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Laura (1944) is an American film noir directed by Otto Preminger and starring Gene Tierney as Laura, Dana Andrews, Clifton Webb, Vincent Price, and Judith Anderson.
The movie was based on Vera Caspary's Laura, a popular 1943 detective novel, and it was adapted for the screen by Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt and Ring Lardner Jr. (uncredited). The film's first director, Rouben Mamoulian, was fired early in the film's shooting due to creative differences with studio head Darryl F. Zanuck.
York police detective Mark McPherson (Dana Andrews) investigates the murder of a beautiful advertising director named Laura Hunt (Gene Tierney).

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Quotations
I can afford a blemish on my character but not on my clothes.
I know you'll have to visit everyone on your list of suspects. I like to study their reactions.
I never have been and I never will be bound by anything I don't do with my own free will.
Laura, dear, I cannot stand these morons any longer. If you don't come with me this instant, I shall run amok.
She had something about her, that girl. I had to speak to her again. I had to see her.
This is our table, Laura's and mine. We spent many quiet evenings here together.

Encyclopedia
Laura (1944) is an American film noir directed by Otto Preminger and starring Gene Tierney as Laura, Dana Andrews, Clifton Webb, Vincent Price, and Judith Anderson.
The movie was based on Vera Caspary's Laura, a popular 1943 detective novel, and it was adapted for the screen by Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt and Ring Lardner Jr. (uncredited). The film's first director, Rouben Mamoulian, was fired early in the film's shooting due to creative differences with studio head Darryl F. Zanuck.
Plot
New York police detective Mark McPherson (Dana Andrews) investigates the murder of a beautiful advertising director named Laura Hunt (Gene Tierney). He interviews acerbic newspaper columnist Waldo Lydecker (Clifton Webb), who relates how he met Laura. Lydecker became her mentor and used his considerable influence and fame to advance her career. McPherson also questions Laura's fiancé, Shelby Carpenter (Vincent Price), her wealthy aunt, Ann Treadwell (Judith Anderson), and Laura's loyal housekeeper, Bessie Clary (Dorothy Adams).
Through the testimony of her friends and the reading of her letters, McPherson comes to know Laura and slowly falls in love with her. He becomes obsessed -- using the excuse of trying to solve the murder, he hangs around her apartment and is at one point accused by Lydecker of falling in love with a dead woman.
One night, he falls asleep under her portrait. He is awakened by the sound of someone entering the apartment. It is Laura. After recovering from the shock, McPherson determines that the murder victim was actually Diane Redfern, a model brought there by Carpenter while Laura was away in the country.
McPherson is pleased to discover that Laura is as lovable as he had imagined. Now it becomes even more urgent to unmask the murderer. He suspects that Lydecker is also in love with her and that he fatally mistook Redfern for her in his determination to keep her to himself. McPherson warns Laura not to let anybody in after he leaves, but Lydecker gets in anyway. Lydecker is about to kill Laura when McPherson returns just in time.
Cast
Production
Otto Preminger's original idea for the film score was to use Duke Ellington's "Sophisticated Lady." David Raksin later composed the familiar score for "Laura" over the course of a weekend, after being inspired by a Dear John letter he received from his wife. The theme from Laura was adapted by Johnny Mercer (who wrote the lyrics), Dick Haymes, Woody Herman and Frank Sinatra, all of whom had hits. It has been recorded by various artists over four hundred times.
The famous portrait of Laura was in fact a photograph that the studio lightly brushed with paint. It was reused in the colour film On the Riviera.
Awards
Academy Award win
- Best Black-and-White Cinematography, Joseph LaShelle
Academy Award nominations
Other honors
In 1999, Laura was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In June 2008, the American Film Institute revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. Laura was acknowledged as the fourth best film in the mystery genre. The film was also honored on AFI's 100 Scores, ranking at #7. On the 100 Thrills list, Laura was ranked at #73.
Influence
Bollywood movie Rog is a copy of this film.
External links
- at Filmsite.org by Tim Dirks; contains plot details.
- French review by Marc Autret .
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