Janko keyboard
Encyclopedia
The Jankó keyboard is a musical keyboard
Musical keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument, particularly the piano. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the...

 layout for a piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...

 designed by Paul von Jankó
Paul von Janko
Paul von Jankó was a Hungarian pianist and engineer.He first studied mathematics and music in Vienna, where he was a pupil of H. Schmitt, J. Krenn and Anton Bruckner. He then moved to Berlin where he during the years 1881 and 1882 studied mathematics at the city's University, and piano with H....

 in 1882.

Based on the premise that the hand can barely stretch more than a 9th on the piano, and that all scales
Musical scale
In music, a scale is a sequence of musical notes in ascending and descending order. Most commonly, especially in the context of the common practice period, the notes of a scale will belong to a single key, thus providing material for or being used to conveniently represent part or all of a musical...

 are fingered differently, Jankó's new keyboard had two interlocking 'manuals' with three touch-points for each key lever. Instead of the traditional row of white and black keys, the keyboard has an array of keys.

Each vertical column of keys is a semitone away from its neighboring columns, and on each horizontal row of keys the interval from one note to the next is a whole step. This key layout results in all chords and scales having the same "shape" on the keyboard with the same fingerings regardless of key, unlike a traditional keyboard, which require twelve different patterns of each key.

For an 88 note (full size) keyboard, there would be 264 keys in total, with each note playable by 3 keys in vertical alignment. In the picture, the white keys have been coloured to show how the keys are interconnected.

At the time of its invention, the Jankó keyboard was hailed as revolutionary. Arthur Rubinstein
Arthur Rubinstein
Arthur Rubinstein KBE was a Polish-American pianist. He received international acclaim for his performances of the music of a variety of composers...

 said of the Jankó piano, "If I were to begin my career anew it would be on this keyboard." Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...

said "This invention will have replaced the present piano keyboard in fifty years' time!"

The Jankó keyboard never caught on, mainly because few were prepared to relearn their repertoire on a new unestablished keyboard with totally new fingering. Also, since cast-iron framed pianos were not very portable, Jankó pianos would not have been available for musicians on the move. It could have rivaled the traditional piano if it had been invented at an earlier period, when keyboards were more portable due to the lighter wooden frame, and when the traditional keyboard was not quite as favoured as it was after the romantic era. Finally the pedagogical advantage of the traditional keyboard pattern, allowing beginners to start playing in a tonality (C major) without having to understand the tonal and harmonic principles isn't to be underestimated. Therefore, the Janko piano retains the colouring of traditional keyboards (white naturals, black sharps and flats) without the usual necessity to learn all other key patterns as an alteration of a C major scale.

Many embodiments of this keyboard have appeared since its conception. Jankó himself (in German patent 25852, dated 14 Jan 1884) originally chose a key shape which resembled the slim, black keys on the familiar piano keyboard. A year later (in German patent 32138, dated 1 Jul 1885) the keys became wider and shorter. Other inventors have filed patents for keyboards which are substantially similar to his design, differing most often in key shape or instrument to which those keyboards are affixed. (For example: John Trotter [Patent 3404, 4 March 1811], William A.B.Lunn devised in 1843 under the name of Arthur Wallbridge a sequential keyboard with two parallel rows of keys, each in whole tones. Gould and Marsh [U.S. Patent 24021, 17 May 1859], Edgar [U.S. Patent 119335, 26 Sep 1871], Cramer [U.S. Patent 152726, 7 Jul 1874], McChesney [U.S. Patent 161086, 6 Apr 1875], Stewart [U.S. Patent 497426, 19 Jan 1886], Adams [U.S. Patent 682014, 3 Sep 1901], Nordbö [U.S. Patent 1202882, 31 Oct 1916], Barnett [U.S. Patent 1958227, 8 May 1934], Reuther [U.S. Patent 2203393, 4 Jun 1940], Firestone [U.S. Patent 2417639, 11 Jun 1945], and Reuther [U.S. Patent 2557690, 5 Apr 1950].) The most recent patents are for MIDI compatible instruments, including the Bilinear Chromatic Keyboard to José A. Sotorrio (who also devised a new notation to accompany the layout) and the Japanese Chromatone keyboard. There other alternative configurations used on accordions.


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