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Amiens Cathedral
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The Cathedral of Our Lady of Amiens (French: Cathédrale Notre-Dame d'Amiens), or simply Amiens Cathedral, is the tallest complete cathedral in France, with the greatest interior volume (estimated at 200,000 m³). The vaults of the nave are 42.30 m high, the tallest nave vaults in any completed French cathedral, and surpassed only by the incomplete Beauvais Cathedral. This monumental cathedral is located in Amiens, the chief city of Picardy, in the Somme River valley a little over 100 kilometers north of Paris.
Notre-Dame d'Amiens has been listed as a UNESCO World Heritage Site since 1981.
Construction
The paucity of documentation concerning the construction of the Gothic cathedral may be in part the result of fires that destroyed the chapter archives in 1218 and again in 1258—a fire that damaged the cathedral itself.
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Encyclopedia
The Cathedral of Our Lady of Amiens (French: Cathédrale Notre-Dame d'Amiens), or simply Amiens Cathedral, is the tallest complete cathedral in France, with the greatest interior volume (estimated at 200,000 m³). The vaults of the nave are 42.30 m high, the tallest nave vaults in any completed French cathedral, and surpassed only by the incomplete Beauvais Cathedral. This monumental cathedral is located in Amiens, the chief city of Picardy, in the Somme River valley a little over 100 kilometers north of Paris.
Notre-Dame d'Amiens has been listed as a UNESCO World Heritage Site since 1981.
Construction
The paucity of documentation concerning the construction of the Gothic cathedral may be in part the result of fires that destroyed the chapter archives in 1218 and again in 1258—a fire that damaged the cathedral itself. Bishop Evrard de Fouilly initiated work on the cathedral in 1220. Robert de Luzarches was the architect until 1228, and was followed by Thomas de Cormont until 1258. His son, Renaud de Cormont, acted as the architect until 1288. The chronicle of Corbie gives a completion date for the cathedral of 1266. Finishing works continued, however. Its floors are covered with a number of designs, such as the swastika. The labyrinth was installed in 1288. The cathedral contains the alleged head of John the Baptist, a relic brought from Constantinople by Wallon de Sarton as he was returning from the Fourth Crusade.
The construction of the cathedral at this period can be seen as resulting from a coming together of necessity and opportunity. The destruction of earlier buildings and attempts at rebuilding by fire forced the fairly rapid construction of a building that, consequently, has a good deal of artistic unity. The long and relatively peaceful reign of Louis IX of France brought a prosperity to the region, based on thriving agriculture and a booming cloth trade, that made the investment possible. The great cathedrals of Reims and Chartres are roughly contemporary.
The exterior
The west front of the cathedral, (illustration, right) built in a single campaign, 1220-36, shows an unusual degree of artistic unity: its lower tier with three vast deep porches is capped with the gallery of twenty-two over lifesize kings, which stretches across the entire façade beneath the rose window. Above the rose window there is an open arcade, the galerie des sonneurs. Flanking the nave, the two towers were built without close regard to the former design, the south tower being finished in 1366, the north one, reaching higher, in 1406.
The Western portals of the cathedral are justly famous for their elaborate sculpture, featuring a gallery of locally-important saints and large eschatological scenes. Statues of saints in the portal of the cathedral have been identified as including the locally venerated Saints Victoricus and Gentian, Saint Domitius, Saint Ulphia, and Saint Fermin.
In the book Mr Standfast, John Buchan has his character Richard Hannay describe the cathedral as being "the noblest church that the hand of man ever built for God."
The facade in color
During the process of laser cleaning in the 1990s, it was discovered that the western façade of the cathedral was originally painted in multiple colors. A technique was perfected to determine the exact make-up of the colors as they were applied in the 13th century. Then, in conjunction with the laboratories of EDF (Electricity of France) and the expertise of the Society Skertzo, elaborate lighting techniques were developed to project these colors directly on the façade with precision, recreating the polychromatic appearance of the 13th century. When projected on the statues around the portals, the result is a stunning display that brings the figures to life. Since the projected colors are very difficult to photograph, the accompanying picture provides only a general idea of the result. The full effect can best be appreciated by direct viewing, which can be done at the Son et lumière on summer evenings, during the Christmas fair, and at New Year.
Image:ND Amiens Gargouilles 20.jpg|Gargoyle and sculptural details
Image:AmiensCathedral-North01.jpg|View from the north, with flying buttresses and fleche (central spire).
Image:Amiens cathedral Tympanumt.JPG|Tympanum of central west portal: Christ in Majesty presides over the Day of Judgement, supported by an array of saints.
Image:Amiens iluminacion fachada catedral.JPG|Projection of the original colors of the façade.
Image:Amiens west entrance martyrs.JPG|Local saints, including the decapitated martyrs Victoricus and Gentian, at the western entrance.
Image:Amiens cathedral illuminated.JPG|The western entrance illuminated, with the sculptural group on the left including the decapitated saints.
Image:Amiens west entrance carving.JPG|Relief at lower level in the western entrance. Some translations of the eschatological prophecy in Zephaniah 2:13-14 have a hedgehog among the beasts ransacking the ruined city of Nineveh.
The interior
Amiens cathedral contains the largest medieval interior in Western Europe, supported by 126 pillars. Both the nave and the chancel are vast but extremely light, with considerable amounts of stained glass surviving, despite the depredations of war.
The ambulatory surrounding the choir is richly decorated with polychrome sculpture and flanked by numerous chapels. One of the most sumptuous is the Drapers' chapel. The cloth industry was the most dynamic component of the medieval economy, especially in northern France, and the cloth merchants were keen to display their wealth and civic pride. Another striking chapel is dedicated to St Thomas of Canterbury, a 13th century dedication that complements the cathedral's own very full list of martyrs.
The interior contains works of art and decoration from every period since the building of the cathedral.
Image:Amiens cathedral nave-west.jpg|Nave of Notre Dame d'Amiens Looking toward west facade. (Photo 9/2005)
Image:Amiens chancel.JPG|The chancel and east windows.
Image:Cathedral of Amiens glass window.jpg|Close-up of a stained glass window
Image:Amiens-pavement-swastika.jpg|The floor in the cathedral features Swastikas.
Image:Amiens high altar.JPG|The high altar within the chancel.
Image:Amiens Drapers chapel.JPG|The Drapers' Chapel.
Image:Amiens St Thomas Chapel.JPG|Chapel of St Thomas of Canterbury
Image:amiens_cathedral_nave_2005.jpg|Nave of Notre Dame d'Amiens (Photo 9/2005)
Image:amiens_cathedral_vaults.jpg|Nave vaults of Notre Dame d'Amiens
The Baptist's head
The initial impetus for the building of the cathedral came from the installation of the reputed head of John the Baptist on 17 December 1206. The head was part of the loot of the Fourth Crusade, which had been diverted from campaigning against the Turks to sacking the great Christian city of Constantinople. A sumptuous reliquary was made to house the skull. Although later lost, a 19th century replica still provides a focus for prayer and meditation in the North aisle.
Renaissance polychrome sculpture
Some of the most important works of art are sequences of polychrome sculpture, dating mainly from the late 15th and the 16th centuries. A large sequence in the North transept illustrates Jesus' Cleansing of the Temple, with imaginative tableaux of the Temple. Both sides of the ambulatory are lined with sequences illustrating the lives of the two saints whose cults brought large numbers of pilgrims to the cathedral: John the Baptist and St Firmin, the first bishop of Amiens. The artists took care to create a parallelism in the telling of the stories: both saints, decapitated for offending the rich and powerful, suffer neglect and loss, until a later generation discovers their relics and houses them fittingly.
The pulpit
The baroque pulpit, constructed of marble and gilded wood, dominates the nave of the cathedral. It is supported by three allegorical female figures, apparently representing Faith, Hope and Charity, the three Theological Virtues.
Image:John Baptist 14 Annunciation.JPG|John's impending birth is announced to his father, the priest Zachariah, who is struck dumb.
Image:John Baptist 15 Visitation of Mary.JPG|Visitation of the Virgin Mary to John's mother, St Elizabeth, who feels him stir in the womb.
Image:John Baptist 16 Naming.JPG|John is named by his father, who is forced to communicate in writing.
Image:John Baptist 01 preaching repentance.JPG|John the Baptist preaches repentance in the desert.
Image:John Baptist 02 baptising.JPG|John baptises in the River Jordan
Image:John Baptist 03 questioned.JPG|John is asked if he is the expected Messiah.
Image:John Baptist 04 sees Jesus.JPG|John acclaims Jesus as the Lamb of God.
Image:John Baptist 05 imprisoned.JPG|John is arrested, brought before Herod Antipas and imprisoned.
Image:John Baptist 06 Salome demands head.JPG|On the instigation of Herodias, Salome demands the head of John.
Image:John Baptist 07 decapitated.JPG|John is beheaded.
Image:John Baptist 08 head presented.JPG|John's head is presented at the court of Herod Antipas.
Image:John Baptist 09 burial.JPG|The body of John is buried at Sebaste.
Image:John Baptist 10 prayers at tomb.JPG|Supplications at the tomb of John the Baptist.
Image:John Baptist 11 bones burnt.JPG|John's body is exhumed and burnt.
Image:John Baptist 12 ashes scattered.JPG|John's ashes are scattered
Image:John Baptist 13 head at Amiens.JPG|Brought from Constantinople by Wallon de Sarton, John's head is received at Amiens in 1206.
Image:Amiens cathedral pulpit 01.JPG|The baroque pulpit.
Image:Amiens cathedral pulpit 02.JPG|Allegorical figure supporting the pulpit.
Image:Amiens cathedral pulpit 03.JPG|Allegorical figure supporting the pulpit.
Image:Amiens cathedral pulpit 04.JPG|Allegorical figure supporting the pulpit.
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