Ito Jakuchu
Encyclopedia
was an Eccentric
Japanese painter
of the mid-Edo period
when Japan had closed its doors to the outside world. Many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds. Many of his otherwise traditional works display a great degree of experimentation with perspective, and with other very modern stylistic elements.
Though compared to Soga Shōhaku and other exemplars of the mid-Edo period eccentric painters, Jakuchū is said to have been very calm, restrained, and professional. He held strong ties to Zen
Buddhist ideals, and was considered a lay brother (koji); but he was also keenly aware of his role within a Kyoto society that was becoming increasingly commercial.
Itō Jakuchū was the eldest son of Itō Genzaemon, a Kyoto grocer whose shop, called Masuya, lay in the center of downtown, in the Nishiki food district. Jakuchū ran the shop from the time of his father's death in 1739 until 1755, when he turned it over to one of his brothers.
His training in paintings was mostly derived from inspirations from nature and from examining Chinese paintings at Zen temples. Some sources indicate that he may have studied with Ōoka Shunboku, an Osaka
-based artist known for his bird and flower paintings. Though a number of his paintings depict exotic or fantastic creatures, such as tigers and phoenixes, it is evident from the detail and lifelike appearance of his paintings of chickens and other animals that he based his work on actual observation.
Jakuchū built a two-story studio on the west bank of the Kamo River
in his late thirties. He called it Shin'en-kan (心遠館, Villa of the Detached Heart[or Mind] ), after a phrase from a poem by the ancient Chinese poet Tao Qian. It was around this time that Jakuchū befriended Daiten Kenjō, a Rinzai
monk who would later become abbot of the Kyoto temple Shōkoku-ji
. Through this friendship Jakuchū gained access to the temple's large collection of Chinese and Japanese paintings, and gained introduction to new social and artistic circles. It is thought that Daiten may have been the one to first conceive of the name "Jakuchū," taken from the Tao Te Ching
and meaning "like the void."
Well-known and well-reputed in the Kyoto art community, Jakuchū received many commissions for screen paintings, and was at one time featured above a number of other notable artists in the Record of Heian Notables (平安人物誌, Heian jinbutsu-shi). In addition to personal commissions, Jakuchū was also commissioned to paint panels or screens for many Buddhist temples and Shinto shrines across Japan, including the very famous and important Rokuon-ji (the monastery which includes the Kinkaku-ji
Golden Pavilion on its grounds).
Despite his commercial successes, however, Jakuchū can definitely be said to have lived the life of a literati (bunjin). He was friends with many notable bunjin, went on journeys with them, and was influenced by their artistic styles. His own degree of experimentation was a result of a combination of this bunjin influence and his own personal creative drive. In addition to his experiments with Western materials and perspective, Jakuchū also employed on occasion a method called taku hanga (拓版画, "rubbing prints"). This method used woodblocks to resemble a Chinese technique of ink rubbings of inscribed stone slabs, and was employed by Jakuchū in a number of works, including a scroll entitled "Impromptu Pleasures Afloat" (乗興舟, Jōkyōshū), depicting a journey down the Yodo River.
Despite his individualism and involvement in the scholarly and artistic community of Kyoto, Jakuchū was always strongly religious, and retired towards the end of his life to Sekihō-ji, a Mampuku-ji
branch temple on the southern outskirts of Kyoto. There, he gathered a number of followers, and continued to paint until his death at the age of eighty-five.
One of his most ambitious endeavors, and therefore most famous works, is known as the "Pictures of the Colorful Realm of Living Beings" (動植綵絵, Dōshoku sai-e). Begun around 1757 and not finished until 1765, the Pictures are a set of twenty-seven hanging scrolls created as a personal offering to the Shōkoku-ji temple. They depict a number of animal subjects in monumental scale and with an according degree of detail.
Another of his famous pieces, dubbed "Birds and Animals in the Flower Garden," is arguably one of the most modern-looking pieces to come out of Japan during this period. The piece, one of a pair of sixfold screens, depicts a white elephant and a number of other animals in a garden. What makes it unique, eccentric and modern is the division of the entire piece into a grid of squares roughly a centimeter on each side. Each square was colored individually, in order to create the resulting aggregate image. It is part of the Price Collection of the Shin'enkan Foundation in Los Angeles.
Jakuchū also experimented with a number of forms of printing, most of them using woodblocks. But occasionally he would use stencils or other methods to produce different effects.
Eccentricity (behavior)
In popular usage, eccentricity refers to unusual or odd behavior on the part of an individual. This behavior would typically be perceived as unusual or unnecessary, without being demonstrably maladaptive...
Japanese painter
Japanese painting
is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and adaptation of...
of the mid-Edo period
Edo period
The , or , is a division of Japanese history which was ruled by the shoguns of the Tokugawa family, running from 1603 to 1868. The political entity of this period was the Tokugawa shogunate....
when Japan had closed its doors to the outside world. Many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds. Many of his otherwise traditional works display a great degree of experimentation with perspective, and with other very modern stylistic elements.
Though compared to Soga Shōhaku and other exemplars of the mid-Edo period eccentric painters, Jakuchū is said to have been very calm, restrained, and professional. He held strong ties to Zen
Zen
Zen is a school of Mahāyāna Buddhism founded by the Buddhist monk Bodhidharma. The word Zen is from the Japanese pronunciation of the Chinese word Chán , which in turn is derived from the Sanskrit word dhyāna, which can be approximately translated as "meditation" or "meditative state."Zen...
Buddhist ideals, and was considered a lay brother (koji); but he was also keenly aware of his role within a Kyoto society that was becoming increasingly commercial.
Life
His training in paintings was mostly derived from inspirations from nature and from examining Chinese paintings at Zen temples. Some sources indicate that he may have studied with Ōoka Shunboku, an Osaka
Osaka
is a city in the Kansai region of Japan's main island of Honshu, a designated city under the Local Autonomy Law, the capital city of Osaka Prefecture and also the biggest part of Keihanshin area, which is represented by three major cities of Japan, Kyoto, Osaka and Kobe...
-based artist known for his bird and flower paintings. Though a number of his paintings depict exotic or fantastic creatures, such as tigers and phoenixes, it is evident from the detail and lifelike appearance of his paintings of chickens and other animals that he based his work on actual observation.
Kamo River
The is located in Kyoto Prefecture, Japan. The riverbanks are popular walking spots for residents and tourists. In summer, restaurants open balconies looking out to the river. There are pathways running alongside the river on which one can walk along the river, and some stepping stones that cross...
in his late thirties. He called it Shin'en-kan (心遠館, Villa of the Detached Heart
Rinzai school
The Rinzai school is , one of three sects of Zen in Japanese Buddhism.Rinzai is the Japanese line of the Chinese Linji school, which was founded during the Tang Dynasty by Linji Yixuan...
monk who would later become abbot of the Kyoto temple Shōkoku-ji
Shokoku-ji
, formally identified as , is a Buddhist temple in northern Kyoto, founded in 1382 by Ashikaga Yoshimitsu.-Buddhist center:In 1383, the Zen master was designated by Yoshimitsu as founding abbot, however, Myōha insisted that the official honor be posthumously accorded to his own teacher, Musō...
. Through this friendship Jakuchū gained access to the temple's large collection of Chinese and Japanese paintings, and gained introduction to new social and artistic circles. It is thought that Daiten may have been the one to first conceive of the name "Jakuchū," taken from the Tao Te Ching
Tao Te Ching
The Tao Te Ching, Dao De Jing, or Daodejing , also simply referred to as the Laozi, whose authorship has been attributed to Laozi, is a Chinese classic text...
and meaning "like the void."
Well-known and well-reputed in the Kyoto art community, Jakuchū received many commissions for screen paintings, and was at one time featured above a number of other notable artists in the Record of Heian Notables (平安人物誌, Heian jinbutsu-shi). In addition to personal commissions, Jakuchū was also commissioned to paint panels or screens for many Buddhist temples and Shinto shrines across Japan, including the very famous and important Rokuon-ji (the monastery which includes the Kinkaku-ji
Kinkaku-ji
, also known as , is a Zen Buddhist temple in Kyoto, Japan. The garden complex is an excellent example of Muromachi period garden design. It is designated as a National Special Historic Site and a National Special Landscape, and it is one of 17 locations comprising the Historic Monuments of Ancient...
Golden Pavilion on its grounds).
Despite his commercial successes, however, Jakuchū can definitely be said to have lived the life of a literati (bunjin). He was friends with many notable bunjin, went on journeys with them, and was influenced by their artistic styles. His own degree of experimentation was a result of a combination of this bunjin influence and his own personal creative drive. In addition to his experiments with Western materials and perspective, Jakuchū also employed on occasion a method called taku hanga (拓版画, "rubbing prints"). This method used woodblocks to resemble a Chinese technique of ink rubbings of inscribed stone slabs, and was employed by Jakuchū in a number of works, including a scroll entitled "Impromptu Pleasures Afloat" (乗興舟, Jōkyōshū), depicting a journey down the Yodo River.
Despite his individualism and involvement in the scholarly and artistic community of Kyoto, Jakuchū was always strongly religious, and retired towards the end of his life to Sekihō-ji, a Mampuku-ji
Mampuku-ji
is a temple located in Uji, Kyoto. It is the head temple of the Japanese Ōbaku Zen sect, named after Wanfu Temple in Fujian, China. The mountain is likewise named after Mount Huangbo, where the Chinese temple is situated.-History:...
branch temple on the southern outskirts of Kyoto. There, he gathered a number of followers, and continued to paint until his death at the age of eighty-five.
Works
Most of Jakuchū's works were in the form of hanging scrolls, painted in a combination of Chinese and traditional Japanese methods and styles. A very common theme among his work is birds, in particular chickens and roosters, though several of his more famous paintings depict cockatoos, parrots, and phoenixes.One of his most ambitious endeavors, and therefore most famous works, is known as the "Pictures of the Colorful Realm of Living Beings" (動植綵絵, Dōshoku sai-e). Begun around 1757 and not finished until 1765, the Pictures are a set of twenty-seven hanging scrolls created as a personal offering to the Shōkoku-ji temple. They depict a number of animal subjects in monumental scale and with an according degree of detail.
Another of his famous pieces, dubbed "Birds and Animals in the Flower Garden," is arguably one of the most modern-looking pieces to come out of Japan during this period. The piece, one of a pair of sixfold screens, depicts a white elephant and a number of other animals in a garden. What makes it unique, eccentric and modern is the division of the entire piece into a grid of squares roughly a centimeter on each side. Each square was colored individually, in order to create the resulting aggregate image. It is part of the Price Collection of the Shin'enkan Foundation in Los Angeles.
Jakuchū also experimented with a number of forms of printing, most of them using woodblocks. But occasionally he would use stencils or other methods to produce different effects.