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Gnomon
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The gnomon is the part of a sundial that casts the shadow. Gnomon (???µ??) is an ancient Greek word meaning "indicator", "one who discerns," or "that which reveals." idea of enlarging yet preserving the shape was considered quite profound.
he northern hemisphere, the shadow-casting edge is normally oriented so that it points north and is parallel to the rotation axis of the Earth.

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Encyclopedia
The gnomon is the part of a sundial that casts the shadow. Gnomon (???µ??) is an ancient Greek word meaning "indicator", "one who discerns," or "that which reveals."
History of the term
- Anaximander (610–546 BC) is credited with introducing this Babylonian instrument to the Greeks. The Chinese also used the gnomon, mentioned in the 2nd century Nine Chapters on the Mathematical Art as being used much earlier by the Duke of Zhou (11th century BC).
- Oenopides used the phrase drawn gnomon-wise to describe a line drawn perpendicular to another.
- Later, the term was used for an L-shaped instrument used to drawing right angles. This shape may explain its use to describe
- the shape formed by cutting a smaller square from a larger one.
- Euclid extended the term to the plane figure formed by removing a similar parallelogram from a corner of a larger parallelogram.
- Hero defined a gnomon as that which added to anything, number or figure, makes the whole similar to what was added.
- In this sense Theon of Smyrna used it to describe a number which added to a polygonal number produces the next one of the same type.
- The most common use in this sense is an odd integer especially when seen as a figurate number between square numbers.
The idea of enlarging yet preserving the shape was considered quite profound.
- In a recent book Gazalé, Midhat J. coined the term gnomonicity as a synonym for the 20th century idea of Self-similarity both in the increasing and decreasing scale as in fractals.
Also
In the northern hemisphere, the shadow-casting edge is normally oriented so that it points north and is parallel to the rotation axis of the Earth. That is, it is inclined to the horizontal at an angle that equals the latitude of the sundial's location. On some sundials, the gnomon is vertical. These were usually used in former times for observing the altitude of the Sun, especially when on the meridian. The style is the part of the gnomon that casts the shadow. This can change as the sun moves. For example, the upper west edge of the gnomon might be the style in the morning and the upper east edge might be the style in the afternoon.
The art of constructing a gnomon sundial is sometimes termed gnomonics. One so skilled would be referred to as a gnomonist.
Gnomon may also imply the design paradigm relationship between an indicator and a dial or other reference, as with a speedometer and needle. In this case, the needle functions as a gnomon against the incremented speedometer background.
Also, gnomon is the name given to an aesthetic process utilized by James Joyce in his set of short stories Dubliners, whereby the whole of the character is revealed by a single part.
In popular culture
In the book The Tower at the End of the World, written by Brad Strickland, an island with a giant tower and thin stairs is found on a lake. The tower and stairs, along with the odd sculptures surrounding it, are later discovered to be a giant sundial, with the tower and stairs being the gnomon. The island the tower is found on is often called "Gnomon Island".
A gnomon inside the church of Saint Sulpice in Paris, France, built to assist in determining the date of Easter, was incorrectly identified as a "Rose Line" in Dan Brown's novel The Da Vinci Code.
NASA Astronauts used a gnomon as a photographic tool to indicate local horizon and to display a color chart when they were working on the Moon's surface.
Footnotes
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