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Horrorcore
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Horrorcore is a subgenre of hip hop music described by Entertainment Weekly in 1995 as a "blend of hardcore rap and bloodthirsty metal".
orcore defines the style of hip hop music that focuses around "horror influenced" topics that include Satanism, cannibalism, suicide, murder and rape. The lyrics are inspired by horror movies over moody, hardcore beats. As quoted by Mars to describe his horrorcore: "If you take Stephen King or Wes Craven and you throw them on a rap beat, that's who I am." The stylistic origins of horrorcore can be traced to the music of Detroit rapper Esham, who refers to his style of music as "acid rap".

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Encyclopedia
Horrorcore is a subgenre of hip hop music described by Entertainment Weekly in 1995 as a "blend of hardcore rap and bloodthirsty metal".
History
Horrorcore defines the style of hip hop music that focuses around "horror influenced" topics that include Satanism, cannibalism, suicide, murder and rape. The lyrics are inspired by horror movies over moody, hardcore beats. As quoted by Mars to describe his horrorcore: "If you take Stephen King or Wes Craven and you throw them on a rap beat, that's who I am." The stylistic origins of horrorcore can be traced to the music of Detroit rapper Esham, who refers to his style of music as "acid rap". Esham's music, sometimes described as a fusion of hip hop beats and death metal lyrics helped contribute to his popularization as a solo rapper as well as a member of the group Natas, and was an influence on the work of Insane Clown Posse, who have performed in this genre. Kool Keith claims to have "invented horrorcore".
Gravediggaz are frequently cited as "ushering in" or popularizing the form with their debut album 6 Feet Deep, released in 1994. The term was also appended to and popularized by Flatlinerz. The genre quickly faded from public attention, but has thrived in internet culture and sustains an annual "supershow" in Detroit called "Wickedstock". According to the January 2004 BBC documentary Underground USA, the subgenre "has a massive following across the US" and "is spreading to Europe". By contrast, Rolling Stone referred to it as a "short-lived trend" which "generated more shlock than shock". NME agrees, labeling the movement as "rap music's brief fling" while at the same time noting that the genre is subject to revival in its review of Snoop Dogg's 2001 soundtrack, Bones.
Notable representatives
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