Ivan the Terrible in Russian folklore
Encyclopedia
The image created of Ivan IV of Russia
throughout Russian folklore is a direct contrast to that which is typically painted of him and his rule by historians. As folklorist Jack V. Haney claims, the tales “about Ivan IV, known as the Terrible, are especially interesting in that they portray the first Orthodox
Tsar of All Russia in quite a different light than historians do”.
By studying a variety of folktales about Ivan the Terrible, we can see that, in general, the overall image of this tsar is a positive one. Maureen Perrie
states that “insofar as he is the friend of the common people, and the enemy of the boyars, he (Ivan IV) is seen as a ‘good tsar’”. By creating the tsar to be either a friend of the commoners or an enemy to the boyar
, a positive image of Ivan IV is represented through the particular folktale.
This tale exemplifies a story in which the tsar befriends a common peasant. Collins’ tale also provides us evidence that the folklore regarding Ivan the Terrible often shows him heroically allying with those of the lower classes
against the sly and devious middle and upper class
citizens. By agreeing to help the thief rob the boyar, the tsar is ultimately legitimizing the thief’s actions. Continually, Maureen Perrie justifies the formation of the friendship between the tsar and the thief because “the tsar endorses the values and attitudes of the representative of the people, and demonstrates that he has more in common with them than with the boyars”. Consequently, the image depicted of Ivan is not one in which he is a “meaningless, bloodletting” ruler, but rather he is kind and compassionate towards his lower subjects.
. The tsar is attracted to the potter because of his ability to answer riddles. Because the tsar is impressed by his quick wittedness, he vows that, “if you (referring to the potter) stick to me, and I’ll stick to you”. Consequently, the tsar helps this potter create a monopoly
against the other boyars over the pottery sales in Russia. When an un-suspecting boyar is unable to pay for the merchandise he ordered, the tsar punishes him by making the boyar switch social roles with the potter.
Through this story we see that a friendship between the tsar and the potter develops out of the mutual dislike of the boyars. We are also provided with evidence that the tsar is more willing to help the common potter than he is the boyar. In addition, the tsar is attracted to the potter’s quick wittedness and consequently he was more willing to help the witty man from the lower social classes than he was the “stupid” middle- upper class boyars. Finally, this story is an example of Haney’s claim that through many folktales, Ivan is depicted as a “resolute but compassionate and an enlightened ruler, anxious to protect the peasants from the landowners, and he goes to some extraordinary lengths to do so”.
As the above examples of folklore show, a positive image of Ivan the Terrible can be found whenever a folktale has Ivan either a friend to a common peasant or an enemy to the boyar. There are a few reasons that folklorists provide us with that explain why this positive image of Ivan IV was created throughout Russian folklore. One valid reason is that the common people did not see the Ivan’s actions as negative- he was simply doing his job as the tsar. They believed that it was the tsar’s responsibility to protect his country, and he should do whatever it takes to accomplish that obligation.
In addition, because the tsar was seen as their only benefactor, the peasants often would not like to ridicule or satirize the tsar because they feared upsetting him. They hoped to create and tell stories about Ivan IV that would be pleasing to him, which would be build a better relationship between the tsar and the “commoners.” In addition, these stories also created the “ideal tsar” that many Russians hoped would run their country someday. Ivan IV was, for many of the peasants, the only figure of authority they knew and they did not know any other type of ruling. Consequently, the folklore “represents an artistic response to a historical event or character, and, in the case of a historical figure such as Ivan”. The stories regarding Ivan the Terrible were subjected to the tellers’ interpretations and opinion regarding him and his practices, and the folklore’s image of Ivan IV describes the ruler that so many Russians had hoped Ivan would become.
Ivan IV of Russia
Ivan IV Vasilyevich , known in English as Ivan the Terrible , was Grand Prince of Moscow from 1533 until his death. His long reign saw the conquest of the Khanates of Kazan, Astrakhan, and Siberia, transforming Russia into a multiethnic and multiconfessional state spanning almost one billion acres,...
throughout Russian folklore is a direct contrast to that which is typically painted of him and his rule by historians. As folklorist Jack V. Haney claims, the tales “about Ivan IV, known as the Terrible, are especially interesting in that they portray the first Orthodox
Eastern Orthodox Church
The Orthodox Church, officially called the Orthodox Catholic Church and commonly referred to as the Eastern Orthodox Church, is the second largest Christian denomination in the world, with an estimated 300 million adherents mainly in the countries of Belarus, Bulgaria, Cyprus, Georgia, Greece,...
Tsar of All Russia in quite a different light than historians do”.
By studying a variety of folktales about Ivan the Terrible, we can see that, in general, the overall image of this tsar is a positive one. Maureen Perrie
Maureen Perrie
Maureen Perrie is a British historian, Professor Emeritus of Russian History at the University of Birmingham, and a lecturer in Russian History at the Centre for Russian and East European Studies at the University of Birmingham.- Career :...
states that “insofar as he is the friend of the common people, and the enemy of the boyars, he (Ivan IV) is seen as a ‘good tsar’”. By creating the tsar to be either a friend of the commoners or an enemy to the boyar
Boyar
A boyar, or bolyar , was a member of the highest rank of the feudal Moscovian, Kievan Rus'ian, Bulgarian, Wallachian, and Moldavian aristocracies, second only to the ruling princes , from the 10th century through the 17th century....
, a positive image of Ivan IV is represented through the particular folktale.
Friend of the people
Primarily, throughout folktales, the tsar is typically described as an “ally and protector of the ordinary people against their common enemies, and especially the boyars”. One example of a folktale in which the tsar befriends the commoner can be found in Samuel Collins’ recording. In this story, a friendship develops between a disguised Ivan and a thief. Eventually the thief asks the tsar if he wants to go robbing with him and the tsar agrees. After they had robbed from a few shops in the marketplace, the tsar wanted to test his new friend’s loyalty and suggests that they rob the treasury. At this suggestion, the thief slaps the tsar saying that ‘I’ve been thieving for ages, but I’ve never dreamt of robbing the tsar!”. The story continues that the thief suggests that instead of robbing the tsar, the two should rob the boyars because “they get their money for nothing”. For his faithfulness and respect for the tsar, Ivan rewards the young man by asking him to become his counselor.This tale exemplifies a story in which the tsar befriends a common peasant. Collins’ tale also provides us evidence that the folklore regarding Ivan the Terrible often shows him heroically allying with those of the lower classes
Social class
Social classes are economic or cultural arrangements of groups in society. Class is an essential object of analysis for sociologists, political scientists, economists, anthropologists and social historians. In the social sciences, social class is often discussed in terms of 'social stratification'...
against the sly and devious middle and upper class
Upper class
In social science, the "upper class" is the group of people at the top of a social hierarchy. Members of an upper class may have great power over the allocation of resources and governmental policy in their area.- Historical meaning :...
citizens. By agreeing to help the thief rob the boyar, the tsar is ultimately legitimizing the thief’s actions. Continually, Maureen Perrie justifies the formation of the friendship between the tsar and the thief because “the tsar endorses the values and attitudes of the representative of the people, and demonstrates that he has more in common with them than with the boyars”. Consequently, the image depicted of Ivan is not one in which he is a “meaningless, bloodletting” ruler, but rather he is kind and compassionate towards his lower subjects.
Enemy of the Boyar
The second way a positive image of Ivan was created through folklore can be found by looking at examples that show Ivan was “an enemy of the boyar”. Through tales such as “The Potter”, we see how the tsar was often depicted as siding with the commoner against the boyars and other aristocratic individuals. Throughout “The Potter” a friendship develops between Ivan and a common potterPottery
Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery . Pottery also refers to the art or craft of the potter or the manufacture of pottery...
. The tsar is attracted to the potter because of his ability to answer riddles. Because the tsar is impressed by his quick wittedness, he vows that, “if you (referring to the potter) stick to me, and I’ll stick to you”. Consequently, the tsar helps this potter create a monopoly
Monopoly
A monopoly exists when a specific person or enterprise is the only supplier of a particular commodity...
against the other boyars over the pottery sales in Russia. When an un-suspecting boyar is unable to pay for the merchandise he ordered, the tsar punishes him by making the boyar switch social roles with the potter.
Through this story we see that a friendship between the tsar and the potter develops out of the mutual dislike of the boyars. We are also provided with evidence that the tsar is more willing to help the common potter than he is the boyar. In addition, the tsar is attracted to the potter’s quick wittedness and consequently he was more willing to help the witty man from the lower social classes than he was the “stupid” middle- upper class boyars. Finally, this story is an example of Haney’s claim that through many folktales, Ivan is depicted as a “resolute but compassionate and an enlightened ruler, anxious to protect the peasants from the landowners, and he goes to some extraordinary lengths to do so”.
As the above examples of folklore show, a positive image of Ivan the Terrible can be found whenever a folktale has Ivan either a friend to a common peasant or an enemy to the boyar. There are a few reasons that folklorists provide us with that explain why this positive image of Ivan IV was created throughout Russian folklore. One valid reason is that the common people did not see the Ivan’s actions as negative- he was simply doing his job as the tsar. They believed that it was the tsar’s responsibility to protect his country, and he should do whatever it takes to accomplish that obligation.
In addition, because the tsar was seen as their only benefactor, the peasants often would not like to ridicule or satirize the tsar because they feared upsetting him. They hoped to create and tell stories about Ivan IV that would be pleasing to him, which would be build a better relationship between the tsar and the “commoners.” In addition, these stories also created the “ideal tsar” that many Russians hoped would run their country someday. Ivan IV was, for many of the peasants, the only figure of authority they knew and they did not know any other type of ruling. Consequently, the folklore “represents an artistic response to a historical event or character, and, in the case of a historical figure such as Ivan”. The stories regarding Ivan the Terrible were subjected to the tellers’ interpretations and opinion regarding him and his practices, and the folklore’s image of Ivan IV describes the ruler that so many Russians had hoped Ivan would become.