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Edmund Spenser (c. 1552 – 13 January 1599) was an important English poet best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of Modern English verse in its infancy.
nd Spenser was born in [London] around 1552.
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Quotations
A bold bad man, that dar'd to call by nameGreat Gorgon, Prince of darknesse and dead night.
Book I, canto 1, stanza 37
A Gentle Knight was pricking on the plaine.
Book I, canto 1, stanza 1
A monster, which the Blatant beast men call,A dreadfull feend of gods and men ydrad.
Book V, canto 12, stanza 37
And all for love, and nothing for reward.
Book II, canto 8, stanza 2
And in his hand a sickle he did holde,To reape the ripened fruits the which the earth had yold.
Book VII, canto 7, stanza 30
But of his cheere did seeme too solemne sad;Yet nothing did he dread, but ever was ydrad.
Book I, canto 1, stanza 2
Encyclopedia
Edmund Spenser (c. 1552 – 13 January 1599) was an important English poet best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of Modern English verse in its infancy.
Life
Edmund Spenser was born in [London] around 1552. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge.
In the 1570s Spenser went to Ireland, probably in the service of the newly appointed lord deputy, Arthur Grey. From 1579 to 1580, he served with the English forces during the Second Desmond Rebellion. After the defeat of the rebels he was awarded lands in County Cork that had been confiscated in the Munster Plantation during the Elizabethan reconquest of Ireland. Among his acquaintances in the area was Walter Raleigh, a fellow colonist.
Through his poetry Spenser hoped to secure a place at court, which he visited in Raleigh's company to deliver his most famous work, the Faerie Queene. However, he boldly antagonized the queen's principal secretary, Lord Burghley, and all he received in recognition of his work was a pension in 1591. When it was proposed that he receive payment of 100 pounds for his epic poem, Burghley remarked, "What, all this for a song!"
In the early 1590s, Spenser wrote a prose pamphlet titled, A View of the Present State of Ireland. This piece remained in manuscript form until its publication in print in the mid-seventeenth century. It is probable that it was kept out of print during the author's lifetime because of its inflammatory content. The pamphlet argued that Ireland would never be totally 'pacified' by the English until its indigenous language and customs had been destroyed, if necessary by violence. Spenser recommended scorched earth tactics, such as he had seen used in the Desmond Rebellions, to create famine. Although it has been highly regarded as a polemical piece of prose and valued as a historical source on 16th century Ireland, the View is seen today as genocidal in intent. Spenser did express some praise for the Gaelic poetic tradition, but also used much tendentious and bogus analysis to demonstrate that the Irish were descended from barbarian Scythian stock.
Later on, during the Nine Years War in 1598, Spenser was driven from his home by Irish rebels. His castle at Kilcolman, near Doneraile in North Cork was burned, and it is thought one of his infant children died in the blaze - though local legend has it that his wife also died. He possessed a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. The ruins of it are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend has it that he penned some or all of "the Faerie Queene" under this tree. Queen Victoria is said to have visited the tree while staying in nearby Convamore House during her state visit to Ireland before she died. In the following year Spenser traveled to London, where he died in distressed circumstances, aged forty-six. It was arranged for his coffin to be carried by other poets, upon which they threw many pens and pieces of poetry into his grave with many tears.
Spenser was admired by William Wordsworth, John Keats, Lord Byron and Alfred Lord Tennyson, among others. The language of his poetry is purposely archaic, reminiscent of earlier works such as The Canterbury Tales of Geoffrey Chaucer, whom Spenser greatly admired.
Spenser's Epithalamion is the most admired of its type in the English language. It was written for his wedding to his young bride, Elizabeth Boyle. The poem consists of 365 long lines, corresponding to the days of the year; 68 short lines, representing the sum of the 52 weeks, 12 months, and 4 seasons of the annual cycle; and 24 stanzas, corresponding to the diurnal and sidereal hours.
Structure of the Spenserian stanza and sonnet
Spenser used a distinctive verse form, called the Spenserian stanza, in several works, including The Faerie Queene. The stanza's main meter is iambic pentameter with a final line in iambic hexameter (having six feet or stresses, known as an Alexandrine), and the rhyme scheme is ababbcbcc.
The Spenserian Sonnet is based on a fusion of elements of both the Petrarchan sonnet and the Shakespearean sonnet. It is similar to the Shakespearan sonnet in the sense that its set up is based more on the 3 quatrains and a couplet,a system set up by Shakespeare; however it is more like the Petrarchan tradition in the fact that the conclusion follows from the argument or issue set up in the earlier quatrains. There is also a great use of the parody of the blason and the idealization or praise of the mistress, a literary device used by many poets. It is a way to look at a woman through the appraisal of her features in comparison to other things. In this description, the mistress's body is described part by part, i.e., much more of a scientific way of seeing one. As William Johnson states in his article "Gender Fashioning and Dynamics of Mutuality in Spenser's Amoretti," the poet-love in the scenes of Spenser's sonnets in Amoretti, is able to see his lover in an objectified manner by moving her to another, or more clearly, an item. The purpose of Spenser doing this is to bring the woman from the "transcendental ideal" to a woman in everyday life. "Through his use of metonymy and metaphor, by describing the lady not as a whole being but as bodily parts, by alluding to centuries of topoi which remove her in time as well as space, the poet transforms the woman into a text, the living 'other' into an inanimate object" (503). The opposite of this also occurs in The Faerie Queen. The counter-blason, or the opposition of appraisal, is used to describe Duessa. She is not objectified, but instead all of her flaws are highlighted.
Without A Rhyme or Reason
Spenser is also the man believed to have crafted the phrase "without reason or a rhyme". He was promised payment from the queen of england of a hundred pounds, a so called, "reason for the rhyme". Her treasurer, however, considered the sum too much. When seasons passed and he did not receive payment he sent her this quatrain.
"I was promis'd on a time,/
To have a reason for my rhyme:/
But from that time unto this season,/
I had neither rhyme or reason."
She immediately ordered her treasurer to send Spenser his due sum.
List of works
- Iambicum Trimetrum
- The Shepheardes Calender (1579)
- The Faerie Queene (1590, 1596, 1609)
- Complaints Containing sundrie small Poemes of the Worlds Vanitie (1591)
- The Ruines of Time
- The Teares of the Muses
- Virgil's Gnat
- Prosopopoia, or Mother Hubberds Tale
- Ruines of Rome: by Bellay
- Muiopotmos, or the Fate of the Butterflie
- Visions of the worlds vanitie
- The Visions of Bellay
- The Visions of Petrarch
- Daphnaïda. An Elegy upon the death of the noble and vertuous Douglas Howard, Daughter and heire of Henry Lord Howard, Viscount Byndon, and wife of Arthure Gorges Esquier (1594)
- Colin Clouts Come home againe (1595)
- Astrophel. A Pastoral Elegie upon the death of the most Noble and valorous Knight, Sir Philip Sidney (1595)
- Amoretti (1595)
- Epithalamion (1595)
- Four Hymns (1596)
- Prothalamion (1596)
- Dialogue on the State of Ireland (c. 1598)
Works cited
- Rust, Jennifer. "Spenser's The Faerie Queen." Saint Louis University, St. Louis. 10 Oct. 2007.
- Johnson, William. "The struggle between good and evil in the first book of "The Faerie Queene". English Studies, Vol. 74, No. 6. (Dec. 1993) p. 507-519.
External links
- Project Gutenberg edition of by John W. Hales
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