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Charles R. Knight
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Charles Robert Knight (October 21, 1874 in Brooklyn – April 15, 1953 in Manhattan) was an American artist best known for his influential paintings of dinosaurs and other prehistoric animals. His works have been reproduced in many books and are currently on display at several major museums in the United States.
child, Knight was deeply interested in nature and animals, and spent many hours copying the illustrations from his father’s natural history books.
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Charles Robert Knight (October 21, 1874 in Brooklyn – April 15, 1953 in Manhattan) was an American artist best known for his influential paintings of dinosaurs and other prehistoric animals. His works have been reproduced in many books and are currently on display at several major museums in the United States.
Biography
Early life
As a child, Knight was deeply interested in nature and animals, and spent many hours copying the illustrations from his father’s natural history books. Though legally blind because of astigmatism and a subsequent injury to his right eye, Knight pursued his artistic talents with the help of specially-designed glasses, and at the age of twelve, he enrolled at the Metropolitan Art School to become a commercial artist. In 1890, he was hired by a church-decorating firm to design stained-glass windows, and after two years with them, became a freelance illustrator for books and magazines, specializing in nature scenes.
In his free time, Knight visited the American Museum of Natural History, attracting the attention of Dr. Jacob Wortman, who asked Knight to paint a restoration of a prehistoric pig whose fossilized bones were on display. Though many artists at the time were reluctant to make such restorations, given the amount of guesswork involved, Knight applied his knowledge of modern pig anatomy to make the painting as realistic as possible, and used his imagination to fill in any gaps. Wortman was thrilled with the final result, and the museum soon commissioned Knight to produce an entire series of watercolors to grace their fossil halls. These paintings were hugely popular among visitors, and Knight continued to work with the museum well until the 1930s, painting what would become some of the world’s most celebrated images of dinosaurs, prehistoric mammals, and prehistoric humans.
One of Knight's best-known pieces for the American Museum of Natural History is 1897’s Leaping Laelaps (below right), which was one of the few pre-1960s images to present dinosaurs as active, fast-moving creatures (thus anticipating the theories of modern paleontologists like Robert Bakker). Other familiar American Museum paintings include Knight’s portrayals of Agathaumas , Allosaurus (see above), Brontosaurus (see below), Smilodon , and the Woolly Mammoth . All of these have been reproduced in numerous places and have inspired many imitations.
Nationwide attention
Soon, natural history museums throughout the country began requesting Knight paintings for their own fossil exhibits. In 1925, for example, Knight produced an elaborate mural for the Natural History Museum of Los Angeles County which portrayed some of the birds and mammals whose remains had been found in the nearby La Brea Tar Pits. The following year, Knight began a 28-mural series for Chicago’s Field Museum of Natural History, a project which chronicled the history of life on earth and took four years to complete. At the Field Museum, he produced one of his best-known pieces, a mural featuring Tyrannosaurus and Triceratops . This confrontation scene between a predator and its prey would inspire a huge number of imitations, establishing the two dinosaurs as “mortal enemies” in the popular consciousness. The Field Museum’s Alexander Sherman says, “It is so well-loved that it has become the standard encounter for portraying the age of dinosaurs” .
Knight’s work also found its way to the Carnegie Museums in Pittsburgh the Smithsonian Institution, and Yale's Peabody Museum of Natural History, among others. Several zoos, such as the Bronx Zoo, the Lincoln Park Zoo, and the Brookfield Zoo, also approached Knight to paint murals of their living animals, and Knight enthusiastically complied. Knight was actually the only person in America allowed to paint Su-Lin, a giant panda that lived at Brookfield Zoo during the 1930s .
While making murals for museums and zoos, Knight continued illustrating books and magazines, and became a frequent contributor to National Geographic. He also wrote and illustrated several books of his own, such as Before the Dawn of History (1935), Life Through the Ages (1946), Animal Drawing: Anatomy and Action for Artists (1947), and Prehistoric Man: The Great Adventure (1949). Additionally, Knight became a popular lecturer, describing prehistoric life to audiences across the country.
Eventually, Knight began to retire from the public sphere to spend more time with his grandchildren, who shared his passion for animals and prehistoric life. In 1951, he painted his last work, a mural for the Everhart Museum in Scranton, Pennsylvania. Two years later, he died peacefully in Manhattan.
Legacy
It has been estimated that almost every dinosaur book published between 1900 and 1960 contained at least one example of Knight’s work . Many works released since then also include examples of Knight’s paintings; for example, Stephen Jay Gould used one of Knight’s paintings for the cover of his 1991 book Bully for Brontosaurus and another in his 1996 book Dinosaur in a Haystack. Though many other paleoartists have succeeded Knight (most notably Zdenek Burian) Knight’s paintings still remain very popular among paleontology enthusiasts. A commemorative edition of Knight’s 1946 book Life Through the Ages [ISBN 0-253-33928-6] was recently published by Indiana University Press, and a 2007 calendar [ISBN 0-7649-3622-0] of Knight’s paintings is also currently available. Additionally, fantasy artist William Stout has been compiling a series of Charles Knight Sketchbooks, which contain many rare and previously unpublished drawings and studies by Knight. Not all of Knight's work was based on solid evidence; some reconstructions were speculative (such as the Agathaumas (1897)) whilst other dinosaurs were restored with apparently non-reptilian (almost human-like) rear limbs, an artefact possibly rendered subconsciously. Knight often restored dinosaurs inhabiting grassy landscapes (including the T. rex/Triceratops mural at the Field Museum) although grasses didn't appear until the Oligocene.
The late Stephen Jay Gould was one of Knight’s most well-known fans, notably refusing to refer to Brontosaurus as “Apatosaurus” because Knight had always referred to the creature with the former name . Gould writes in his 1989 book Wonderful Life, “Not since the Lord himself showed his stuff to Ezekiel in the valley of dry bones had anyone shown such grace and skill in the reconstruction of animals from disarticulated skeletons. Charles R. Knight, the most celebrated of artists in the reanimation of fossils, painted all the canonical figures of dinosaurs that fire our fear and imagination to this day” .
Other admirers have included special effects artist Ray Harryhausen, who writes in his autobiography An Animated Life, “Long before Obie (Willis O'Brien), myself, and Steven Spielberg, he put flesh on creatures that no human had ever seen. […] At the L.A. County Museum I vividly remember a beautiful Knight mural on one of the walls depicting the way the tar pits would have looked in ancient times. This, plus a picture book about Knight’s work my mother gave me, were my first encounters with a man who was to prove an enormous help when the time came for me to make three-dimensional models of these extinct beings” .
An homage to the painter was also made in the IMAX feature film, T-Rex: Back to the Cretaceous, in which he was portrayed by actor Tuck Milligan.
Knight’s works on display
Knight’s works are currently included as part of the permanent collections of these colleges, libraries, museums, and zoos:
- Academy of Natural Sciences (Philadelphia, Pennsylvania)
- American Museum of Natural History (New York, New York)
- Bethune-Cookman College (Daytona Beach, Florida)
- Bronx Zoo (Bronx, New York)
- Carnegie Museum of Natural History (Pittsburgh, Pennsylvania)
- The Dinosaur Museum (Blanding, Utah)
- Everhart Museum (Scranton, Pennsylvania)
- Field Museum of Natural History (Chicago, Illinois)
- Florida Museum of Natural History (Gainesville, Florida)
- Illinois State Museum (Springfield, Illinois)
- Mesa Southwest Museum (Mesa, Arizona)
- Museum of the Earth (Ithaca, New York)
- National Museum of Natural History (Washington, DC)
- National Zoo (Washington, DC)
- Natural History Museum of Los Angeles County (Los Angeles, California)
- Princeton University (Princeton, New Jersey)
- Science Museum of Minnesota (Saint Paul, Minnesota)
- Sebring Public Library (Sebring, Florida)
- Yale Peabody Museum of Natural History (New Haven, Connecticut)
In addition, a touring exhibit, Honoring the Life of Charles R. Knight, was launched in 2003 and has visited several locations throughout the United States.
External links
- , a website maintained by Knight’s granddaughter Rhoda Knight Kalt (includes most of his paintings)
- at Strangescience.net
- at Field Museum website
- at American Museum of Natural History website
- at Geospectrum (newsletter of the American Geological Institute)
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