Intermède
Encyclopedia
Intermède is a French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...

 term for a musical or theatrical performance involving song and dance, also an 18th-century opera genre.

The context in which the 'intermède' was performed has changed over time. During the 16th century they were court entertainments in which ballet was an important element. The intermède was sometimes given between the acts of spoken plays, especially in the 17th century when they were performed with the works of Pierre Corneille
Pierre Corneille
Pierre Corneille was a French tragedian who was one of the three great seventeenth-century French dramatists, along with Molière and Racine...

 and Jean Racine
Jean Racine
Jean Racine , baptismal name Jean-Baptiste Racine , was a French dramatist, one of the "Big Three" of 17th-century France , and one of the most important literary figures in the Western tradition...

.

During the 18th century, the term was used for the Italian
Italian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...

 genre of opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 called intermezzo
Intermezzo
In music, an intermezzo , in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work...

 as performed in 18th-century France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...

, either in the original language or in French translation (such as La servante maîtresse, the French version of Pergolesi
Giovanni Battista Pergolesi
Giovanni Battista Pergolesi was an Italian composer, violinist and organist.-Biography:Born at Iesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others...

's La serva padrona
La serva padrona
La serva padrona is an opera buffa by Giovanni Battista Pergolesi to a libretto by Gennaro Antonio Federico, after the play by Jacopo Angello Nelli. The opera is only 45 minutes long and was originally performed as an intermezzo between the acts of a larger serious opera...

), but also for original French works of similar style in one or two acts, with or without spoken dialogue. During the course of the century, the intermède gradually disappeared as it was developed and transformed into the opéra comique
Opéra comique
Opéra comique is a genre of French opera that contains spoken dialogue and arias. It emerged out of the popular opéra comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent , which combined existing popular tunes with spoken sections...

.

During the 19th and 20th centuries, the term was occasionally used, usually anachronistically, by opera composers, but also as a term in relation to instrumental music.

Sources

  • Bartlet, M Elizabeth C: Intermède in 'The New Grove Dictionary of Opera
    New Grove Dictionary of Opera
    The New Grove Dictionary of Opera is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes....

    ', ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7
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