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Il tabarro
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Il tabarro (The Cloak) is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on Didier Gold's La Houppelande. It is the first of the trio of operas known as Il trittico. The first performance was given on December 14, 1918 at Metropolitan Opera in New York City.
le class="wikitable"> | | Role | Voice type | Premiere Cast, 14 December 1918 (Conductor: Roberto Moranzoni) |
|---|
| Michele, a barge-owner | baritone | Luigi Montesanto | | Giorgetta, Michele's wife | soprano | Claudia Muzio | | Luigi, a stevedore | tenor | Giulio Crimi | | 'Tinca' ('tench'), a stevedore | tenor | Angelo Bada | | 'Talpa' ('mole'), a stevedore | bass | Adamo Didur | | La Frugola ('the rummager'), Talpa's wife | mezzo-soprano | Alice Gentle | | Stevedores, a ballad-seller, midinettes, an organ-grinder, two lovers |
Place: A barge on the Seine in Paris.Time: 1910.
It is close to sundown in Paris, while the stevedores work unloading the barge, Giorgetta (25) asks her husband Michele (50) if she can bring wine to the workers.

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Encyclopedia
Il tabarro (The Cloak) is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on Didier Gold's La Houppelande. It is the first of the trio of operas known as Il trittico. The first performance was given on December 14, 1918 at Metropolitan Opera in New York City.
Roles
| Role | Voice type | Premiere Cast, 14 December 1918 (Conductor: Roberto Moranzoni) |
|---|
| Michele, a barge-owner | baritone | Luigi Montesanto | | Giorgetta, Michele's wife | soprano | Claudia Muzio | | Luigi, a stevedore | tenor | Giulio Crimi | | 'Tinca' ('tench'), a stevedore | tenor | Angelo Bada | | 'Talpa' ('mole'), a stevedore | bass | Adamo Didur | | La Frugola ('the rummager'), Talpa's wife | mezzo-soprano | Alice Gentle | | Stevedores, a ballad-seller, midinettes, an organ-grinder, two lovers |
Synopsis
- Place: A barge on the Seine in Paris.
- Time: 1910.
It is close to sundown in Paris, while the stevedores work unloading the barge, Giorgetta (25) asks her husband Michele (50) if she can bring wine to the workers. He agrees but does not join them, because he tried to kiss her but she refused. She serves wine to the workers and they dance to the music of an organ grinder, one of the workers steps on Giorgetta's foot and then Luigi (25) dances with her, it is evident that there is something going on between them. When listening that Michele is coming back the gathering breaks; the couple discuss about which worker should be dismissed because work is scarce, she prefers any one else but Luigi despite being Michele's first choice. Soon the conversation turns into a fight. Frugola enters, looking for her husband. She shows everyone the fruits of her scavening in Paris and scolds the men for their drinking. Luigi laments his lot in life. Frugola wishes to have enough money to buy a little place in the country where to rest for the remainder of their days. Giorgetta and Luigi remember their old town (they were born in the same place). Everyone leaves except for Luigi who asks to be dismissed and be allowed to disembark in Rouen but Michele convinces him not to and leaves. When alone Giorgetta asks why he asked to be dismissed and they acknowledge their mutual love, they agree to meet later that evening to a previously agreed signal: a match being lit on board. Luigi seems very determined to kill Michele and flee with Giorgetta. Michele reminisces with Giorgetta of the days before their child died, how all three would fit under his cloak and he is distressed about him doubling her in age. She conforts him but she will still not kiss him. Michele wonders if his wife Giorgetta is still faithful and ponders on who has changed her so much and reviews the list of all the men that share their life but dismisses all of them as improvable. Michele lights his pipe and Luigi sees it from afar, thinking that it is Giorgetta's signal, returns to the barge and is confronted by Michele. Michele and Luigi engage in a fight, Michele gets the upper hand and foces Luigi to confess his affair, then kills him, hiding the body under his cloak. When Giorgetta returns feigning remorse, he opens wide the cloak, revealing her dead lover.
Lost aria Puccini composed the music for an alternative aria for Michele, "Scorri, fiume eterno!" (Flow, timeless river!), after which he commits suicide. This aria is usually not performed and there is only one recording thereof sung by Robert Merrill, conducted by Lamberto Gardelli in the Record Label DECCA (1962).
Noted arias
- Hai ben ragione! meglio non pensare — Luigi
- Nulla! Silenzio! — Michele
Selected recordings
| Year | Cast (Michele, Giorgetta, Luigi) | Conductor, Opera House and Orchestra | Label |
|---|
| 1994 | Juan Pons, Teresa Stratas, Plácido Domingo, | James Levine, Metropolitan Opera orchestra and chorus | DVD: Deutsche Grammophon Cat: 00440 073 4024 | | 1994 | Juan Pons, Mirella Freni, Giuseppe Giacomini, | Bruno Bartoletti, Orchestra e coro del Maggio Musicale Fiorentino | CD: Decca Cat: 426 261-2 | | 1962 | Robert Merrill, Renata Tebaldi, Mario del Monaco, | Lamberto Gardelli, Orchestra e coro del Maggio Musicale Fiorentino | CD: Decca Cat: 411 665-2 |
Note: "Cat:" is short for catalogue number by the label company
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