Canzone

Literally "song" in Italian

Italian language

Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...

, a canzone (plural: canzoni) (cognate with English to chant

Chant

Chant is the rhythmic speaking or singing of words or sounds, often primarily on one or two pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures Chant (from French chanter) is the rhythmic speaking or singing...

) is an Italian

Italy

Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 or Provençal

Provence

Provence ; Provençal: Provença in classical norm or Prouvènço in Mistralian norm) is a region of south eastern France on the Mediterranean adjacent to Italy. It is part of the administrative région of Provence-Alpes-Côte d'Azur...

 song or ballad

Ballad

A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of British and Irish popular poetry and song from the later medieval period until the 19th century and used extensively across Europe and later the Americas, Australia and North Africa. Many...

. It is also used to describe a type of lyric which resembles a madrigal

Madrigal (music)

A madrigal is a secular vocal music composition, usually a partsong, of the Renaissance and early Baroque eras. Traditionally, polyphonic madrigals are unaccompanied; the number of voices varies from two to eight, and most frequently from three to six....

. Sometimes a composition which is simple and songlike is designated as a canzone, especially if it is by a non-Italian; a good example is the aria "Voi che sapete" from Mozart's Marriage of Figaro

The Marriage of Figaro

Le nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...

.

The term canzone is also used interchangeably with canzona

Canzona

In the 16th century an instrumental chanson; later, a piece for ensemble in several sections or tempos...

, an important Italian instrumental form of the late 16th and early 17th century. Often works designated as such are canzoni da sonar; these pieces are an important precursor to the sonata. Terminology was lax in the late Renaissance

Renaissance music

Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...

 and early Baroque music

Baroque music

Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...

 periods, and what one composer might call "canzoni da sonar" might be termed "canzona" by another, or even "fantasia

Fantasia (music)

The fantasia is a musical composition with its roots in the art of improvisation. Because of this, it seldom approximates the textbook rules of any strict musical form ....

". In the work of some composers, such as Paolo Quagliati

Paolo Quagliati

Paolo Quagliati was an Italian composer of the early Baroque era and a member of the Roman School of composers...

, the terms seem to have had no formal implication at all.

Derived from the Provençal canso, the very lyrical and original Italian canzone consists of 5 to 7 stanzas typically set to music, each stanza resounding the first in rhyme scheme and in number of lines (7 to 20 lines). The canzone is typically hendecasyllabic (11 syllables). The congedo or commiato also forms the pattern of the Provençal tornado, known as the French envoi, addressing the poem itself or directing it to the mission of a character, originally a personage. Originally delivered at the Sicilian court of Emperor Frederick II during the 13th century of the Middle Ages, the lyrical form was later commanded by Dante, Petrarch, Boccaccio, and leading Renaissance writers such as Spenser (the marriage hymn in his Epithalamion).