Guy Pène du Bois
Encyclopedia
Guy Pène du Bois was an early 20th century American painter. Born in the US to a French family, his work specialised in the culture and society around him: cafes, theatres, and in the twenties, flapper
Flapper
Flapper in the 1920s was a term applied to a "new breed" of young Western women who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior...

s.

In 1940, he published his autobiography: Artists Say the Silliest Things.

His nephew was the French-American author and illustrator William Pène du Bois
William Pène du Bois
William Pène du Bois , was a French American author and illustrator. He was best known for The Twenty-One Balloons, published in April 1947 by The Viking Press...

.

The American artist Jerome Myers
Jerome Myers
Jerome Myers was a U.S. artist and writer. Born in Petersburg, Virginia and raised in Philadelphia, Trenton and Baltimore, he spent his adult life in New York City. Jerome worked briefly as an actor and scene painter, then studied art at Cooper Union and the Art Students League where his main...

recalled his close friendship with Guy Pène du Bois in his 1940 autobiography "Artist in Manhattan" "Guy Pene du Bois has long been the auditor of my thoughts on art and life. Our contacts were so pleasurable and profitable. So often in his charming home circle, over our coffee, we would spend hours together, analyzing art conditions, forecasting the careers of various artists then commanding the spotlight, as well as of others whose light shone less brightly. I regret that I made no notes of our talks, for to me they were always an inspiration.

Guy was then the noted art critic and painter; and even later, when he became the noted painter, he was still the art critic as well, coining his brief aphorisms with a dash of cosmopolitan cynicism, cool wisdom and dry humor. I regretted the intervention of his trips abroad; but our intimate conversations were resumed whenever opportunity afforded, Guy remaining as ever my real spiritual comrade. He was always a wise friend, a wise teacher, the possessor of an individual and rare skill in painting, his life a notable one, his contacts illustrious. I envy him only all that his history entails in names and places, covering so much of our present art history."

Sources

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