Jacob de Gheyn III (painting)
Encyclopedia
Jacob de Gheyn III, also known as Jacob III de Gheyn (1596–1641), was a Dutch Golden Age
Dutch Golden Age
The Golden Age was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military and art were among the most acclaimed in the world. The first half is characterised by the Eighty Years' War till 1648...

 engraver, son of Jacob de Gheyn II, canon of Utrecht (city)
Utrecht (city)
Utrecht city and municipality is the capital and most populous city of the Dutch province of Utrecht. It is located in the eastern corner of the Randstad conurbation, and is the fourth largest city of the Netherlands with a population of 312,634 on 1 Jan 2011.Utrecht's ancient city centre features...

, and the subject of a 1632 oil painting
Oil painting
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body...

 by Rembrandt. The portrait is half of a pair of pendent portraits. The other piece is a portrait of de Gheyn's friend Maurits Huygens
Constantijn Huygens
Constantijn Huygens , was a Dutch Golden Age poet and composer. He was secretary to two Princes of Orange: Frederick Henry and William II, and the father of the scientist Christiaan Huygens.-Biography:...

, wearing similar clothing (ruffs
Ruff (clothing)
A ruff is an item of clothing worn in Western Europe from the mid-sixteenth century to the mid-seventeenth century.The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the drawstring neck of the shirt or chemise...

 and black doublets
Doublet (clothing)
A doublet is a man's snug-fitting buttoned jacket that is fitted and shaped to the man's body which was worn in Western Europe from the Middle Ages through to the mid-17th century. The doublet was hip length or waist length and worn over the shirt or drawers. Until the end of the 15th century the...

) and facing the opposite direction.

Biography

De Gheyn learned engraving from his father, who was a favored royal artist who designed a garden in the Hague for the royal family. This was a shared interest with the Huygens family who lived close by (Christian Huygens Sr was councillor of state). The younger De Gheyn studied in Leiden with Constantijn and Maurits Huygens, who remained lifelong friends. Excepting tours of London in 1618 with the Huygens brothers and Sweden in 1620, De Gheyn lived in the Hague until 1634, when he moved to Utrecht to become canon of St Mary's church (torn down in the 19th century). His engravings became known though the writings of Aernout van Buchel
Aernout van Buchel
Aernout van Buchel was a Dutch antiquarian and humanist, specialising in Genealogy and Heraldry.-Life:...

 who admired his work.

The painting

The painting of De Gheyn is smaller than most of Rembrandt's works, measuring only 29.9 by 24.9 centimetres (11.8 by 9.8 inches). It has been stolen numerous times (see below), and its size is one factor that has contributed to its numerous thefts.

The commission

Huygens and de Gheyn had commissioned Rembrandt to paint them in identical formats and he did so upon the same oak panel. The friends had agreed that the first of them to die would receive the painting owned by the other, as evidenced by inscriptions on the their reverse. They were reunited when de Gheyn died. Maurits Huygens survived De Gheyn by less than a year however, and his brother Constantijn Huygens was so heartbroken that he stopped writing for a long period.

Thefts

The painting has been given the moniker "takeaway Rembrandt" as it has been stolen
Art theft
Art theft is usually for the purpose of resale or for ransom . Stolen art is sometimes used by criminals to secure loans.. One must realize that only a small percentage of stolen art is recovered. Estimates range from 5 to 10%. This means that little is known about the scope and characteristics of...

 four times since 1966 – the most recorded of any painting.

Between 14 August 1981 and 3 September 1981 the painting was taken from Dulwich Picture Gallery and retrieved when police arrested four men in a taxi who had the painting with them. A little under two years later a burglar smashed a skylight and descended through it into the art gallery, using a crowbar to remove the painting from the wall. The police arrived within three minutes but were too late to apprehend the thief. The painting was missing for three years, eventually being found on 8 October 1986 in a luggage rack at the train station of a British army garrison in Münster
Münster
Münster is an independent city in North Rhine-Westphalia, Germany. It is located in the northern part of the state and is considered to be the cultural centre of the Westphalia region. It is also capital of the local government region Münsterland...

, Germany
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...

.

The other two times, the painting was found once underneath a bench in a graveyard in Streatham
Streatham
Streatham is a district in Surrey, England, located in the London Borough of Lambeth. It is situated south of Charing Cross. The area is identified in the London Plan as one of 35 major centres in Greater London.-History:...

, and once on the back of a bicycle. Each time the painting has been returned anonymously with nobody ever being charged for its disappearance.
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