Amadis (Lully)
Encyclopedia
Amadis or Amadis de Gaule (Amadis of Gaul) is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully
Jean-Baptiste Lully
Jean-Baptiste de Lully was an Italian-born French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of the French Baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in...

 to a libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Philippe Quinault
Philippe Quinault
Philippe Quinault , French dramatist and librettist, was born in Paris.- Biography :Quinault was educated by the liberality of François Tristan l'Hermite, the author of Marianne. Quinault's first play was produced at the Hôtel de Bourgogne in 1653, when he was only eighteen...

 based on Nicolas Herberay des Essarts' adaptation of Garci Rodríguez de Montalvo
Garci Rodríguez de Montalvo
Garci Rodríguez de Montalvo was a Spanish author who arranged the modern version of the chivalric romance Amadis of Gaul, written in three books in the 14th century by an unknown author...

's Amadis de Gaula
Amadis de Gaula
Amadis de Gaula is a landmark work among the knight-errantry tales which were in vogue in 16th century Iberian Peninsula, and formed the earliest reading of many Renaissance and Baroque writers, although it was written at the onset of the 14th century.The first known printed edition was published...

. It was premiered at the Paris Opéra
Paris Opera
The Paris Opera is the primary opera company of Paris, France. It was founded in 1669 by Louis XIV as the Académie d'Opéra and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and renamed the Académie Royale de Musique...

 January 18, 1684. There was a later production at Versailles
Versailles
Versailles , a city renowned for its château, the Palace of Versailles, was the de facto capital of the kingdom of France for over a century, from 1682 to 1789. It is now a wealthy suburb of Paris and remains an important administrative and judicial centre...

 without machines in 1685.

Performance history

Amadis was the first tragédie en musique to be based on chivalric
Chivalry
Chivalry is a term related to the medieval institution of knighthood which has an aristocratic military origin of individual training and service to others. Chivalry was also the term used to refer to a group of mounted men-at-arms as well as to martial valour...

 rather than mythological
Mythology
The term mythology can refer either to the study of myths, or to a body or collection of myths. As examples, comparative mythology is the study of connections between myths from different cultures, whereas Greek mythology is the body of myths from ancient Greece...

 themes; Lully's last three completed operas followed in this course. Louis XIV of France
Louis XIV of France
Louis XIV , known as Louis the Great or the Sun King , was a Bourbon monarch who ruled as King of France and Navarre. His reign, from 1643 to his death in 1715, began at the age of four and lasted seventy-two years, three months, and eighteen days...

 chose the theme. In the dance troupe the principal male dancers were Pierre Beauchamps, Louis Guillaume Pécour and Lestang, and the principal female dancers were La Fontaine, Carré and Pesan. There were eight revivals of the opera in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

 between 1687 and 1771. Between 1687 and 1729 it was produced in Amsterdam
Amsterdam
Amsterdam is the largest city and the capital of the Netherlands. The current position of Amsterdam as capital city of the Kingdom of the Netherlands is governed by the constitution of August 24, 1815 and its successors. Amsterdam has a population of 783,364 within city limits, an urban population...

, The Hague
The Hague
The Hague is the capital city of the province of South Holland in the Netherlands. With a population of 500,000 inhabitants , it is the third largest city of the Netherlands, after Amsterdam and Rotterdam...

, Marseilles, Rouen
Rouen
Rouen , in northern France on the River Seine, is the capital of the Haute-Normandie region and the historic capital city of Normandy. Once one of the largest and most prosperous cities of medieval Europe , it was the seat of the Exchequer of Normandy in the Middle Ages...

, Brussels
Brussels
Brussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...

, Lunéville
Lunéville
Lunéville is a commune in the Meurthe-et-Moselle department in France.It is a sub-prefecture of the department and lies on the Meurthe River.-History:...

, Lyon
Lyon
Lyon , is a city in east-central France in the Rhône-Alpes region, situated between Paris and Marseille. Lyon is located at from Paris, from Marseille, from Geneva, from Turin, and from Barcelona. The residents of the city are called Lyonnais....

, and Dijon
Dijon
Dijon is a city in eastern France, the capital of the Côte-d'Or département and of the Burgundy region.Dijon is the historical capital of the region of Burgundy. Population : 151,576 within the city limits; 250,516 for the greater Dijon area....

. Today the most famous aria from Amadis is Amadis' much anthologized monologue from act two, "Bois épais". At the beginning of the same act Arcabonne sings "Amour, que veux-tu de moy?", as once did ‘every cook in France’, according to Le Cerf de la Viéville (Comparaison, 1704–6)

Roles

Cast Voice type Premiere, January 18, 1684
(Conductor: - )
Alquif, sorcerer, husband of Urgande (prologue) baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...

Urgande, sorceress, wife of Alquif (prologue) soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

Amadis, son of King Perion of Gaul haute-contre
Haute-contre
The haute-contre is a rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.-History:...

Louis Gaulard Dumesny
Louis Gaulard Dumesny
Dumesnil was a French operatic tenor . His surname is sometimes found spelt Duménil, Dumény, du Mény, or Du Mesny....

Oriane, daughter of King Lisuart of Britain soprano Fanchon Moreau
Fanchon Moreau
Françoise 'Fanchon' Moreau was a French operatic soprano who belonged to the Académie Royale de Musique, also a celebrated beauty who was a favourite of the Great Dauphin.-Opera career:...

Florestan,illegitimate son of King Perion baritone Jean Dun
Corisande, Florestan's beloved, ruler of Gravesande soprano
Arcabonne, sorceress, sister of Arcalaus and Ardan Canile soprano Marie Le Rochois
Marie Le Rochois
Marie Le Rochois was a French operatic soprano who belonged to the Académie Royale de Musique. She is often referred to as Marthe Le Rochois or simply La Rochois.-Opera career:...

Arcalaus, sorcerer knight and brother of Ardan Canile and Arcabonne baritone
Ghost of Ardan Canile baritone
Followers, knights, soldiers, demons, nymphs, shepherds and shepherdesses, captives and gaolers, enchanted heroes and heroines etc.

Synopsis

A complex story of love and chivalry depicting the faithful love of Amadis and Oriane, opposed by the sorcerer family of Arcabonne and Arcalaus, with another pair of lovers, Florestan and Corisande, as a subplot.

External links

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