Crossroads (1976 film)
Encyclopedia
Crossroads is a 1976
1976 in film
The year 1976 in film involved some significant events.-Events:*March 22 - Filming begins on George Lucas' Star Wars science fiction film...

 short film directed by Bruce Conner
Bruce Conner
Bruce Conner was an American artist renowned for his work in assemblage, film, drawing, sculpture, painting, collage, and photography, among other disciplines.-Early life:...

. It features extreme slow-motion replays of the July 25, 1946 Operation Crossroads
Operation Crossroads
Operation Crossroads was a series of nuclear weapon tests conducted by the United States at Bikini Atoll in mid-1946. It was the first test of a nuclear weapon after the Trinity nuclear test in July 1945...

 Baker underwater nuclear test at Bikini Atoll in the Pacific.. The event was captured for research purposes by five hundred cameras stationed on unmanned planes, high-altitude aircraft, boats near the blast, and from more distant points on land around the Atoll. The location was selected in part because the network of islands formed an almost complete ellipse around the detonation site, allowing for a comprehensive documentation of the event from numerous angles.. The music is by Terry Riley
Terry Riley
Terrence Mitchell Riley, is an American composer intrinsically associated with the minimalist school of Western classical music and was a pioneer of the movement...

with additional soundtrack effects by Patrick Gleeson. The first section of the film is coupled with an apparently synchronous on-location soundtrack. It is not initially evident that these sounds are not authentically tied to the images they accompany. Conner first allows doubt of his simulation when he breaks the sound delay displacement to set the sound of the blast "in sync" with the visual event. In the first shots of the film, the blast is heard moments after it is seen. This accounts for the disparity between the speeds of light and sound. Having the visual and sonic events occur simultaneously, which is to say out of what would be actual sync, makes the depiction an aesthetic simulation of the event rather than a document of an actual one. This choice serves as a deliberate cinematizing of its content..
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