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Ceinture fléchée
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The ceinture fléchée (from French, English: Assomption Sash or "arrow sash") is a type of colorful sash, a traditional piece of French-Canadian clothing of the 19th century (of the Lower Canada, Canada East and early confederation eras). The Métis also made ceintures fléchées and use them as part of their national costume.
uebec, this wool sash was used by men to tie jackets around their waist to prevent the cold from creeping in.

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Encyclopedia
The ceinture fléchée (from French, English: Assomption Sash or "arrow sash") is a type of colorful sash, a traditional piece of French-Canadian clothing of the 19th century (of the Lower Canada, Canada East and early confederation eras). The Métis also made ceintures fléchées and use them as part of their national costume.
History
In Quebec, this wool sash was used by men to tie jackets around their waist to prevent the cold from creeping in. It was a both practical and fashionable accessory, worn by both the bourgeois and the habitant classes. The width of a traditional belt can be 15 centimetres to 25 centimetres, and its length can easily be more than 2 metres.
It is adorned by an arrowed pattern and was worn around the winter coats of the time. It is also a symbol of the Lower Canada Rebellion and the Quebec Winter Carnival, as it is worn by the festival mascot, Bonhomme Carnaval. Imitations are sold and seen throughout the carnival. The belt is represented in a number of artistic creations, such as the illustration Le Vieux de '37 by Henri Julien, the painting L'Assemblée des six-comtés by Charles Alexander Smith and the song Mon Pays, suivi du Reel des Aristocrates from néo-trad musical band Les Cowboys Fringants.
Fabric-making Process
How to do
Many steps are required for the creation of a ceinture fléchée (also known as an "Assomption sash"). First, the craftmaker picks the wool threads that he needs. The threads have to be long enough so that the person who will wear the belt can pass it twice around the waist. The craftmaker needs to add the length of the fringes at each side of the belt. The fringes are used to tie the arrow sash.
After that, the craftmaker organizes the threads and weaves them to create designs of lightning bolts (zigzags), flames (lozenges) and arrow heads (often in the middle of the sash).
Finally, the craftmaker finishes the belt by making twists or braids with the length of thread that remain, to make the fringes.
It can take more than 350 hours to make a sash. That explains its beauty and its cost.
People often confuse authentic handmade ceintures fléchées and machine-woven sashes. A woven sash usually does not cost more than $50. However, a real handmade belt is more durable than a machine-woven one, often made with synthetic fibres (nylon, polyester).
In the creation of a perfect ceinture fléchée or the intricate beadwork designs that would adorn various artifacts a hard callus develops on the tips of the finger. This is referred to as a "needle finger". It is considered a "rite of passage" for young girls and is acknowledged by the matriarchs in the family.
Specialize Reference in Textile
- Emery, Irene,(1966). The Primary Structures of Fabrics, The Textile Museum Washington, D.C.
- Burnham, DOrothy, K., (1976). Braided "Arrow" sashes of Quebec. Emery Roundtable at the Textile Museum of Washington, D.C. (with the presence of Noemi Speiser). Dorothy Burnham is an historian in textile, Canada. She start working at the Royal Ontario Museum in 1929 as a second assistant "draftsman" and became its first curator. She is an authority in textile history.
- Burnham, Dorothy K., (1981). The Comfortable Art: Tradition Spinning and Weaving in Canada. Chapter 2. Indian and French Braiding, National Museum of Canada, Ottawa. En français, L'art des étoffes: filage et tissage traditionnels au Canada. Chapitre 2. Indian and French Braiding, National Museum of Canada, Ottawa.
- Speiser, Noémi, (1983). The Manual of Braiding. Published by the author, Basel. Zwitzerland. Reedition:1988-1991-1997. Noémi Speiser is an international authority on Braids, having researched the subject over 35 years.
See also
External links
- , personal Web site of sash weaver Carol James, author of the book Fingerweaving Untangled, containing instructional videos and other resources
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