Edgar (opera)
Encyclopedia
Edgar is an opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

tic dramma lirico in three acts (originally four acts) by Giacomo Puccini
Giacomo Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire...

 to an Italian libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Ferdinando Fontana
Ferdinando Fontana
Ferdinando Fontana was an Italian journalist, dramatist, and poet. He is best known today for having written the libretti of the first two operas by Giacomo Puccini – Le Villi and Edgar.-Biography:...

, freely based on the play
Play (theatre)
A play is a form of literature written by a playwright, usually consisting of scripted dialogue between characters, intended for theatrical performance rather than just reading. There are rare dramatists, notably George Bernard Shaw, who have had little preference whether their plays were performed...

 in verse La Coupe et les lèvres by Alfred de Musset
Alfred de Musset
Alfred Louis Charles de Musset-Pathay was a French dramatist, poet, and novelist.Along with his poetry, he is known for writing La Confession d'un enfant du siècle from 1836.-Biography:Musset was born on 11 December 1810 in Paris...

. The first performance was given at the Teatro alla Scala in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...

 on 21 April 1889.

Edgar, Puccini's second opera, was composed on a commission from the publisher Ricordi
Casa Ricordi
Casa Ricordi is a classical music publishing company founded in 1808 as G. Ricordi & Co. by violinist Giovanni Ricordi in Milan, Italy...

 after the successful reception of his first stage work, Le Villi
Le Villi
Le Villi is an opera-ballet in two acts composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr. Karr's story was in turn based in the Central European legend of the Willis, also used in the ballet Giselle...

. The original version had four acts and was tepidly received. In January 1890, Ricordi published a revised version, including a different ending for Act 2. In the autumn of 1891, Puccini revised the work again, cutting the last act and producing a three-act version
Three act structure
The Three-Act Structure is a model used in writing and evaluating modern storytelling which divides a screenplay into a three parts called the Setup, the Confrontation and the Resolution.- Structure :...

 which would again be revised in 1905.

In this final form the opera had even less success than in its original four-act structure. Some of the music that was cut in 1891 was reused in Tosca
Tosca
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900...

and became the beautiful Act III duet, "Amaro sol per te m'era il morire!". The funeral march from Act 3 was played at Puccini's funeral, conducted by Arturo Toscanini
Arturo Toscanini
Arturo Toscanini was an Italian conductor. One of the most acclaimed musicians of the late 19th and 20th century, he was renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his photographic memory...

.

Parallels to Bizet's Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...

are numerous. Both operas feature a confused young man (tenor: Edgar, Don José) who is struggling to choose between the pure chaste love of his home town girl (soprano: Fidelia, Micaëla) and the consuming passion of an exotic gypsy (mezzo-soprano: Tigrana, Carmen).

The first version was performed in Turin
Turin
Turin is a city and major business and cultural centre in northern Italy, capital of the Piedmont region, located mainly on the left bank of the Po River and surrounded by the Alpine arch. The population of the city proper is 909,193 while the population of the urban area is estimated by Eurostat...

 (Teatro Regio) on 25 June 2008, directed by Yoram David. American musicologist Linda Fairtile is working on producing the critical edition of the first version, but the score performed in Turin is based on Puccini's autograph: Fairtile worked on it together with Gabriele Dotto and Claudio Toscani.

The autograph of the acts 1 and 3 of the original version is preserved in the Archivio Ricordi (Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...

). The autograph of the acts 2 and 4, which was believed lost till 2008, is in the ownership of Simonetta Puccini.

Roles

Role Voice type Premiere Cast, 21 April 1889
(Conductor: Franco Faccio
Franco Faccio
Franco Faccio was an Italian composer and conductor.-Biography:Born in Verona, Faccio became known as a conductor of Verdi's music. He studied music at the Milan Conservatory where he was a pupil of Stefano Ronchetti-Monteviti...

)
Edgar tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

Gregorio Gabrielesco
Fidelia soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

Aurelia Cattaneo
Tigrana soprano Romilda Pantaleoni
Romilda Pantaleoni
Romilda Pantaleoni was an Italian soprano who had a prolific opera career in Italy during the 1870s and 1880s. She sang a wide repertoire that encompassed bel canto roles, Italian and French grand opera, verismo operas, and the German operas of Richard Wagner...

Frank baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...

Antonio Magini-Coletti
Antonio Magini-Coletti
Antonio Magini-Coletti was a leading Italian baritone who had a prolific career in Europe and the United States during the late 19th century and the early part of the 20th century. A versatile artist, he appeared in several opera world premieres but was particularly associated with the works of...

Gualtiero, father of Fidelia and Frank bass Pio Marini
Chorus: Farmers, soldiers, courtiers, monks, children

Act 1

Fidelia gives an awakening Edgar a sprig of almond blossoms, but leaves when she sees Tigrana approaching. Tigrana tries to tempt Edgar to return to their life of debauchery, but fails when Edgar avows he loves Fidelia's purity. Frank, who has always loved Tigrana, enters, but when he cannot win her affections, he berates her, and they argue.

After Tigrana mocks the villagers at prayer, they order her to leave the village. She retreats to Edgar's house, where he defends her from the angry crowd. He announces that he will go with her, and burns down his house before leaving. Frank attempts to stop them, and is wounded in a duel with Edgar. The villagers curse the fleeing lovers.

Act 2

Edgar has left the wild orgy in Tigrana's house. He is tired of his life of debauchery and longs to return to Fidelia. Tigrana comes to him to entice him back to the party, but, just as she is about to succeed, a platoon of soldiers arrives. Edgar is surprised that Frank is leading them, and asks for forgiveness. Frank grants it happily because the fight actually had broken the hold Tigrana had on him. To escape from Tigrana, Edgar joins the platoon, despite her pleading. Tigrana swears revenge as the men leave her.

Act 3

A large funeral procession carries the body of Edgar, who has fallen in battle. Frank and the crowd praise Edgar as a hero, but the monk who heard Edgar's dying confession denounces him. He reveals Edgar's sins and debauchery, and the crowd, easily swayed, curses Edgar. Only Fidelia stands up for Edgar and vows that she will meet him in heaven.

After the crowd leaves, Tigrana enters, crying. She is upset that no one will see her weeping for Edgar. Frank and the monk ask her to denounce Edgar, but she resists until they offer her jewels. The crowd returns. The monk claims that Edgar betrayed his country for some gold, and Tigrana reluctantly confirms this. The soldiers try to desecrate the body and discover it is only a suit of armor. The monk reveals that he is Edgar and goes to leave with Fidelia, the only one who remained true to him. The vengeful Tigrana stabs and kills Fidelia. Edgar weeps over the lifeless body as the soldiers capture Tigrana, and the crowd prays.

Noted arias

Act 1
  • "O fior del giorno" — Fidelia
  • "Già il mandorlo vicino" — Fidelia
  • "Questo amor, vergogna mia" — Frank
  • "Tu il cuor mi strazi" — Tigrana

Act 2
  • "Orgia, chimera dall'occhio vitreo" — Edgar

Act 3
  • "Addio, mio dolce amor" — Fidelia
  • "Nel villaggio d'Edgar" — Fidelia
  • "Ah! se scuoter della morte" — Tigrana (4 acts versions)

Act 4
  • "Un'ora almen" — Fidelia


Recordings

Year Cast
(Edgar, Fidelia, Tigrana, Frank)
Conductor,
Opera House and Orchestra
Label
1977 Carlo Bergonzi,
Renata Scotto
Renata Scotto
Renata Scotto is an Italian soprano and opera director.Recognized for her sense of style, musicality and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation, specializing in the bel canto repertoire with excursions into the verismo and Verdi...

,
Gwendolyn Killebrew,
Vicente Sardinero
Eve Queler
Eve Queler
Eve Queler is an American conductor and the current Artistic Director of the Opera Orchestra of New York . She founded the OONY in 1971 after having worked on the staffs of the Metropolitan Opera and the New York City Opera....

,
Opera Orchestra of New York,
Schola Cantorum of New York
(Live recording at Carnegie Hall
Carnegie Hall
Carnegie Hall is a concert venue in Midtown Manhattan in New York City, United States, located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park....

 of April)
Audio CD: CBS
CBS
CBS Broadcasting Inc. is a major US commercial broadcasting television network, which started as a radio network. The name is derived from the initials of the network's former name, Columbia Broadcasting System. The network is sometimes referred to as the "Eye Network" in reference to the shape of...

/Sony Classical
Cat: M2K 79213
2006 Plácido Domingo
Plácido Domingo
Plácido Domingo KBE , born José Plácido Domingo Embil, is a Spanish tenor and conductor known for his versatile and strong voice, possessing a ringing and dramatic tone throughout its range...

,
Adriana Damato,
Marianne Cornetti,
Juan Pons
Juan Pons
Joan Pons Álvarez , is a Spanish dramatic baritone, known internationally as Juan Pons.-Career:With his outstandingly successful international début in 1980 at the Teatro alla Scala of Milan with Falstaff, staged by Giorgio Strehler and conducted by Lorin Maazel, Juan Pons has revealed himself as...

Alberto Veronesi,
Orchestra dell'Accademia Nazionale di Santa Cecilia
Orchestra dell'Accademia Nazionale di Santa Cecilia
The Orchestra dell'Accademia Nazionale di Santa Cecilia is one of the best-known orchestras in Italy. It is based at the Accademia Nazionale di Santa Cecilia in Rome. At various times it has been known as the Symphony Orchestra of the Augusteo and Orchestra dell'Accademia di Santa Cecilia and the...

Audio CD: Deutsche Grammophon
Deutsche Grammophon
Deutsche Grammophon is a German classical record label which was the foundation of the future corporation to be known as PolyGram. It is now part of Universal Music Group since its acquisition and absorption of PolyGram in 1999, and it is also UMG's oldest active label...


Cat: 00289 477 6102
2008 Jose Cura
José Cura
José Cura is a prominent operatic tenor known for his intense and original interpretations of his characters, notably Verdi’s Otello and Saint-Saëns’ Samson, as well as for his unconventional and innovative concert performances. He is also able to perform high baritone roles with the extended...

,
Amarilli Nizza,
Julia Gertseva,
Marco Vratogna
Yorum David,
Orchestra and chorus of Teatro Regio di Torino
DVD: Arthaus Musik
Cat: 101 377

External links

The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK