Giovanni Pacini
Encyclopedia
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
, best known for his opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
s. Pacini was born in Catania
Catania
Catania is an Italian city on the east coast of Sicily facing the Ionian Sea, between Messina and Syracuse. It is the capital of the homonymous province, and with 298,957 inhabitants it is the second-largest city in Sicily and the tenth in Italy.Catania is known to have a seismic history and...
, Sicily
Sicily
Sicily is a region of Italy, and is the largest island in the Mediterranean Sea. Along with the surrounding minor islands, it constitutes an autonomous region of Italy, the Regione Autonoma Siciliana Sicily has a rich and unique culture, especially with regard to the arts, music, literature,...
, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....
origin, and just happened to be in Catania when the composer was born.
His first 25 or so operas were written when Gioacchino Rossini
Gioacchino Rossini
Gioachino Antonio Rossini was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces...
dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his Memoirs. For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante
Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works as either; and his development of...
, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly became eclipsed by the rising influence of Giuseppe Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
on the Italian operatic scene, and many of his operas appeared to be old fashioned and rarely, if ever, appeared outside of Italy." Pacini's work is largely forgotten today, although some recordings do exist.
Pacini's compositions
During his lifetime, Pacini wrote some 74 operas. This is less than earlier estimates, which ranged from 80 to 90, since it has now been ascertained that many were just alternate titles for other works. It has been noted that he "bothered little about harmony and instrumentation",, a fact supported by Rossini who once said: "God help us if he knew music. No one could resist him". Certainly, Pacini recognized Rossini's strengths and his dominance during this period: "Everyone followed the same school, the same fashions, and as a result they were all imitators of the great luminary .... If I was a follower of the great man from Pesaro, so was everyone else"After Rossini moved to Paris in 1824, Pacini and his contemporaries (Giacomo Meyerbeer
Giacomo Meyerbeer
Giacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...
, Nicola Vaccai
Nicola Vaccai
Nicola Vaccai was an Italian composer, particularly of operas, and a singing teacher.-Life and career as a composer:...
, Michele Carafa
Michele Carafa
Michele Enrico Carafa di Colobrano was an Italian opera composer. He was born in Naples and studied in Paris with Luigi Cherubini. He was Professor of counterpoint at the Paris Conservatoire from 1840 to 1858...
, Carlo Coccia
Carlo Coccia
Carlo Coccia was an Italian opera composer. He was known for the genre of opera semiseria.- Life and career :...
, Vincenzo Bellini
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi , La sonnambula , Norma , Beatrice di Tenda , and I puritani...
, Gaetano Donizetti
Gaetano Donizetti
Domenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
, the brothers Federico
Federico Ricci
Federico Ricci , was an Italian composer, particularly of operas.Born in Naples, he was the younger brother of Luigi Ricci, with whom he collaborated on several works....
and Luigi Ricci
Luigi Ricci
Luigi Ricci , was an Italian composer, particularly of operas.He was the elder brother of Federico Ricci, with whom he collaborated on several works.- Life :...
, and Saverio Mercadante
Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works as either; and his development of...
) collectively began to change the nature of Italian opera and took bel canto
Bel canto
Bel canto , along with a number of similar constructions , is an Italian opera term...
singing in a new direction. Orchestration became heavier, coloratura was reduced, especially for men's voices, and more importance was placed on lyrical pathos. While there were exceptions, romantic leads were assigned to tenors (in Rossini's time, they were frequently sung by alto or mezzo-soprano women). Villains became basses or later baritones (while they often were tenors for Rossini). Over time, far more emphasis was placed on the drama.
The role that Pacini played in instituting these changes is only now beginning to be recognized. There is little doubt that Pacini and his contemporary Nicola Vaccai
Nicola Vaccai
Nicola Vaccai was an Italian composer, particularly of operas, and a singing teacher.-Life and career as a composer:...
exerted a stronger influence on Bellini
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi , La sonnambula , Norma , Beatrice di Tenda , and I puritani...
than has been credited before. This change in attitude can be credited to the revival of two key works: Vaccai's Giulietta e Romeo
Giulietta e Romeo
Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi da Porto...
and Pacini's L'ultimo giorno di Pompei, both composed in 1825 within a few weeks of each other.
The success of many of Pacini's lighter operas especially Il Barone di Dolsheim, La sposa fedele, and La schiava in Bagdad (all composed between 1818 and 1820) made Pacini one of the most prominent composers in Italy. His position was greatly enhanced by the rapid-fire successes of Alessandro nelle Indie
Alessandro nelle Indie
Alessandro nelle Indie is an opera seria in two acts by Giovanni Pacini, with libretto by Andrea Leone Tottola, based on Alessandro nell'Indie by Pietro Metastasio...
(Naples, 1824, revised, Milan, 1826; given and recorded in London in November 2006), Amazilia (Naples 1824, revised, Vienna, 1827), and the previously mentioned L'Ultimo giorno di Pompei (Naples, 1825).
In Alessandro nell'Indie (Naples, 1824), the title role of Alessandro was created by a baritonal tenor, Andrea Nozzari
Andrea Nozzari
Andrea Nozzari was an Italian tenor.Nozzari was born in Vertova and studied in Bergamo and Rome. He is notable for the principal roles written for him by Gioachino Rossini and mostly premiered in Domenico Barbaia's theatres in Naples...
, but it was sung by the much lighter-voiced Giovanni David
Giovanni David
Giovanni David was an Italian tenor particularly known for his roles in Rossini operas....
at the Milan revival, indicating Pacini's desire to go in a new direction. Arabi nelle Gallie (Milan, 1827) reached many of the world's most important stages and was the first Pacini opera to be given in the United States. It was staged frequently in Italy, and it was not until 1830 that Bellini's first success, Il pirata
Il pirata
Il pirata is an opera in two acts by Vincenzo Bellini to an Italian libretto by Felice Romani from a French translation of the tragic play Bertram, or The Castle of St Aldobrando by Charles Maturin...
(also Milan, 1827) passed Gli arabi nelle Gallie in number of performances at the Teatro alla Scala. While this is not generally recognized, it was Pacini, rather than Donizetti, Mercadante or Bellini, who gave Rossini the stiffest competition in Italy during the 1820s.
Many operas followed that are almost completely forgotten. However, one of these, Il corsaro (Rome, 1831) was revived one hundred and seventy-three years later, in 2004, albeit only with piano accompaniment. This work is different in many ways from Verdi's later opera by the same name. The title role, Corrado, is a musico role for an alto, and the villainous Seid is a tenor.
Still, first Bellini and then Donizetti outstripped Pacini in fame. Many of his later operas, such as Carlo di Borgogna
Carlo di Borgogna
Carlo di Borgogna is an Italian opera in three parts composed by Giovanni Pacini to a libretto by Gaetano Rossi. It was first performed at the Teatro la Fenice, Venice on February 21, 1835.- Roles:- Synopsis :Part One...
of 1835, were failures, but this is one of the few Pacini operas currently available on CD, and it has received many warm reviews. Pacini himself was the first to recognize his apparent defeat noted in memoirs: "I began to realize that I must withdraw from the field. Bellini, the divine Bellini, has surpassed me.". Some years later, he resumed composing, and, after one more setback, enjoyed his greatest triumph with Saffò
Saffò
Saffò is an opera in three acts by Giovanni Pacini on a libretto by Salvadore Cammarano, based on a play by Franz Grillparzer, after the legend of the ancient Greek poetess Sappho.-Performance history:...
(Naples, 1840).
After Saffo, Pacini entered into another period of prominence. Donizetti had departed for Paris, Bellini had died, and Mercadante
Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works as either; and his development of...
's major successes were behind him, thus Verdi offered the only important competition. Pacini's successes during this time period include La fidanzata corsa (Naples, 1842), Maria, regina d'Inghilterra
Maria, regina d'Inghilterra
Maria, regina d'Inghilterra is an Italian opera in three acts, composed by Giovanni Pacini from a libretto by Leopoldo Tarantini, which was based on the play Marie Tudor by Victor Hugo...
(Palermo, 1843), Medea
Medea (Pacini)
Medea is an opera in three acts composed by Giovanni Pacini to a libretto by Benedetto Castiglia. It premiered on 28 November 1843 at the Teatro Carolino in Palermo, conducted by the composer with Geltrude Bortolotti in the title role...
(Palermo, 1843 with several later revisions, the last of which was in Naples in 1853), Lorenzino de' Medici (Venice, 1845), Bondelmonte (Florence, 1845), Stella di Napoli (Naples,1845) and La regina di Cipro (Turin, 1846). Allan Cameron (Venice, 1848) is noteworthy because it deals with the youth of King Charles II
Charles II of England
Charles II was monarch of the three kingdoms of England, Scotland, and Ireland.Charles II's father, King Charles I, was executed at Whitehall on 30 January 1649, at the climax of the English Civil War...
, before he was crowned King of England. Still, by 1844, Verdi had written Nabucco
Nabucco
Nabucco is an opera in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the Biblical story and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue...
, I Lombardi, and Ernani
Ernani
Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo. The first production took place at La Fenice Theatre, Venice on 9 March 1844...
, thus outstripping Pacini.
This period of accomplishments was followed by a long but slow decline, marked only by the moderate successes of La punizione (Venice, 1854) Il saltimbanco (Rome, 1858) and Niccolò de' Lapi (Florence,1873).
Pacini died in Pescia
Pescia
Pescia is an Italian city in the province of Pistoia, Tuscany, central Italy.It is located in a central zone between the cities Lucca and Florence, on the banks of the homonymous river.-History:...
, Tuscany
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....
in 1867. During his leftime, he produced much music of high caliber. His output of more than 70 stage works is staggering even compared to Rossini (41 operas) and Handel (43 operas), and he will always be remembered, with Donizetti, as one of the most prolific composers in the history of opera.