François Couperin (10 November 1668 – 11 September 1733) was a French
BaroqueThe Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
composer, organist and harpsichordist. He was known as
Couperin le Grand ("Couperin the Great") to distinguish him from other members of the musically talented
CouperinThe Couperin family were a musical dynasty of professional composers and performers. They were the most prolific family in French musical history, active during the Baroque era...
family.
Life
Couperin was born in
ParisParis is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
. He was taught by his father, Charles Couperin, who died when François was 10, and by Jacques Thomelin. In 1685 he became the
organistAn organist is a musician who plays any type of organ. An organist may play solo organ works, play with an ensemble or orchestra, or accompany one or more singers or instrumental soloists...
at the church of Saint-Gervais, Paris, a post he inherited from his father and that he would pass on to his cousin, Nicolas Couperin. Other members of the family also later held the same position. In 1693 Couperin succeeded his teacher Thomelin as organist at the Chapelle Royale (Royal Chapel) with the title
organiste du Roi, organist by appointment to Louis XIV.
In 1717 Couperin became court organist and composer, with the title
ordinaire de la musique de la chambre du Roi. With his colleagues, Couperin gave a weekly concert, typically on Sunday. Many of these concerts were in the form of
suiteIn music, a suite is an ordered set of instrumental or orchestral pieces normally performed in a concert setting rather than as accompaniment; they may be extracts from an opera, ballet , or incidental music to a play or film , or they may be entirely original movements .In the...
s for
violinThe violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
,
violThe viol is any one of a family of bowed, fretted and stringed musical instruments developed in the mid-late 15th century and used primarily in the Renaissance and Baroque periods. The family is related to and descends primarily from the Renaissance vihuela, a plucked instrument that preceded the...
,
oboeThe oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
,
bassoonThe bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...
and
harpsichordA harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed.In the narrow sense, "harpsichord" designates only the large wing-shaped instruments in which the strings are perpendicular to the keyboard...
, on which he was a virtuoso player.
Couperin died in Paris in 1733.
Works
- See also List of compositions by François Couperin.
Couperin acknowledged his debt to the Italian composer
CorelliArcangelo Corelli was an Italian violinist and composer of Baroque music.-Biography:Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life...
. He introduced Corelli's
trio sonataThe trio sonata is a musical form that was popular in the 17th and early 18th centuries.A trio sonata is written for two solo melodic instruments and basso continuo, making three parts in all, hence the name trio sonata...
form to France. Couperin's grand trio sonata was subtitled
Le Parnasse, ou L'apothéose de Corelli ("Parnassus, or the
ApotheosisApotheosis is the glorification of a subject to divine level. The term has meanings in theology, where it refers to a belief, and in art, where it refers to a genre.In theology, the term apotheosis refers to the idea that an individual has been raised to godlike stature...
of Corelli""). In it he blended the Italian and French styles of music in a set of pieces which he called
Les goûts réunis ("Styles Reunited").
His most famous book,
L'art de toucher le clavecinL'art de toucher le clavecin is a didactic treatise by the French composer François Couperin...
("The Art of Harpsichord Playing", published in 1716), contains suggestions for fingerings, touch, ornamentation and other features of
keyboardA keyboard instrument is a musical instrument which is played using a musical keyboard. The most common of these is the piano. Other widely used keyboard instruments include organs of various types as well as other mechanical, electromechanical and electronic instruments...
technique.
Couperin's four volumes of harpsichord music, published in Paris in 1713, 1717, 1722, and 1730, contain over 230 individual pieces, which can be played on solo harpsichord or performed as small chamber works. These pieces were not grouped into
suiteIn music, a suite is an ordered set of instrumental or orchestral pieces normally performed in a concert setting rather than as accompaniment; they may be extracts from an opera, ballet , or incidental music to a play or film , or they may be entirely original movements .In the...
s, as was the common practice, but
ordres, which were Couperin's own version of suites containing traditional dances as well as descriptive pieces. The first and last pieces in an
ordre were of the same tonality, but the middle pieces could be in other closely related tonalities. These volumes were loved by J.S. Bach and, much later,
Richard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
, as well as
Maurice RavelJoseph-Maurice Ravel was a French composer known especially for his melodies, orchestral and instrumental textures and effects...
who memorialized their composer with
Le tombeau de CouperinLe tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917, in six movements. Each movement is dedicated to the memory of friends of the composer who had died fighting in World War I...
(
Couperin's Memorial).
Many of Couperin's keyboard pieces have evocative, picturesque titles and express a mood through key choices, adventurous harmonies and (resolved) discords. They have been likened to miniature tone poems. These features attracted
Richard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
, who orchestrated some of them.
Johannes BrahmsJohannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene...
's piano music was influenced by the keyboard music of Couperin. Brahms performed Couperin's music in public and contributed to the first complete edition of Couperin's
Pièces de clavecin by
Friedrich ChrysanderKarl Franz Friedrich Chrysander was a German music historian and critic, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology.Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son...
in the 1880s.
The early-music expert
Jordi SavallJordi Savall i Bernadet is a Catalan viol player, conductor and composer. He has been one of the major figures in the field of Western early music since the 1970s, largely responsible for bringing the viol back to life on the stage...
has written that Couperin was the "poet musician par excellence", who believed in "the ability of Music [with a capital M] to express itself in prose and poetry", and that "if we enter into the poetry of music we discover that it carries grace that is more beautiful than beauty itself".
Organ
Only one collection of organ music by Couperin survives, the
Pièces d'orgue consistantes en deux messes ("Pieces for Organ Consisting of Two Masses"), the first manuscript of which appeared around 1689-90. At the age of 21, Couperin probably had neither the funds nor the reputation to obtain widespread publication, but the work was approved by his teacher,
Michel Richard DelalandeMichel Richard Delalande [de Lalande] was a French Baroque composer and organist who was in the service of King Louis XIV. He was one of the most important composers of grand motets. He also wrote orchestral suites known as "Simphonies pour les Soupers du Roy" and ballets...
, who wrote that the music was "very beautiful and worthy of being given to the public." The two masses were intended for different audiences: the first for parishes or secular churches ("paroisses pour les fêtes solemnelles"), and the second for convents or abbey churches ("couvents de religieux et religieuses"). These masses are divided into many movements in accordance with the traditional structure of the Latin Mass:
KyrieKyrie, a transliteration of Greek κύριε , vocative case of κύριος , meaning "Lord", is the common name of an important prayer of Christian liturgy, which is also called the Kýrie, eléison ....
(5 movements),
Gloria"Gloria in excelsis Deo" is the title and beginning of a hymn known also as the Greater Doxology and the Angelic Hymn. The name is often abbreviated to Gloria in Excelsis or simply Gloria.It is an example of the psalmi idiotici "Gloria in excelsis Deo" (Latin for "Glory to God in the highest")...
(9),
SanctusThe Sanctus is a hymn from Christian liturgy, forming part of the Order of Mass. In Western Christianity, the Sanctus is sung as the final words of the Preface of the Eucharistic Prayer, the prayer of consecration of the bread and wine...
(3), Agnus (2), and an additional
OffertoireThe Offertory is the portion of a Eucharistic service when bread and wine are brought to the altar. The offertory exists in many liturgical Christian denominations, though the Eucharistic theology varies among celebrations conducted by these denominations....
and
Deo gratias to conclude each mass.
Couperin followed techniques used in masses by
NiversGuillaume-Gabriel Nivers was a French organist, composer and theorist. His first livre d'orgue is the earliest surviving collection with traditional French organ school forms...
,
LebègueNicolas Lebègue was a French Baroque composer, organist and harpsichordist. He was born in Laon and in 1650s settled in Paris, quickly establishing himself as one of the best organists of the country. He lived and worked in Paris until his death, but frequently made trips to other cities to...
, and
BoyvinJacques Boyvin was a French Baroque composer and organist.He was probably born in Paris, and studied there. One of his first jobs was that of organist of the parisian church des Quinze-Vingts, and in 1674 he was appointed titular organist of the Rouen Cathedral, where Jean Titelouze served as...
, as well as other predecessors of the French Baroque era. In the
paroisses Mass, he uses plainchant from the
Missa cunctipotens genitor Deus as a
cantus firmusIn music, a cantus firmus is a pre-existing melody forming the basis of a polyphonic composition.The plural of this Latin term is , though the corrupt form canti firmi is also attested...
in two Kyrie movements and in the first Sanctus movement; the Kyrie
Fugue subject is also derived from a chant incipit. The Mass for
couvents contains no plainchant, as each convent and monastery maintained its own, non-standard body of chant. Couperin departs from his predecessors in many ways. For example, the melodies of the
Récits are strictly rhythmic and more directional than previous examples of the genre.
Willi ApelWilli Apel was a German-American musicologist.Apel was born in Konitz, West Prussia. He studied mathematics from 1912 to 1914, and then again after World War I from 1918 to 1922, in various universities in Weimar Germany. Throughout his studies, he had an interest in music and taught piano lessons...
wrote, "this music shows a sense of natural order, a vitality, and an immediacy of feeling that breaks into French organ music like a fresh wind."
The longest piece in the collection is the
Offertoire sur les grands jeux of the first Mass, which is akin to an expanded
French overtureThe French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in styles , and the first ends with a half-cadence that requires an answering structure with a...
in three large sections: a prelude, a chromatic fugue in minor, and a
gigueThe gigue or giga is a lively baroque dance originating from the British jig. It was imported into France in the mid-17th century and usually appears at the end of a suite...
-like fugue. Bruce Gustafson has called the movement a "stunning masterpiece of the French classic repertory." The second Mass also contains an
Offertoire with a similar form, but this Mass is not considered as masterly as the first: Apel wrote, "In general, [Couperin] did not expend the same care for this Mass, which was written for modest abbey churches, as for the other one, which he himself certainly presented on important holidays on the organ of Saint-Gervais."
See also
- French organ school
- Marguerite-Antoinette Couperin
Marguerite-Antoinette Couperin was a French harpsichordist, the first woman to hold the position of ordinaire de la musique de la chambre du roi pour le clavecin . -Life:...
(1705–1778), Francois Couperin's daughter.
External links