Il turco in Italia
Encyclopedia
Il turco in Italia is an opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 in two acts by Gioachino Rossini. The Italian
Italian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...

-language libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 was written by Felice Romani
Felice Romani
Felice Romani was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.-Biography:Born Giuseppe Felice Romani to a bourgeois family in Genoa,...

. It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann in 1788.

An opera buffa
Opera buffa
Opera buffa is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ‘commedia in musica’, ‘commedia per musica’, ‘dramma bernesco’, ‘dramma comico’, ‘divertimento giocoso' etc...

, it was influenced by Mozart's Così fan tutte
Così fan tutte
Così fan tutte, ossia La scuola degli amanti K. 588, is an opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte....

, which was performed at the same theatre shortly before Rossini's work. The strangely harmonized overture, though infrequently recorded, is one of the best examples of Rossini's characteristic style. An unusually long introduction displays an extended, melancholy horn solo with full orchestral accompaniment, before giving way to a lively, purely comic main theme.

Performance history

Il turco in Italia was first performed in La Scala
La Scala
La Scala , is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala...

, Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...

 on 14 August 1814. It was given in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...

 at His Majesty's Theatre
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre, in Haymarket, City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre...

 on 19 May with Giuseppe and Giuseppina de Begnis
Giuseppina Ronzi de Begnis
Giuseppina Ronzi de Begnis was an Italian operatic soprano, one of the leading sopranos of her time, particularly associated with Donizetti roles....

. It was first staged in New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...

 at the
Park Theatre on 14 March 1826 with Maria Malibran
Maria Malibran
The mezzo-soprano Maria Malibran , was one of the most famous opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death at age 28...

, Manuel García Senior
Manuel García (tenor)
Manuel del Pópulo Vicente Rodriguez García was a Spanish opera singer, composer, impresario, and singing teacher.-Biography:...

, Manuel García Junior, Barbieri, Crivelli, Rosich and Agrisani.

Roles

Role Voice type Premiere Cast, August 14, 1814
(Conductor: Alessandro Rolla)
Don Geronio, a Neapolitan gentleman bass Luigi Pacini
Fiorilla, his wife soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

Francesca Maffei Festa
Selim, the Turk bass Filippo Galli
Filippo Galli (bass)
Filippo Galli was an Italian opera singer who began his career as a tenor in 1801 but went on to become one of the most acclaimed basses of the Bel Canto era, with a voice known for its wide range, extreme agility, and expressivity, and a remarkable gift for acting-Early life:Born in Rome, Galli...

Narciso, in love with Fiorilla tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

Giovanni David
Giovanni David
Giovanni David was an Italian tenor particularly known for his roles in Rossini operas....

Prosdocimo, a poet baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...

Pietro Vasoli
Zaida, a Turk mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

Adelaide Carpano
Albazar, a Turk tenor Gaetano Pozzi
Gypsies, Turks, people - Chorus

Act 1

By the sea shore near Naples

The poet Prosdocimo (baritone) is searching for a plot for a drama buffo. He meets a band of Gypsies, including the beautiful but unhappy Zaida (mezzo-soprano) and her confidant Albazar (tenor). Perhaps the Gypsies can provide some ideas? Prosdocimo's friend, the obstinate and sometimes foolish Geronio (bass), is looking for a fortune teller to advise him on his marital problems, but the Gypsies tease him. Zaida tells Prosdocimo that she is from a Turkish harem. She and her master, Prince Selim, were in love, but jealous rivals accused her of infidelity and she had to flee for her life, accompanied by Albazar. Nevertheless she still loves only one man and that man is Selim. Prosdocimo knows that a Turkish prince will shortly be arriving in Italy. Perhaps he can help? Geronio's capricious young wife Fiorilla (soprano) enters singing (in contrast to Zaida) of the joys of free and unfettered love. A Turkish ship arrives and the prince disembarks. It is Selim (bass) himself. Fiorilla is immediately attracted to the handsome Turk, and a romance rapidly develops. Narciso (tenor) appears in her pursuit. He is an ineffectual admirer of Fiorilla posing as a friend of her husband. Geronio follows, horrified to learn that Fiorilla is taking the Turk home to drink his coffee!

Geronio's house

Fiorilla and Selim are flirting. Geronio enters timidly and Selim is initially impressed by his unexpected meekness, however Narciso noisily scolds Geronio. The domestic menage irritates Selim and he leaves after quietly arranging to meet Fiorilla again by his ship. Geronio tells Fiorilla he will not allow any more Turks - or Italians - in his house. She sweetly undermines his complaints, and then, when he softens, threatens to punish him by enjoying herself even more wildly.

The sea shore at night

Selim is waiting for Fiorilla. Instead he meets Zaida. The former lovers are shocked and delighted, and declare once more their mutual love. Narciso re-appears, followed by Fiorilla in disguise, with Geronio in pursuit. Selim confuses the veiled Fiorilla with Zaida and the two women come suddenly face to face. Fiorilla accuses Selim of betrayal. Zaida confronts Fiorilla. Geronio tells his wife to go home. There is a stormy finale.

Act 2

At an inn

Selim approaches Geronio amicably, offering to buy Fiorilla. That way Geronio can be rid of his problems and also make some money. Geronio refuses. Selim vows to steal her instead. After they leave, Fiorilla and a group of her friends appear, followed by Zaida. Fiorilla has set up a meeting between them and Selim, so that the Turk will be forced to decide between the two women. In the event he is indecisive, not wishing to lose either of them. Zaida leaves in disgust. Selim and Fiorilla quarrel but are eventually reconciled. As the poet tells Geronio, there is going to be a party. Fiorilla will be there to meet Selim, who will be masked. Geronio should also go - disguised as a Turk! Narciso overhears this, and decides to take advantage of the situation to take Fiorilla himself, in revenge for her former indifference. Geronio laments his destiny, that he should have such a terrible, crazy wife. Albazar passes by holding a costume - for Zaida!

A ballroom with masqueraders and dancers

Fiorilla mistakes Narciso for Selim and Narciso leads her away. Meanwhile Selim enters with Zaida, under the impression that she is Fiorilla. Geronio is in utter despair at finding two couples and two Fiorillas! Narciso and Selim both entreat their partners to leave with them. Confused and angry, Geronio attempts to stop both couples, but they eventually escape.

Back at the inn

Prosdocimo meets Geronio. They now know that Selim was with Zaida and guess that Fiorilla was with Narciso. Albazar confirms that Selim will definitely stay with Zaida. Prosdocimo advises Geronio to have his revenge on Fiorilla by pretending to divorce her and threatening to send her back to her family.

Having discovered Narciso's deception, Fiorilla tries to find Selim, but he has already left with Zaida. She returns home only to find the divorce letter, and her belongings being removed from the house. She is devastated by shame, and promptly deserted by her friends.

The beach

Selim and Zaida are about to set sail for Turkey, while Fiorilla is looking for a boat to take her back to her home town. Geronio finds and forgives her. They are affectionately reconciled. Both couples are now reunited and Prosdocimo is delighted with his happy ending.

Recordings

Year Cast:
Don Geronio, Donna Fiorilla, Selim, Don Narciso, Zaida
Conductor,
Opera House and Orchestra
Label
1978 James Billings
James Billings
James Billings is an American operatic baritone, librettist, and opera director. He began his career in the late 1950s in Boston and later became a member of the New York City Opera where he performed regularly from the early 1970s through the 1990s...

,
Beverly Sills
Beverly Sills
Beverly Sills was an American operatic soprano whose peak career was between the 1950s and 1970s. In her prime she was the only real rival to Joan Sutherland as the leading bel canto stylist...

,
Donald Gramm
Donald Gramm
Donald Gramm was an American bass-baritone whose career was divided between opera and concert performances. His appearances were primarily limited to the United States, which at the time was unusual for an American singer...

,
Henry Price
Henry Price (tenor)
Henry Price is a well-known American operatic tenor, who was a pupil of the tenor Eugene Conley. He made his formal debut with the Goldovsky Opera Theater in 1970, as Alfredo Germont in La traviata.-Career:...

,
Susanne Marsee
Susanne Marsee
Susanne Marsee is an American mezzo-soprano of note. She was one of the New York City Opera's leading mezzo-sopranos from 1970, when she debuted opposite Beverly Sills, Plácido Domingo and Louis Quilico, in Donizetti's Roberto Devereux, with Julius Rudel conducting Tito Capobianco's...

Julius Rudel
Julius Rudel
Julius Rudel is an American opera and orchestra conductor who emigrated to the United States from Austria at the age of 17 and studied conducting at the Mannes College of Music in New York City. He then forged a 35-year career with the New York City Opera, from 1944 to 1979, and was the Music...

,
New York City Opera Orchestra and Chorus
(Video recording of a performance in an English translation by Andrew Porter at the New York City Opera
New York City Opera
The New York City Opera is an American opera company located in New York City.The company, called "the people's opera" by New York Mayor Fiorello La Guardia, was founded in 1943 with the aim of making opera financially accessible to a wide audience, producing an innovative choice of repertory, and...

, stage directed by Tito Capobianco
Tito Capobianco
Tito Capobianco is a noted stage director of opera.He made his official debut with Aïda, at the Teatro Argentino, La Plata, in 1953, then worked at the Teatro Colón in Buenos Aires...

, 4 October)
DVD: Premiere Opera Ltd.
DVD 5148
1981 Enzo Dara,
Montserrat Caballé,
Samuel Ramey
Samuel Ramey
Samuel Edward Ramey is an American operatic bass with a long, distinguished career.During his best years, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing the music of Handel, Mozart, Rossini, yet power...

,
Ernesto Palacio,
Jane Berbié
Riccardo Chailly
Riccardo Chailly
Riccardo Chailly, Cavaliere di Gran Croce OMRI is an Italian conductor. He started his career as an opera conductor and gradually extended his repertoire to encompass symphonic music.-Biography:...

,
National Philharmonic Orchestra and the Ambrosian Opera Chorus
Audio CD: CBS “Masterworks”
Cat: CD 37859
2002 Paolo Rumetz,
Cecilia Bartoli
Cecilia Bartoli
Cecilia Bartoli is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music...

,
Ruggero Raimondi
Ruggero Raimondi
Ruggero Raimondi is an Italian bass-baritone opera singer who has also appeared in motion pictures.-Early training and career:Ruggero Raimondi was born in Bologna, Italy, during World War II...

,
Reinaldo Macias,
Judith Schmid
Franz Welser-Möst
Franz Welser-Möst
Franz Welser-Möst is an Austrian conductor who is currently the music director for the Cleveland Orchestra and the Vienna State Opera.- Biography :...

,
Orchestra and Chorus of the Zürich Opera
Zurich Opera
Oper Zürich is an opera company based in Zurich, Switzerland. The company gives performances in the Opernhaus Zürich which has been the company’s home for fifty years.-History:...


(Video recording of a performance at the Zürich Opera, April or May)
DVD: House of Opera
Cat: DVDBB 2150;
ArtHaus Musik
Cat: 100.369
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