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DePatie-Freleng Enterprises
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DePatie-Freleng Enterprises (DFE) was a Hollywood-based American animated production company, active from 1963 to 1981. They produced theatrical cartoons, animated series, commercials, title sequences and television specials (notably a line of Dr. Seuss adaptations made for CBS including 1971's The Cat in the Hat).
was founded by Warner Bros. Cartoons alumni Friz Freleng and partner David H. DePatie after Warner Bros.
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Encyclopedia
DePatie-Freleng Enterprises (DFE) was a Hollywood-based American animated production company, active from 1963 to 1981. They produced theatrical cartoons, animated series, commercials, title sequences and television specials (notably a line of Dr. Seuss adaptations made for CBS including 1971's The Cat in the Hat).
Origins
DFE was founded by Warner Bros. Cartoons alumni Friz Freleng and partner David H. DePatie after Warner Bros. quit the animated cartoon business in 1963.
Although Freleng and DePatie were no longer working for Warner Bros., a generous gesture from a WB executive allowed Freleng and DePatie to continue to work at the old WB cartoon plant on California Street in Burbank, complete with equipment and supplies for a few dollars each year. Although DFE's initial business was commercials and industrial films, several lucky breaks put the new studio into the theatrical cartoon business.
Director Blake Edwards contacted DFE and asked them to design a panther character for Edwards's new movie, The Pink Panther. Pleased with the design for the character, Edwards contracted with DFE to produce the animated titles for the movie. When the movie was released, the titles garnered a tremendous amount of attention, so much in fact that a huge amount of the picture's gross is believed to have been generated by the success of DFE's title sequence.
DFE soon found itself under contract with United Artists to produce over 100 new theatrical cartoons featuring the Pink Panther and friends over a 10+ year period. Around the same time, Freleng and DePatie's old employer, Warner Bros., decided to make more WB cartoons. Contracting with DFE in the old Warner Cartoon studio, on the Warner lot, DePatie and Freleng found themselves overflowing with work.
Many of the animators who had worked at Warner Bros. in the 1950's and 1960's simply found themselves back at the old Warner studio working for DFE. Beginning the new Pink Panther series with "The Pink Phink," which was directed by Freleng, DFE won their only Oscar in 1964. A few years later, in 1967, DFE would receive another nomination for "The Pink Blueprint."
List of theatrical and television cartoons
In a short matter of time, DFE found itself producing television shows as well as theatricals. Like Hanna-Barbera, DePatie-Freleng became an animation studio powerhouse. DFE's various cartoons and shows are listed below.
Theatrical series:
Television series:
The Pink Panther theatrical series of cartoons became the basis of a Saturday morning television series, The Pink Panther Show, which also included theatrical cartoons of The Inspector and eventually The Ant and the Aardvark, Roland and Rattfink, and The Texas Toads (Tijuana Toads).
Like most animated television cartoons at the time, The Pink Panther Show contained a laugh track with narration. The cartoons were edited and in some cases re-dubbed to make them more PC.
The Pink Panther show had several incarnations during the 1970's. The show was very popular on NBC's Saturday morning line-up. The show started with a half-hour time slot in its first year and within a few years was expanded to 90 minutes each week.
Other cartoons and television series
DFE was one of the subcontractors for the 1960s Warner Bros. cartoons, along with Format Films. The Looney Tunes shorts made by the studio can be easily identified by their modernized "Abstract WB" opening and closing sequences. DFE would continue to do Warner Cartoon work into the 70's with the Looney Looney Christmas Tales Holiday special.
DFE made the animated title sequence for the television show I Dream of Jeannie, created and produced by Sidney Sheldon for Screen Gems between 1965 and 1970. The studio also produced the innovative animated sequences for the 1969-1970 television series My World and Welcome to It, based on the drawings of James Thurber. They also created Return to the Planet of the Apes which ran on NBC from 1975 to 1976 and The Oddball Couple, which ran on Saturday mornings on ABC from 1975 to 1977.
One of their television specials was 1973's The Bear Who Slept Through Christmas, with Tommy Smothers voicing the little bruin who goes out to find Christmas (in the human world) while his fellow bears head for hibernation instead.
DFE was also responsible for a number of Dr. Seuss specials, including 'The Cat In The Hat' and different incarnations of The Grinch.
Warner Bros. Members at DePatie-Freleng
In the beginning, Depatie Freleng was the Warner Bros. studio with a new name. The facilities, the personnel and producer were virtually the same. Although Chuck Jones would later work with Depatie Freleng on a few Looney Toons and Seuss projects in the 70's, Jones and most of his group of artists ended up independently producing new Tom & Jerry cartoons for MGM.
Although many Depatie Freleng employees contributed greatly to the success of it's product,
story artist and Disney and Warner alumnus John W. Dunn probably had the most impact on the company. With the exception of The Pink Panther, Dunn created most of the studios' new cartoon series (theatrical and otherwise) which included The Ant & The Aardvark, The Tijuana Toads, Here Comes The Grump, Roland and Ratfink, etc.
Many of the better DFE cartoons were written and storyboarded by Dunn, including the first Pink Panther cartoon, The Pink Phink. Dunn's unique drawing style also found its way into the DFE cartoons. When talking about DFE it's impossible to ignore Dunn's tremendous contributions.
The list below features many former Warner staffers, but also includes Ex Disney, MGM and Lantz staffers as well. All made their impact on DFE.
Producers
Directors:
- Friz Freleng
- Hawley Pratt
- Chuck Jones (reused animation for The Wild Chase (1965), Muchos Locos (1966), and A Haunting We Will Go; also produced the 1971 special The Cat in the Hat)
- Robert McKimson
- Art Leonardi
- Gerry Chiniquy
- Art Davis
- Irv Spector
- Rudy Larriva
- George Singer
- George Gordon
- Grant Simmons
- Cullen Blaine (credited as Cullen Houghtaling)
Writers:
Voices:
Music:
Later years
With the escalating expense of producing theatrical cartoons and the pressures of producing series television, quality eventually began to drop in the mid- to late 70's. Even with this consideration, DFE still managed to produce better-quality animation product than its competition.
In 1981, Freleng and DePatie sold DFE Films to Marvel Comics and Freleng returned to Warner Bros. Studios to produce a series of feature films featuring the older Warner cartoons with new connecting footage. DePatie made the transition to become the head of Marvel Productions.
Although Marvel would produce mainly superhero cartoons as well as animated series based on licensed toy lines, they would also continue to produce some new cartoons featuring the Pink Panther. In the 90's, Marvel sold their animation back catalog to Saban Entertainment.
External links
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