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Honkyoku
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Honkyoku (??, "original pieces") are the pieces of shakuhachi or hocchiku music played by mendicant Japanese Zen monks called komuso. Komuso played honkyoku for enlightenment and alms as early as the 13th century. Honkyoku is the practice of suizen ("blowing Zen"). The Fuke sect which originated this practice ceased to exist in the 19th century, but a verbal and written lineage of many honkyoku continues today, though the music is now often practiced in a concert or performance setting.
There are many ryu, or schools, of honkyoku, each with their style, emphasis, and teaching methods.
he 18th century, a komuso named Kinko Kurosawa of the Fuke sect of Zen Buddhism was commissioned to travel Japan and collect these musical pieces.

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Encyclopedia
Honkyoku (??, "original pieces") are the pieces of shakuhachi or hocchiku music played by mendicant Japanese Zen monks called komuso. Komuso played honkyoku for enlightenment and alms as early as the 13th century. Honkyoku is the practice of suizen ("blowing Zen"). The Fuke sect which originated this practice ceased to exist in the 19th century, but a verbal and written lineage of many honkyoku continues today, though the music is now often practiced in a concert or performance setting.
There are many ryu, or schools, of honkyoku, each with their style, emphasis, and teaching methods.
Kinko Ryu
In the 18th century, a komuso named Kinko Kurosawa of the Fuke sect of Zen Buddhism was commissioned to travel Japan and collect these musical pieces. Although it is commonly thought that the 36 pieces of the Kinko Ryu Honkyoku repotoire were collected and played by Kinko Kurosawa, in fact these pieces as currently played were significantly changed and codified by later generations, including Miura Kindo and others.
- Hifumi - Hachigaeshi no Shirabe
- Taki-ochi no Kyoku (Taki-otoshi no Kyoku)
- Akita Sugagaki
- Koro Sugagaki
- Kyushu Reibo
- Shizu no Kyoku
- Kyo Reibo
- Mukaiji Reibo
- Koku Reibo
- a) Ikkan-ryu Koku kaete, b) Banshikicho
- Shin no Kyorei
- Kinsan Kyorei
- Yoshiya Reibo
- Yugure no Kyoku
- Sakae-jishi
- Uchikae Kyorei
- Igusa Reibo
- Izu Reibo
- Reibo-nagashi
- Sokaku Reibo
- Sanya Sugagaki
- Shimotsuke Kyorei
- Meguro-jishi
- Ginryu Koku
- Sayama Sugagaki
- Sagari-ha no Kyoku
- Namima Reibo
- Shika no Tône
- Hoshosu
- Akebono no Shirabe
- Akebono Sugagaki
- Ashi no Shirabe
- Kotoji no Kyoku
- Kinuta Sugomori
- Tsuki no Kyoku
- Kotobuki no Shirabe
At least three additional pieces were later added to the Kinko-Ryu repertoire:
- Kumoi Jishi
- Azuma no Kyoku
- Sugagaki
Dokyoku
Founded by Watazumi Doso Roshi in the 1950s, the Dokyoku Honkyoku repertoire consists of:
- Daha
- Dai Otsugaeshi
- Hon Shirabe
- Jyakunen
- Kaze
- Koden Sugomori
- Koku
- Motogaeshi
- Mushirabe
- Reibo
- Sagari Ha (Kansai)
- Sagari Ha (Oshu)
- Sagari Nami
- San'an
- San'ya
- Shingetsu
- Sokkan
- Tamuke
- Tsuru no Sugomori
- Ukigumo
- Yamagoe (also, Reiho)
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