George de La Hèle
Encyclopedia
George de La Hèle (1547 – August 27, 1586) was a Franco-Flemish
Franco-Flemish School
In music, the Franco-Flemish School or more precisely the Netherlandish School refers, somewhat imprecisely, to the style of polyphonic vocal music composition in Europe in the 15th and 16th centuries, and to the composers who wrote it...

 composer of the Renaissance
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...

, mainly active in the Habsburg
Habsburg
The House of Habsburg , also found as Hapsburg, and also known as House of Austria is one of the most important royal houses of Europe and is best known for being an origin of all of the formally elected Holy Roman Emperors between 1438 and 1740, as well as rulers of the Austrian Empire and...

 chapels of Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...

 and the Low Countries
Low Countries
The Low Countries are the historical lands around the low-lying delta of the Rhine, Scheldt, and Meuse rivers, including the modern countries of Belgium, the Netherlands, Luxembourg and parts of northern France and western Germany....

. Among his surviving music is a book of eight mass
Mass (music)
The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy to music...

es, some for as many as eight voices. While he was a prolific composer during his time in Spain, much of his music was destroyed in 1734 in the burning of the chapel library in Madrid.

Life

La Hèle was born in Antwerp, and received his musical training both there and possibly at Soignies
Soignies
Soignies is a Walloon municipality located in the Belgian province of Hainaut.The municipality is composed of the Town of Soignies together with the villages of Casteau, Chaussée-Notre-Dame-Louvignies, Horrues, Neufvilles, Naast and Thieusies...

. He spent his teenage years as a choirboy in Madrid
Madrid
Madrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...

, in the chapel of Philip II
Philip II of Spain
Philip II was King of Spain, Portugal, Naples, Sicily, and, while married to Mary I, King of England and Ireland. He was lord of the Seventeen Provinces from 1556 until 1581, holding various titles for the individual territories such as duke or count....

, then led by Pierre de Manchicourt
Pierre de Manchicourt
Pierre de Manchicourt was a Renaissance composer of the Franco-Flemish School.Little is known of his early life other than that he was a choirboy at Arras in 1525; later in life he had a succession of posts in Arras, Tours and Tournai, before going to Spain to be master of the Flemish chapel at...

, another northern composer who spent much of his career in Spain; Manchicourt probably identified the young La Hèle himself on one of his talent-scouting trips to his own homeland. After singing as a choirboy for several years, in the late 1560s La Hèle went to study at the University of Alcalá
University of Alcalá
The University of Alcalá is a public university located in Alcalá de Henares, a city 35 km northeast of Madrid in Spain. Founded in 1499, it was moved in 1836 to Madrid. In 1977, the University was reopened in its same historical buildings...

, and in 1570 returned north, enrolling at the University of Leuven. While his course of study has not been documented, it is presumed he studied not music but theology. He seems not to have achieved the priesthood, but rose high enough in the Church hierarchy to be eligible for benefices.

In the 1570s La Hèle stayed in the Low Countries, working successively as choirmaster at the cathedrals in Mechelen
Mechelen
Mechelen Footnote: Mechelen became known in English as 'Mechlin' from which the adjective 'Mechlinian' is derived...

 and Tournai
Tournai
Tournai is a Walloon city and municipality of Belgium located 85 kilometres southwest of Brussels, on the river Scheldt, in the province of Hainaut....

, both centers of music-making. These were also productive years: he wrote the eight masses which Antwerp printer Christopher Plantin published in 1578 as Octo missae, La Hèle's most famous (and principal surviving) publication.

In 1580 La Hèle became maestro di capilla of Philip's royal chapel, and by the next year he had gone to Madrid to take the post, as maestro of the capilla flamenca
Flemish chapel (capilla flamenca)
The Flemish chapel was one of two choirs employed by Philip II of Spain, the other being the Spanish chapel .- La Grande Chapelle :...

to distinguish from the capilla real. His career there was also successful, with acclaimed performances; he also added considerably to the chapel's repertory, bringing in music by northern composers such as Clemens non Papa, Italians such as Palestrina
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition...

, and music by native Spaniards such as Francisco Guerrero and Cristóbal de Morales
Cristóbal de Morales
Cristóbal de Morales was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Victoria.- Life :...

.

Shortly before his death, he married, thereby giving up his considerable benefice
Benefice
A benefice is a reward received in exchange for services rendered and as a retainer for future services. The term is now almost obsolete.-Church of England:...

s. The marriage may have occurred during his final illness, and he mentioned only his wife, Madelena Guabaelaraoen, in his will. He died in Madrid; the cause is not recorded, but he was only 38 or 39.

Music and influence

La Hèle's masses, his most considerable surviving compositions, all use the parody
Parody mass
A parody mass is a musical setting of the mass, typically from the 16th century, that uses multiple voices of another pre-existing piece of music, such as a fragment of a motet or a secular chanson, as part of its melodic material. It is distinguished from the two other most prominent types of...

 technique, and each announce the polyphonic
Polyphony
In music, polyphony is a texture consisting of two or more independent melodic voices, as opposed to music with just one voice or music with one dominant melodic voice accompanied by chords ....

 model on which they are based in the table of contents of the book. The models include works by Josquin
Josquin Des Prez
Josquin des Prez [Josquin Lebloitte dit Desprez] , often referred to simply as Josquin, was a Franco-Flemish composer of the Renaissance...

, Cipriano de Rore
Cipriano de Rore
Cipriano de Rore was a Franco-Flemish composer of the Renaissance, active in Italy...

, Thomas Crecquillon
Thomas Crecquillon
Thomas Crecquillon was a Franco-Flemish composer of the Renaissance. He is considered to be a member of the Netherlands school. While his place of birth is unknown, it was probably within the region loosely known at the time as the Netherlands, and he probably died at Béthune.-Biography:Very...

, and Lassus
Orlande de Lassus
Orlande de Lassus was a Franco-Flemish composer of the late Renaissance...

. All of the sources are motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...

s; unlike many composers of parody masses, he avoided secular songs as sources.

La Hèle was evidently highly regarded, certainly by Philip II, and the publication of his mass
Mass (music)
The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy to music...

es was an unusually opulent one – but Plantin's business sense was sufficient to require La Hèle himself to buy forty copies of his own book to help with the cost of printing (although at a discount: 16 florins instead of the usual price of 18). The work sold better than expected, and as a result many copies of this particular publication survive. Most of La Hèle's other music existed in manuscript copies kept in the library of the Palacio Real, but when the entire complex was destroyed by fire on Christmas Eve, 1734, it was all lost. Some of the lost music is known from an inventory of 1585, and includes motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...

s, Passion
Passion music
In church music, Passion is a term for sung musical settings, normally at least partly choral, of the Gospel texts covering the Passion of Jesus, the events leading up to the Crucifixion of Jesus, and emphasising his suffering...

 settings, mass sections, and Lamentations
Lamentations (music)
The Lamentations of Jeremiah the Prophet have been set by various composers.-England:Thomas Tallis made two famous sets of the Lamentations. Scored for five voices , they show a sophisticated use of imitation, and are noted for their expressiveness. The settings are of the first two lessons for...

.

His entire surviving output – ten compositions – has been published in series 56 of Corpus mensurabilis musicae
Corpus mensurabilis musicae
The Corpus mensurabilis musicae is a collected print edition of most of the sacred and secular vocal music of the late medieval and Renaissance period in western music history, with an emphasis on the central Franco-Flemish and Italian repertories...

(two volumes).
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