|
|
|
|
J. Hoberman
|
| |
|
| |
Jim Hoberman (born 1948), also known as J. Hoberman is a prominent American film critic. He's currently the senior film critic for The Village Voice, a post he has held since 1988.
r receiving a Master of Fine Arts in Film Production from Columbia University he began working for the Voice as third-stringer under Andrew Sarris specializing in experimental film. His first film review was in 1977 for David Lynch's Eraserhead, an avant-garde midnight movie.
rman has taught cinema history at Cooper Union since 1990.

Discussion
Ask a question about 'J. Hoberman'
Start a new discussion about 'J. Hoberman'
Answer questions from other users
|
Encyclopedia
Jim Hoberman (born 1948), also known as J. Hoberman is a prominent American film critic. He's currently the senior film critic for The Village Voice, a post he has held since 1988.
Education
After receiving a Master of Fine Arts in Film Production from Columbia University he began working for the Voice as third-stringer under Andrew Sarris specializing in experimental film. His first film review was in 1977 for David Lynch's Eraserhead, an avant-garde midnight movie.
Present career
Hoberman has taught cinema history at Cooper Union since 1990. He received his B.A. at the State University of New York (Binghamton) and his M.F.A. from Columbia University. Additionally, he's lectured on Communism in Film at Harvard University and lecture on cinema at New York University. He's a notable contributor to Film Comment magazine, where he serves as one of the editors. Hoberman has published several books, including a collaboration with Chicago Reader film critic Jonathan Rosenbaum, entitled Midnight Movies, written in 1983. In 2008 Hoberman received the prestigious Mel Novikoff Award. An award "bestowed on an individual or institution whose work has enhanced the filmgoing public’s knowledge and appreciation of world cinema."
Partial bibliography
As author
- The Magic Hour
- The Dream Life: Movies, Media, and the Mythology of the Sixties
- Bridge of Light: Yiddish Film Between Two Worlds
- Vulgar Modernism: Writing on Film and Other Media
- Home Made Movies: Twenty Years of American 8Mm & Super-8 Films
- 42nd Street (BFI Film Classics)
- Dennis Hopper: From Method to Madness
- The Red Atlantis: Communist Culture in the Absence of Communism
As co-author
External links
|
| |
|
|