Giovanni Dragoni
Encyclopedia
Giovanni Andrea Dragoni was an Italian
Music of Italy
The music of Italy ranges across a broad spectrum of opera and instrumental classical music and a body of popular music drawn from both native and imported sources. Music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in...

 composer of the Roman School
Roman School
In music history, the Roman School was a group of composers of predominantly church music, in Rome, during the 16th and 17th centuries, therefore spanning the late Renaissance and early Baroque eras. The term also refers to the music they produced...

 of the late Renaissance
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...

, a student of Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition...

, and a prominent composer and maestro di cappella in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...

 in the late 16th century. He left numerous sacred and secular works, almost all vocal, and was especially noted for his often-reprinted books of madrigals
Madrigal (music)
A madrigal is a secular vocal music composition, usually a partsong, of the Renaissance and early Baroque eras. Traditionally, polyphonic madrigals are unaccompanied; the number of voices varies from two to eight, and most frequently from three to six....

.

Life

Dragoni was born at Meldola
Meldola
-History:The area of Meldola was inhabited since very ancient times. The Romans built here a large aqueduct which served the military port of Classis. To the 5th-6th century belongs a large patrician villa which is now under the historical centre.In the Middle Ages a castle was present, the name...

, not far from Forlì
Forlì
Forlì is a comune and city in Emilia-Romagna, Italy, and is the capital of the province of Forlì-Cesena. The city is situated along the Via Emilia, to the right of the Montone river, and is an important agricultural centre...

, but details of his early life are lacking. He studied with Palestrina, as he indicated in the dedication to his first book of madrigals (1575). The next year he acquired the prestigious position of maestro di cappella at one of Rome's most prominent churches and musical establishments, St. John Lateran, and he retained this position for the rest of his life. In 1594, towards the end of his life, Cardinal del Monte appointed Dragoni to assess the progress on the revisions to liturgical chant
Gregorian chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic liturgical music within Western Christianity that accompanied the celebration of Mass and other ritual services...

, part of the extensive reforms following from the Council of Trent
Council of Trent
The Council of Trent was the 16th-century Ecumenical Council of the Roman Catholic Church. It is considered to be one of the Church's most important councils. It convened in Trent between December 13, 1545, and December 4, 1563 in twenty-five sessions for three periods...

. Dragoni died in Rome.

Music

Dragoni's output was extensive, but much of his sacred music, kept in the St. John Lateran archive, has been lost, including a collection of settings of the Lamentations of Jeremiah (along with similar settings by Annibale Stabile
Annibale Stabile
Annibale Stabile was an Italian composer of the Renaissance. He was a member of the Roman School of composition, and probably was a pupil of Palestrina. He was active mainly at Rome but moved briefly to Kraków, Poland at the end of his life.-Life:Records of his early life are inexact, but he was...

), as well as a volume of settings of the Magnificat
Magnificat
The Magnificat — also known as the Song of Mary or the Canticle of Mary — is a canticle frequently sung liturgically in Christian church services. It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn...

. He wrote at least six books of motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...

s, of which five have been lost.

He published seven books of madrigals, for four, five, and six voices, between 1575 and 1594. They were often reprinted, attesting to their popularity.

Influences on Dragoni included his teacher Palestrina, especially early in his career, and later the renowned madrigalist Luca Marenzio
Luca Marenzio
Luca Marenzio was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi...

. Dragoni's style emphasized clearly intelligible text setting, but by the 1590s his music shows an increasing emphasis on soprano and bass lines, as well as an understanding of motivic unity, both characteristics of the developing Baroque
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...

 style. In addition he experimented with polychoral
Venetian polychoral style
The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation...

 textures in some of his later works, a feature more prominent in Venetian than Roman music.
The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK