hobe's Hill Mills Hill
Cookstown Moundville, Alabama
Moundville, Alabama
Moundville is a town in Hale and Tuscaloosa Counties in the U.S. state of Alabama. At the 2000 census the population was 1,809. It is part of the Tuscaloosa Metropolitan Statistical Area. Moundville is known for its quintessential southern landscapes and Indian Mounds.-Geography:Moundville is...

Centerboro, Alabama Greensboro, Alabama
Greensboro, Alabama
Greensboro is a city in Hale County, Alabama, United States. At the 2000 census the population was 2,731. The city is the county seat of Hale County. It is part of the Tuscaloosa, Alabama Metropolitan Statistical Area.-History:...

Cherokee City, Alabama Tuscaloosa, Alabama
Tuscaloosa, Alabama
Tuscaloosa is a city in and the seat of Tuscaloosa County in west central Alabama . Located on the Black Warrior River, it is the fifth-largest city in Alabama, with a population of 90,468 in 2010...


External links

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