Duende
Encyclopedia
Duende is a difficult-to-define word used in the Spanish arts, including performing arts. From the original meaning
(a fairy- or goblin-like creature in Spanish and Latin American mythology), the artistic and especially musical term was derived. "Tener duende" ("having duende") can be loosely translated as having soul, a heightened state of emotion, expression and authenticity
, often connected with flamenco
.
first developed the aesthetics of Duende in a lecture he gave in Buenos Aires
in 1933, "Juego y teoria del duende" ("Play and Theory of the Duende"). "Teoría y juego del duende" ("Theory and Play of the Duende"); Maurer (1998) pp. 48-62
According to Christopher Maurer, editor of "In Search of Duende", at least four elements can be isolated in Lorca's vision of duende: irrationality, earthiness, a heightened awareness of death, and a dash of the diabolical. The duende is a demonic earth spirit who helps the artist see the limitations of intelligence, reminding him that "ants could eat him or that a great arsenic lobster could fall suddenly on his head"; who brings the artist face-to-face with death, and who helps him create and communicate memorable, spine-chilling art. The duende is seen, in Lorca's lecture, as an alternative to style, to mere virtuosity, to God-given grace and charm (what Spaniards call "angel"), and to the classical, artistic norms dictated by the muse. Not that the artist simply surrenders to the duende; he or she has to battle it skillfully, "on the rim of the well", in "hand-to-hand combat". To a higher degree than the muse or the angel, the duende seizes not only the performer but also the audience, creating conditions where art can be understood spontaneously with little, if any, conscious effort. It is, in Lorca's words, "a sort of corkscrew that can get art into the sensibility of an audience... the very dearest thing that life can offer the intellectual." The critic Brook Zern has written, of a performance of someone with duende, "it dilates the mind's eye, so that the intensity becomes almost unendurable... There is a quality of first-timeness, of reality so heightened and exaggerated that it becomes unreal...".
Lorca writes: "The duende, then, is a power, not a work. It is a struggle, not a thought. I have heard an old maestro of the guitar say, 'The duende is not in the throat; the duende climbs up inside you, from the soles of the feet.' Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.". He suggests, "everything that has black sounds in it, has duende. [i.e. emotional 'darkness'] [...] This 'mysterious power which everyone senses and no philosopher explains' is, in sum, the spirit of the earth, the same duende that scorched the heart of Nietzsche, who searched in vain for its external forms on the Rialto Bridge and in the music of Bizet, without knowing that the duende he was pursuing had leaped straight from the Greek mysteries to the dancers of Cadiz or the beheaded, Dionysian scream of Silverio's siguiriya." [...] "The duende's arrival always means a radical change in forms. It brings to old planes unknown feelings of freshness, with the quality of something newly created, like a miracle, and it produces an almost religious enthusiasm." [...] "All arts are capable of duende, but where it finds greatest range, naturally, is in music, dance, and spoken poetry, for these arts require a living body to interpret them, being forms that are born, die, and open their contours against an exact present."
(University of Victoria
) used the notion of duende in the context of contemporary music at a symposium organised by Continuum Contemporary Music & the Institute for Contemporary Culture at the Royal Ontario Museum
, an event televised by Big Ideas:
Australian music artist, Nick Cave
discussed duende in his lecture pertaining to the nature of the love song (Vienna, 1999):
Duende (mythology)
A duende is a fairy- or goblin-like mythological creature from Iberian, Latin American and Filipino folklore. While its nature varies throughout Spain, Portugal, Spanish and Portuguese-speaking America and the Philippines, analogues from other cultures include the Danish-Norwegian Nisse, the...
(a fairy- or goblin-like creature in Spanish and Latin American mythology), the artistic and especially musical term was derived. "Tener duende" ("having duende") can be loosely translated as having soul, a heightened state of emotion, expression and authenticity
Authenticity in art
Authenticity in art has a variety of meanings related to different ways in which a work of art or an artistic performance may be considered authentic.Denis Dutton distinguishes between nominal authenticity and expressive authenticity....
, often connected with flamenco
Flamenco
Flamenco is a genre of music and dance which has its foundation in Andalusian music and dance and in whose evolution Andalusian Gypsies played an important part....
.
Origins of the term
El duende is the spirit of evocation. It comes from inside as a physical/emotional response to music. It is what gives you chills, makes you smile or cry as a bodily reaction to an artistic performance that is particularly expressive. Folk music in general, especially flamenco, tends to embody an authenticity that comes from a people whose culture is enriched by diaspora and hardship; vox populi, the human condition of joys and sorrows. Drawing on popular usage and Spanish folklore, Federico García LorcaFederico García Lorca
Federico del Sagrado Corazón de Jesús García Lorca was a Spanish poet, dramatist and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He is believed to be one of thousands who were summarily shot by anti-communist death squads...
first developed the aesthetics of Duende in a lecture he gave in Buenos Aires
Buenos Aires
Buenos Aires is the capital and largest city of Argentina, and the second-largest metropolitan area in South America, after São Paulo. It is located on the western shore of the estuary of the Río de la Plata, on the southeastern coast of the South American continent...
in 1933, "Juego y teoria del duende" ("Play and Theory of the Duende"). "Teoría y juego del duende" ("Theory and Play of the Duende"); Maurer (1998) pp. 48-62
According to Christopher Maurer, editor of "In Search of Duende", at least four elements can be isolated in Lorca's vision of duende: irrationality, earthiness, a heightened awareness of death, and a dash of the diabolical. The duende is a demonic earth spirit who helps the artist see the limitations of intelligence, reminding him that "ants could eat him or that a great arsenic lobster could fall suddenly on his head"; who brings the artist face-to-face with death, and who helps him create and communicate memorable, spine-chilling art. The duende is seen, in Lorca's lecture, as an alternative to style, to mere virtuosity, to God-given grace and charm (what Spaniards call "angel"), and to the classical, artistic norms dictated by the muse. Not that the artist simply surrenders to the duende; he or she has to battle it skillfully, "on the rim of the well", in "hand-to-hand combat". To a higher degree than the muse or the angel, the duende seizes not only the performer but also the audience, creating conditions where art can be understood spontaneously with little, if any, conscious effort. It is, in Lorca's words, "a sort of corkscrew that can get art into the sensibility of an audience... the very dearest thing that life can offer the intellectual." The critic Brook Zern has written, of a performance of someone with duende, "it dilates the mind's eye, so that the intensity becomes almost unendurable... There is a quality of first-timeness, of reality so heightened and exaggerated that it becomes unreal...".
Lorca writes: "The duende, then, is a power, not a work. It is a struggle, not a thought. I have heard an old maestro of the guitar say, 'The duende is not in the throat; the duende climbs up inside you, from the soles of the feet.' Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.". He suggests, "everything that has black sounds in it, has duende. [i.e. emotional 'darkness'] [...] This 'mysterious power which everyone senses and no philosopher explains' is, in sum, the spirit of the earth, the same duende that scorched the heart of Nietzsche, who searched in vain for its external forms on the Rialto Bridge and in the music of Bizet, without knowing that the duende he was pursuing had leaped straight from the Greek mysteries to the dancers of Cadiz or the beheaded, Dionysian scream of Silverio's siguiriya." [...] "The duende's arrival always means a radical change in forms. It brings to old planes unknown feelings of freshness, with the quality of something newly created, like a miracle, and it produces an almost religious enthusiasm." [...] "All arts are capable of duende, but where it finds greatest range, naturally, is in music, dance, and spoken poetry, for these arts require a living body to interpret them, being forms that are born, die, and open their contours against an exact present."
Example of contemporary application of the term
In March 2005 Jan ZwickyJan Zwicky
Jan Zwicky is a Canadian philosopher, poet, essayist, and musician.She received her B.A. from the University of Calgary and earned her PhD at the University of Toronto in 1981 where her studies focussed on the philosophy of logic and science...
(University of Victoria
University of Victoria
The University of Victoria, often referred to as UVic, is the second oldest public research university in British Columbia, Canada. It is a research intensive university located in Saanich and Oak Bay, about northeast of downtown Victoria. The University's annual enrollment is about 20,000 students...
) used the notion of duende in the context of contemporary music at a symposium organised by Continuum Contemporary Music & the Institute for Contemporary Culture at the Royal Ontario Museum
Royal Ontario Museum
The Royal Ontario Museum is a museum of world culture and natural history in Toronto, Ontario, Canada. With its main entrance facing Bloor Street in Downtown Toronto, the museum is situated north of Queen's Park and east of Philosopher's Walk in the University of Toronto...
, an event televised by Big Ideas:
[The second way music can be new is] when it possesses duende: "black sounds", as Lorca called them, the dark counterpoise to Apollo'sApolloApollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
light, music in which we hear death sing.... Duende lives in blue notes, in the break in a singer's voice, in the scrape of resined horsehair hitting sheep gut We are more accustomed to its presence in jazz and the blues, and it is typically a feature of music in performance, or music in which performance and composition are not separate acts. But it is also audible in the work of classically oriented composers who are interested in the physical dimensions of sound, or in sound as a physical property of the world. Even if it is structurally amorphous or naïvely traditional, music whose newness lies in its duende will arrest our attention because of its insistence on honouring the death required to make the song: we sense the gleam of the knife, we smell the blood.... In reflecting on the key images of Western music's two-part invention – the duende of the tortoise and the radiance of Apollonian emotional geometry – we are reminded that originality is truly radical, that it comes from the root, from the mythic origins of the art.
(note: in Greek myth Apollo kills a tortoise to create the first lyre).
Australian music artist, Nick Cave
Nick Cave
Nicholas Edward "Nick" Cave is an Australian musician, songwriter, author, screenwriter, and occasional film actor.He is best known for his work as a frontman of the critically acclaimed rock band Nick Cave and the Bad Seeds, established in 1984, a group known for its eclectic influences and...
discussed duende in his lecture pertaining to the nature of the love song (Vienna, 1999):
In his brilliant lecture entitled "The Theory and Function of Duende" Federico García LorcaFederico García LorcaFederico del Sagrado Corazón de Jesús García Lorca was a Spanish poet, dramatist and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He is believed to be one of thousands who were summarily shot by anti-communist death squads...
attempts to shed some light on the eerie and inexplicable sadness that lives in the heart of certain works of art. "All that has dark sound has duende", he says, "that mysterious power that everyone feels but no philosopher can explain." In contemporary rock music, the area in which I operate, music seems less inclined to have its soul, restless and quivering, the sadness that Lorca talks about. Excitement, often; anger, sometimes: but true sadness, rarely, Bob DylanBob DylanBob Dylan is an American singer-songwriter, musician, poet, film director and painter. He has been a major and profoundly influential figure in popular music and culture for five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly...
has always had it. Leonard CohenLeonard CohenLeonard Norman Cohen, is a Canadian singer-songwriter, musician, poet and novelist. Cohen published his first book of poetry in Montreal in 1956 and his first novel in 1963. His work often explores religion, isolation, sexuality and interpersonal relationships...
deals specifically in it. It pursues Van MorrisonVan MorrisonVan Morrison, OBE is a Northern Irish singer-songwriter and musician. His live performances at their best are regarded as transcendental and inspired; while some of his recordings, such as the studio albums Astral Weeks and Moondance, and the live album It's Too Late to Stop Now, are widely...
like a black dog and though he tries to he cannot escape it. Tom WaitsTom WaitsThomas Alan "Tom" Waits is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car."...
and Neil YoungNeil YoungNeil Percival Young, OC, OM is a Canadian singer-songwriter who is widely regarded as one of the most influential musicians of his generation...
can summon it. It haunts Polly HarveyPJ HarveyPolly Jean Harvey is an English musician, singer-songwriter, composer and occasional artist. Primarily known as a vocalist and guitarist, she is also proficient with a wide range of instruments including piano, organ, bass, saxophone, and most recently, the autoharp.Harvey began her career in...
. My friends the Dirty ThreeDirty ThreeDirty Three are an instrumental trio consisting of Warren Ellis , Mick Turner and Jim White , originating from Melbourne, Australia. Since the Dirty Three formed in 1992, they have spent a lot of time overseas...
have it by the bucket load. The band SpiritualizedSpiritualizedSpiritualized are an English space rock band formed in 1990 in Rugby, Warwickshire by Jason Pierce after the demise of his previous outfit, space-rockers Spacemen 3...
are excited by it. TindersticksTindersticksTindersticks are an Indie rock band from Nottingham, England formed in 1991. They released six albums before singer Stuart A. Staples took on a solo career. The band reunited briefly in 2006, but more permanently the following year...
desperately want it, but all in all it would appear that duende is too fragile to survive the brutality of technology and the ever increasing acceleration of the music industry. Perhaps there is just no money in sadness, no dollars in duende. Sadness or duende needs space to breathe. Melancholy hates haste and floats in silence. It must be handled with care."
All love songs must contain duende. For the love song is never truly happy. It must first embrace the potential for pain. Those songs that speak of love without having within in their lines an ache or a sigh are not love songs at all but rather Hate Songs disguised as love songs, and are not to be trusted. These songs deny us our humanness and our God-given right to be sad and the air-waves are littered with them. The love song must resonate with the susurration of sorrow, the tintinnabulation of grief. The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil - the enduring metaphor of Christ crucified between two criminals comes to mind here - so within the fabric of the love song, within its melody, its lyric, one must sense an acknowledgement of its capacity for suffering.
Sources
- Hirsch, Edward (2003) The Demon and the Angel: Searching for the Source of Artistic Inspiration. Harcourt Brace International. ISBN 0156027445
- Nick Cave's Love Song Lecture, October 21, 2000
- García Lorca, FedericoFederico García LorcaFederico del Sagrado Corazón de Jesús García Lorca was a Spanish poet, dramatist and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He is believed to be one of thousands who were summarily shot by anti-communist death squads...
; Maurer, Christopher (Ed.) (1998) In Search of Duende. New Directions ISBN 0811213765